BLOODLETTER #2 (IMAGE COMICS)

Tasha Thornwall is on a mission. Her life has never been the same since encountering Al Simmons. He ruined her life by outing her CIA work. Fueled by revenge, Thornwall has been surviving as a mercenary. She has been honing her skills for the chance to take Simmons down once and for all.

10 years later, her day has finally arrived. Simmons has returned as SPAWN. He is a being of immense power. That isn’t deterring Thornwall. She has some new tricks up her sleeve to take down him down for good.

BLOODLETTER #2 by Joseph Illidge, Tim Seeley, Christian Rosado, DC Alonso & AndWorld Design continues the violent path of vengeance.

Let’s take a closer look at what is transpiring now.

BLOODLETTER #2 by Joseph Illidge, Tim Seeley, Christian Rosado, DC Alonso & AndWorld Design (Image Comics)

*** POSSIBLE SPOILER WARNING ***

Thornwall’s quest goes on a detour packed with deep rooted emotion. Her precision attack on The Scorched sends a loud message early. The writing takes the readers through the conflicts to a more conflicted area. Most of the Hellspawn team is just business to Thornwell. One member breaks that mold. It also gives the chapter some much needed depth to offset events.

The interactions with Jessica Priest (She-Spawn) offers some insight into the past. Readers watch as Priest is responsible for molding the broken Bloodletter. It is a long painful process for Thornwall to endure. The comparisons between past and present give a clearer picture of Priest’s influence. Their dialogue is tough and blunt. Both hold nothing back on the lines given. Thornwell drives this point home in her destructive methods. It leads into a very solid close. Readers see many different sides as Thornwall prepares for what’s next. Whether she survives of not remains to be seen.

Rosado & Alonso gives each matchup with the Scorched its’ own aura. Reedemer’s has a more majestic sense while Haunt is more grimy. Medieval Spawn has a classic sense to this visuals. The distinctions helps to add more importance to each fight. While brief, they set the stage for the book’s true main event.

The fight between Priest and Thornwall kicks off with an explosive full page panel. Each expression given tells of the deeper history. This segways to the flashback points. With each panel, readers watch as Tasha evolves to an unbreakable force. This is mirrored in the present timeline. It sets a fast moving pace. The timing translates into a duel of supernatural skills. Readers watch as Tasha holds her own in strong fashion. The panels start building the thought she can actually take out Spawn. This carries the momentum into the final pages. Once here, the panels show how one lesson is learned and another one is about to be taught. There’s no rest for the weary in this series.

OVERALL GRADE: 8.4

Tasha Thornwall’s violent path of rage takes on a massive hurdle for this go-around. Illidge & Seeley mix in a tough reset of spirit in-between the conflicts. Rosado & Alonso bring the pain with some intense throwdowns. Readers watch the emergence of a new contender for the Spawn Universe crown.

Let me know in the comments below your thoughts on Bloodletter #2. Thanks for reading!

LIFE #5 (DSTLRY)

The best laid plans never go according to schedule. An inhabited planet has riches unclaimed. It’s enough reason for Bobby Prost to come back to the crime life one last time. Prost and his crew rolled the dice. They seemed to have cashed out emptyhanded.

Waiting in the wings are prisoners serving deathly life sentences. The “Casanova Killer” Cory James is leading the rogues. They see Prost’s ship as a means to escape their never-ending sentences. Unfortunately for both, someone else has other plans.

LIFE #5 by Brian Azzarello, Stephanie Phillips, Danijel Zezelj, Lee Loughridge and Jared K. Fletcher brings forth the pen-ultimate chapter of Pros and Cons.

It’s been a long wait since issue #4. Let’s not stall any longer & dive into the chapter.

LIFE #5 by Brian Azzarello, Stephanie Phillips, Danijel Zezelj, Lee Loughridge and Jared K. Fletcher (DSTLRY)

*** POSSIBLE SPOILER WARNING ***

“Pros” presents a traitor in the midst. Fiona has schemed her own plans. This leaves the crew in a very dangerous spot. Even with the score at their fingertips, escaping Hell on this Earth isn’t easy. The writing sees Damone and Jax comprehend the set-up. Readers watch as their hope dwindles away. Seeing Fiona describe her twisted motivation gives a newfound perspective on actions. It also leaves the door open for an unexpected surprise. The dialogue is chilling as each page turns. Jax’s meeting with the Cons closes out this portion. Their chat goes in many directions. It ends with a shocking action. The ramifications feel huge as no one is escaping fallout from a thief’s choice.

“Cons” heads into James’ sinister escape plans. Readers see quickly how that has been thwarted. The realization that Queen Jesus no longer factors in plans shakes things up. This portion does a solid job going into flashbacks. Their focus is on James’ rise to power on the planet. The banter between convicts proves there is no real honor. Readers see a very clear, but dark picture of the reality. It rolls into seeing James’ last chance leave his sight. The writing vents his frustration onto his other associates. Events come full circle with the “Pros” part to close. The highly combustible meeting leads to a startling ending. No choice goes without grave consequences in this close.

Zezelj and Loughridge go for a vivid panel set-up early in the “Pros” portions. A full page image laced with smaller panels down the middle walks readers through Fiona’s turn. This heightens the brooding moods of the thieves. The coloring assists huge when it comes to the action. A noteworthy red tips off readers of a fatality. This moves into Fiona’s grand scheme. The changing palette shows her ascension of plans. Her twisted confessions tell a broken tale via her expressions. This leads into the explosive close. There’s never a moment to breathe when the meeting is hanging by a thread. The last page is a full image that drops a massive exclamation point on events!

“Cons” showcases the savage aggression of James and company. These are not nice people and the art fully drives this home. James’ rage pours over each panel. It’s a stark contrast to the flashback moments. Loughridge’s coloring switches to reflect the moods in play. Nothing becomes more vivid than James seeing his plans fly out of grasp. The pages lock in his frustration of losing. Save for the other flashback, the art never breaks this mood. It pushes into the other side of the “Pros” close. There’s plenty of anger in these pages. It all boils to a head with the full last page. An action is taken that won’t soon be forgotten steering into the finale.

OVERALL GRADE: 9.4

One person’s drastic actions throws everything into chaos in another powerful issue of “Life”. Azzarello & Phillips pen an aggressive view of broken dreams with their writing. Zezelj and Loughridge paint a highly emotional view of lost hope with the visuals. Don’t sleep on this extremely creative take on traditional comic storytelling.

Let me know in the comments below your thoughts on Life #5. Thanks for reading!

BATMAN: DARK PATTERNS #8 (DC COMICS)

A dead body has been found in the Rookery. Being one of Gotham City’s oldest neighborhoods, it has many skeletons it doesn’t want known. That is something Batman is willing to brave in his search for answers. What he finds along the way will challenge his very foundation. Is he prepared for what he discovers?

BATMAN: DARK PATTERNS #8 by Dan Watters, Hayden Sherman, Tríona Farrell and Frank Cvetkovic continues “Case 03: PAREIDOLIA”.

There’s no time to waste in checking out the best Batman series at the shops. Here we go!

BATMAN: DARK PATTERNS #8 by Dan Watters, Hayden Sherman, Tríona Farrell and Frank Cvetkovic (DC Comics)

*** POSSIBLE SPOILER WARNING ***

Watters throws Batman his greatest challenge yet with this chapter. For the first time, readers see him exhausted and running on fumes. This is a very different look for the Dark Knight. It’s perfect to compliment his growing pains in this early year. Even his allies are taking notice. As if this wasn’t chaotic enough, a tabloid writer tips off Batman to a disturbing fact of the new Gotham City coroner.

There is no rest to search that new plot out. The writing refocuses Batman back to the stakeout routine. Readers watch as a grave lesson is learned in his inexperience. A sniper has taken aim with Batman’s pre-occupations. This results in a very tense confrontation. The dialogue between this Rookery resident and Batman is laced with clues. It opens a few new doors to this locked case. Watters leaves readers with a startling curve in the close. It can’t be stressed enough of how GOOD this series is!

To say Sherman and Farrell are on a whole other level is an understatement. The opening pages set-up is fantastic. Using “The Den” newspaper lead as a half page panel recurring is great to set the mood. Readers can easily see how Batman is addressing the case. They also see him falling to succeed. This transfers over to his allies conversation. The small details like an unshaven face gritting teeth sends a loud message. It steps up events into a more striking pace.

The return to the Rookery has a small twist to it. Two young children lead Batman into a shocking discovery. Sherman’s panel set-ups add more to each scene. Even a half page grave discovery feels like more stunning than it should. The sniper’s shot is given a superb two page splash. It moves events into a more intense conversation. Readers watch as the shooter delves into Gotham’s past. The use of black & white coloring has an almost Hitchcock aura to the full page image. It assists building the surprise ending. Another full page image graces readers before bowing out. Talk about throwing an exclamation point on this chapter!

OVERALL GRADE: 9.5

“The Best Batman book at the LCS” strikes again with another fantastic chapter. Watters’ writing dives into the ever emerging skills of the Dark Knight. Sherman and Farrell construct incredible visuals to keep readers on the edge of their seats. This is high level storytelling that can’t be beat.

Let me know in the comments below your thoughts on Batman: Dark Patterns #8. Thanks for reading!

GRIM #23 (BOOM! STUDIOS)

When it comes to Jessica Harrow, “ordinary” is never in the equation. Death was destroyed in an encounter with The End. Since that point, no one can die. Being the heir to her father’s throne, Jessica struggles to accept her fate. This has caused many issues. None may be greater than the told taken on her allies.

One makes a tremendous sacrifice to stop Original Sin. This sends Jessica into a confrontation that will either save the day or send it into more peril.

GRIM #23 by Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano (BOOM! STUDIOS) continues its excellent run with a brand new chapter.

Let’s not wait another second and dive into the story!

GRIM #23 by Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano (BOOM! STUDIOS)

*** POSSIBLE SPOILER WARNING ***

Right from the opening page, one question rings true: “Why does Phillips Hate Eddie?” I’m completely kidding but the opening page hits readers with tremendous force. Sealing a tragic fate opens up the next round in the ultimate face-off. Jessica and The End’s game continues to pose many questions. The writing adds more weight into the multi-layered themes of this series. It also establishes if Jessica can continue to handle the gravity of her destine path.

The End’s challenges make readers deeply think about concepts of the life/death connection. Jessica’s banter with her challenger leads to strong moments. Phillips leaves Jessica very vulnerable to the questions looming. It only endears her more to the audience. Once a choice is made, her path takes a fresh new turn. Many possibilities feel open at this stage. This leaves room for a more surprising epilogue. Judging by who takes center stage, it’s very clear Jessica’s actions have caused a major ripple effect. How this plays out will be exciting to watch.

Flaviano and Renzi deliver on the emotions with Eddie’s fate revealed. Renzi’s coloring takes this to new heights. It quickly transitions to a strong full page of Jessica and The End continuing their game. Seeing Jessica’s pent-up emotions released makes quite the impact. This transitions into the current stat quo problem. The End poses a deep question via full page image. This causes Jessica to react with much pause in her voice.

As the story transitions to a new destination, the questions weight begins to show on both. The art locks in the discovery portion of the answers. This moves the story into a very unique point. Renzi’s light coloring gives away the sense of wonder. The reactions of joy and wonder are written on Jessica’s face. This is a much different place than the epilogue. The final page gives the readers a startling reveal before mic dropping a massive change in Jessica’s world. Time in and time out, this team doesn’t miss.

OVERALL GRADE: 9.3

Jessica & The End take their dangerous game to another level with this latest installment. Phillips poses many threads to the reader with phenomenal writing. Flaviano, Renzi and Napolitano convey the overwhelming emotions of the struggle at hand flawlessly. There truly is nothing like this series at the comic shops.

Let me know in the comments below your thoughts on Grim #23. Thanks for reading!

WE'RE TAKING EVERYONE DOWN WITH US #4 (IMAGE COMICS)

Everything can change in a blink of an eye. Annalise and her robot protector are on the hunt. Her father, Dr. Dante Alderman, is dead. Special Agent Rook is the guilty party. Revenge isn’t a clear cut path. There are many invested parties searching for answers in the fallout. Let’s not forget the big explosion on Annalise’s train!

This is just another day in the office for one of 2025’s best series!

We’re Taking Everyone Down With Us #4 by Matthew Rosenberg, Stefano Landini, Jason Wordie, and Hassan Otsmane-Elhaou continues its’ spy-fi odyssey!

Let’s take a deeper dive into the latest chapter!

We’re Taking Everyone Down WithUs #4 by Matthew Rosenberg, Stefano Landini, Jason Wordie, and Hassan Otsmane-Elhaou (Image Comics)

*** POSSIBLE SPOILER WARNING ***

Rosenberg juggles many points in this chapter. The meeting with Dante and Rook is a true battle of wits. Their back and forth is met with an explosive end. Once events catch up to present, readers see a devastating fallout from last chapter. Annalise’s world is forever changed. Through the chaotic mess, the writing demonstrates a sense of caring in-between the mounting drama. It’s perfect dialogue as the bond between robot “dad” and daughter continues to bloom.

The story doesn’t escape the quirky charm it thrives in. Annalise’s arm situation is prime example. Readers watch as the moment moves into a more dangerous place. Once Rook makes his way to confront Annalise, the tempo picks up. There is plenty of great action going down. Events wrap up suddenly as the story transitions to another aspect. More of Annalise’s past starts being peeled back. Heading into the close and Rosenberg throws in a few more surprises. It leaves events on a strong cliffhanger. Another impressive issue indeed.

Landini and Wordie bring out the one-upmanship early for this edition. The full page image of Rook getting the drop on Dante sets the pace. Events start moving fast through the flashback. In the present, the fallout from the explosion takes focus. Readers watch as Annalise comes to terms with what’s happened. It is much thrown on her shoulders as their plans hit a small detour.

The art gives a break of the drama to give the young girl a “normal” moment. Her interaction with the young kids in town provides a fun pause in the drama. It doesn’t take long for this to disappear. The fight between Rook and the Robot is unapologetically brutal. Its’ nine panel page set-up keeps readers locked in until the abrupt end. Once the story goes towards the close, more of Annalise’s truth comes to light. Panels reflect the shocking wonder of what’s being said. It leads into a few tough panels before the parting shot. The full page image brings the house down on another fantastic chapter.

OVERALL GRADE: 9.4

Annalise’s broken world gets some repairs as her mystery grows. Rosenberg’s writing doesn’t skip a beat with its’ excellence. Landini and Wordie bring out the deep drama amongst the big action. This series continues to be ones fans can’t possibly afford to miss.

Let me know in the comments below your thoughts on We’re Taking Everyone Down With Us #4. Thanks for reading!

BLACK CANARY: BEST OF THE BEST #6 (DC COMICS)

To the winner goes the spoils. Dinah Lance has dug deep to try winning a fight. Normally, this would be enough to secure victory. This is anything but a normal fight. Lady Shiva is her opponent. The prize is being crowned “The Best of The Best”. Dinah struggles to focus on the bout when her mother’s life hangs in the balance. What will weigh out when the bell ring in the final round?

BLACK CANARY: BEST OF THE BEST #6 by Tom King, Ryan Sook, Dave Stewart, and Clayton Cowles doesn’t leave t in the hands of the judges for the finale.

Let’s take a deeper dive & see who claims victory!

BLACK CANARY: BEST OF THE BEST #6 by Tom King, Ryan Sook, Dave Stewart, and Clayton Cowles (DC COMICS)

*** POSSIBLE SPOILER WARNING ***

The fight lives up to its’ top billing on the marquee. Through King’s writing, readers witness a heavy combo of emotions connect. The story has never truly been Dinah vs Shiva. It has been overtaken by Dinah wrestling with her mother’s legacy. As she is dying, the weight finally breaks with Canary. Being thrown a Faustian deal by Vandal Savage keeps readers wondering what will be the ultimate outcome.

A decision like this doesn’t come easy. King gives Dinah a powerful moment “talking with her mother” about options. The vulnerability on display is an instant knockout. It gives such an insight into Dinah’s mind as she forces herself to make a choice. This becomes a driving force in the ultimate round. There is no way readers can’t get wrapped up into the pinnacle moments. Once her choice is made, there is no turning back. It leads into a bittersweet close. There’s a certain sense of peace with the call made which sends readers home on solid ground. Excellent work with this story.

Sook and Stewart immediately give this moment the “big fight feel” it deserves. Seeing the range of characters locked in adds to the drama. Events shift back to the hospital before the bell rings. The full page image of Dinah crying screams the painful experience unfolding. Vandal Savage’s injection into this sequence brings out a subtle break with jarring humor. It leaves the hospital in a fitting transition before the next round commences.

The full page corner mirroring image starts off the round perfectly. There is a certain level of respect built between both. The nine panel page gives off enough of this mood. It ultimately gives way to Dinah’s “talk”. How Dinah is processing everything is pouring with changes. Initially calm to boiling with rage, the art covers it all. It all ties back to the fight and two strong full page images. Sook has delivered on the action and amped it up for the finale.

As powerful of those pieces are, a half page one steals the show. This pushes events to its’ closing. Readers watch as the commentary team sends them off with style and a smile.

OVERALL GRADE: 9.5

What lies inside a fighter’s heart? Tom King and Ryan Sook answer that question with an epic final. King’s writing brings out the deep struggles inside of Black Canary. The art delivers on big action and even larger drama. It’s a perfect blend that doesn’t need a judge’s decision to claim victory.

Let me know in the comments below your thoughts on BLACK CANARY: BEST OF THE BEST #6. Thanks for reading!

GRIM #22 (BOOM! STUDIOS)

Death is unavoidable. It is one of the few things that is certain. Jessica Harrow knows this all too well. Being the heir to Death’s throne, Harrow has been thrown many obstacles. The current situation involves her aunt unleashing original sin onto the world.

Harrow knows there is a high cost to pay for stopping this evil. Is she ready to pay or fall to its weight?

GRIM #22 by Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano (BOOM! STUDIOS) brings back the coolest book at the LCS with an all new chapter.

Let’s not wait another moment and dive into this issue!

GRIM #22 by Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano (BOOM! STUDIOS)

*** POSSIBLE SPOILER WARNING ***

Phillips takes Harrow into dangerous waters with her current dilemma. Opening with a chess match versus The End is an undeniable scene. Their banter eludes to an ultimate showdown coming. The aura surrounding Time keeps readers very intrigued. Knowing a possible future, both demonstrate a sense of denial. It provides a set-up for the main drama course.

Adira’s prescence is polarizing to say the least. The catalyst of Jessica’s drama now appears hat in hand. This shift in persona causes much pause amongst Jessica and her allies. It leads into a face-off issues in the making. The payoff doesn’t miss its’ mark. Phillips crafts an unlikely point of possible hope. Before readers can get settled in for it, a massive curve is thrown into the final page. Long time readers better brace for impact. It is a pivotal and game-changing moment. Another reason why Grim gets all the praise it does.

Flaviano and Renzi construct some of the most ingenious images of the series to date. The chess match reveal between Harrow and The End is gifted a full page visual. This moves events into the deep rooted conversations between Time and Jessica. Both are reluctant to accept their future. Their facial expressions show how both are slowly breaking in their denial.

Once Adira enters the picture, panels lean into her deep regret of failure. The art shows the remorse in her actions. Readers watch as this quickly gives way into the previously mentioned showdown. Pacing is heightened as the action heats up. A half panel exposes the damage done. In its’ aftermath, there is a sense of uncertainty in what lies ahead. The art team doesn’t take long to remedy this. The closing page is a jaw-dropping full image. It impacts everything as someone’s destiny is altered forever.

OVERALL GRADE: 9.6

“Grim” returns with a truly game-changing issue. Phillips’ writing challenges Jessica’s destiny while forever altering someone else’s fate. Flaviano, Renzi and Napolitano cover the wide ranges of emotions while mic-dropping the final page. There is nothing that comes close to the levels of storytelling displayed in each issue of this phenomenal series.

Let me know in the comments below your thoughts on Grim #22! Thanks for Reading!

WE'RE TAKING EVERYONE DOWN WITH US #2 (IMAGE COMICS)

Dr. Dante Alderman had been off the grid with his daughter Annalise. It hasn’t been without some secrets. The “good” Doctor has been focused on his work. This has left his daughter to her own devices (along with a robot guardian). One random encounter with a stranger proves to be a starting point of trouble.

An explosion rocks their home. Annalise wakes up to the sound of her father’s voice. When she looks, it’s not her dad that she sees. It’s her robot protector!

We’re Taking Everyone Down With Us #2 by Matthew Rosenberg, Stefano Landini, Jason Wordie, and Hassan Otsmane-Elhaou continues its “spy-fi” adventure.

Let’s take a closer look at what’s unfolding now.

We’re Taking Everyone Down With Us #2 by Matthew Rosenberg, Stefano Landini, Jason Wordie, and Hassan Otsmane-Elhaou (IMAGE COMICS)

*** POSSIBLE SPOILER WARNING ***

Rosenberg continues to orchestrate a very multi-layered saga. Opening with a flashback sequence connects a high stakes feel with readers. The new cast of characters elude to the deeper levels becoming exposed. A few get a fair amount of page time to start their journeys. As more comes to light about Dr. Alderman, the world of Annalise becomes thrown into a chaotic state. This leads into a thrilling part of the book.

Seeing Annalise and her robot navigate through intruders provides glimpses of a dark future. There are no punches pulled. Rosenberg sprinkles in some fun moments to keep things leveled out. It cushions the blow of Annalise’s dire discovery. This throws everything into a frantic state. Readers watch as there is more heart aching moments adding up on the young 13 year old. When the smoke clears, the closing pages lead into another unstable path. A new threat stands before readers to welcome them to the next phase of this ever-engaging tale.

Landini and Wordie open up with a jarring full page image. The aftermath of the initial attack makes an immediate impact on readers. This is followed up with a special grid panel set-up for new characters. It brings out the best of their conversation, pushing Dante’s fallout higher. Their close ups tease the many personalities now involved. It is brief but provides a steady gap to regroup on Annalise and company.

The brutality of the situation never is held back. Readers watch as the robot handles would be assailants with no remorse. Annalise’s reactions vary in the midst of searching for her father. A close up of her crying eyes speaks louder than any dialogue when the time hits. The escape from the island is capped off with a half page image. This jumpstarts events into the closing pages. The ending shot ushers in a new direction and antagonist for Annalise to deal with. Artwork continues to be a strong base for this story to grow from.

OVERALL GRADE: 9.5

The end of Dr. Dante Alderman lands a devastating blow onto his daughter’s survival in this latest chapter. Rosenberg keeps working the winning combination of drama and danger via the writing. Landini and company give this story show-stealing visuals at every turn. This series carves its’ own niche at the comic shops that simply cannot be ignored.

Let me know your thoughts on We’re Taking Everyone Down With Us #2 in the comments below. Thanks for reading!

SUPERMAN: THE LAST DAYS OF LEX LUTHOR #2 (DC COMICS)

The wait is finally over! In the summer of 2023, A Superman story under the DC Black Label banner debuted. Expectations were huge considering the creative team attached. It hit the high bar set and then some. Lex Luthor is mysteriously dying. His only hope is his worst enemy. Superman goes to great lengths to try, but is it all in vain?

Superman: The Last Days of Lex Luthor #2 by Mark Waid, Bryan Hitch, Kevin Nowlan, David Baron, Richard Starkings and Tyler Smith (Comcraft) continues its’ complex saga between the iconic pair.

Let’s not wait another second and dive into this tale!

Superman: The Last Days of Lex Luthor #2 by Mark Waid, Bryan Hitch, Kevin Nowlan, David Baron, Richard Starkings and Tyler Smith (DC COMICS)

*** POSSIBLE SPOILER WARNING ***

When dealing with this dynamic, Waid plays heavily off their former friendship. Superman carries a tremendous amount of guilt. Even when the flashbacks show the first “Kryptonite” event, the writing shows how that kickstarts Luthor’s deep hate. Waid keeps Luthor’s ego firmly cemented above anyone he comes across. Seeing where this issue goes, that speaks volumes.

There is a wide range of the DCU covered with this chapter. From the 31st century of the LOSH to the deep depths of the ocean, the travels emphasize the grave stakes. Each visit reflects two aspects. The first is Superman’s unrelenting nobility. Kal-El is fully aware of a doublecross but pays no mind. It’s due to the greater good in everyone he symbolizes. The other is Luthor’s inability to accept he is wrong.

Waid brings this all full circle in the closing pages. The banter between both comes to a thunderous head. It leads one to drop guard and reveal a secret. This unfolds into a spiral of stages. Its’ fallout leaves a change in the stat quo. Readers watch as a surprise weighs in on Luthor’s fate. It is one that escalates the emergency to new heights. The writing nails the landing for this section with much more left in the tank.

Hitch’s are is simply stunning in this chapter. With Nolan and Baron’s assist, the travelling the pair does shines. An incredible two page splash welcomes readers into the 31st Century. Superman smiling and Luthor’s dismay jump in its aftermath. Readers watch as the mood transfers over to the key flashback sequence. Seeing how Kryptonite played into the friendship death speaks volumes. Its’ mood doesn’t linger too long as events shift places.

Themyscira comes to life with a near full page image. Its’ most famous resident is waiting at the gates for the pair. Another full page image shows how welcomed they are. The same can be said for Tritonis. Hitch’s ability to extend the moments is second to none. Each page feels tremendously impactful. The art also captures each emotion pouring out of Luthor. It bleeds over into the closing act. Luthor’s reactions never escape the readers. It continuously adds drama to their struggle for a cure. Events close with another factor crashing the party. This is a moment that throws everything in flux. It also compliments what amazing art has been during this entire series.

OVERALL GRADE: 9.5

The struggle of conscience pushes Clark Kent to his breaking point in another epic chapter. Waid takes Lex Luthor into an emotional rollercoaster with the writing. Hitch’s stunning visuals will absolutely floor fans. If books are at this high level of storytelling, fans won’t mind waiting for another round.

Let me know in the comments below your thoughts on Superman: The Last Days of Lex Luthor #2. Thanks for reading!

DETECTIVE COMICS #1095 (DC COMICS)

Asema’s grip over Gotham grows stronger. Bruce Wayne has been offered a chance at renewed youth. It appears as wayward teens are being mysteriously killed. All roads point to a dark time in the past. Have the sins of the Father struck down the son of Today?

DETECTIVE COMICS #1095 by Tom Taylor, Mikel Janin, Norm Rapmund, Alex Guimarães and Wes Abbott positions Batman in a collision course with a ghost from the past.

Let’s take a closer look at where things stand now.

DETECTIVE COMICS #1095 by Tom Taylor, Mikel Janin, Norm Rapmund, Alex Guimarães and Wes Abbott (DC COMICS)

*** POSSIBLE SPOILER WARNING ***

Taylor devotes the majority of the issue back to an early story point. The eerie connection between Thomas Wayne and Joe Chill is finally clarified for Batman. Using Leslie Thompkins as a conscience works to help Bruce through the news. The emotional wounds resurface. It puts Batman in a place readers rarely see. For being the one always two steps ahead, he’s far behind. This doesn’t help as he confronts his childhood fear.

There is never a shortage of tension in this meeting. The payoff ties up a loose end for a brief moment. Taylor throws in another curve before closing up this point. Readers get a quick Bat break with a fun Penguin/Vandal Savage moment. The one-upmanship is very evident. Its’ timing provides a perfect segway moment for the final pages. The writing shows Batman swinging big to draw out Asema. Its fallout brings an exciting cliffhanger for the murder/mystery. There’s no shortage of questions coming out from this chapter.

The art works off the brooding of Bruce Wayne to set pace. Seeing him working out and unshaven indicates the envelopes info hit its mark. Leslie Thompkins concerned nature shines in these panels. This all leads to a long awaited confrontation. Batman’s reactions to seeing Joe Chill remind readers that some scars never heal. It’s followed up by a near full page answer to the fear.

Each panel never lets up on the weight of the matter. Chill’s tense expressions are met with Batman’s cold demeanor. It leaves readers with a firm close to this moment. The story also pushes a surprise onto the pages with an excellent twist. Presentation-wise, it leaves readers guessing if that really happened. Penguin’s standoff with Savage constructs a unique duel. It’s shott lived but works. Janin escalates events quickly with the closing pages. The final page is a full shot indicating an unlikely ending to foil Batman’s big strike. This is a very solid issue with its’ art.

OVERALL GRADE: 9

Secrets of the past come to light in Batman’s latest case. Taylor delivers on a long awaited confrontation with the writing. Janin, Rapmund and Guimarães craft a steady dose of drama with each page. Judging by the close, the case or Batman is about to crack. Get ready for a big payoff from this chapter.

Let me know in the comments below your thoughts on Detective Comics #1095. Thanks for reading!

OUT OF ALCATRAZ #1 (ONI PRESS)

Alcatraz. Arguably the most famous prison in the world. An inescapable fortress. In June 1962, Frank Morris and Clarence Anglin escaped. Modesto is their current location but it can’t be for long. Fugitives from Alcatraz is something law enforcement doesn’t want to have out in public. The hunt is on the pair. Freedom seems to be in their grasp. What gives first?

OUT OF ALCATRAZ #1 by Christopher Cantwell and Tyler Crook ushers in one of 2025’s most highly anticipated series.

Let’s not wait any longer and dive into the story.

OUT OF ALCATRAZ #1 by Christopher Cantwell and Tyler Crook (ONI PRESS)

*** POSSIBLE SPOILER WARNING ***

Cantwell pieces together an thrilling intro in mere moments. Morris and Anglin are not good men. Their escape on rough waters is met with much intensity. When Anglin’s brother becomes lost at sea, their dynamic instantly changes. The uneasy partnership makes its way into Modesto. Escaping seems like the easy part at this stage. Once on land, both struggle to handle the consequences of the escape.

Their deal with a mysterious contact crafts a ticking timebomb. Every conversation with the driven Morris and grieving Anglin bursts with anger and guilt. This spills over as they try staying out of sight. A simple visit into town draws rage from Morris. Knowing what is at stake, he’s not willing to let Anglin ruin his “freedom”. This spirals into uncomfortable moments with the towns people.

The writing doesn’t back down from the immense pressure rising. Bothe escapees Readers watch as an ill-fated curve is thrown into the mix. Cantwell brings out the ugliness of society which is decided by the lesser of two evils. There’s never a moment that lets up the weight of what unfolds. Readers won’t have time to process after they see the final page. Talk about a showstopping moment. If this is the opening chapter, there is no telling what to expect from here!

Crook doesn’t delay in constructing the bold escape. The panels are loaded with the challenges of the escape. There is many expressions displayed in these panels. It ultimately wraps up with a two page spread of the survivors. As Morris and Anglin maneuver off the radar, readers see the frustrations boil over. The back and forth images of Alcatraz to their freedom get a huge boost from the lettering. Readers witness the frantic reactions to find out what happened. This leads to a semblance of normalcy that is short lived.

The art doesn’t back away from the repulsiveness of society themes in this era. Readers watch as this comes into play multiple times in the issue. There never is a sense of these are “good” people to cheer for. The art shows how deeply flawed and damaged they are. This is seen in almost every interaction Morris comes across. Panels capture his broken soul as his anger responds to issues. Heading into the latter half of the book, this becomes clear.

One instance becomes a complicated problem for the pair. Switching up the coloring, a red half page image crashes down one conflict. This becomes quickly doused by the final page’s impact. The final panel puts everything in flux. Crook leaves it all in this issue which fans will be raving about.

OVERALL GRADE: 10

An escape from Alcatraz becomes a highway to Hell in this opening salvo. Cantwell takes the two leads into deep levels with the writing. Crook’s art sets the stage with the painful repercussions of their actions. This story is one readers won’t want to escape from anytime soon.

Let me know in the comments below your thoughts on OUT OF ALCATRAZ #1. Thanks for reading!

POP KILL #1 (MAD CAVE STUDIOS)

Who knew how deadly the world of Cola can be! Two former Siamese twins have become bitter rivals. The lengths they go to destroy the other are huge! Assassins? Sabotage? Nothing is off limits. In the end, only one will be sipping the cold taste of victory.

POP KILL #1 BY Jimmy Palmiotti & Dave Johnson, Juan Santacruz, Brian Reber and Sean Konot takes readers on one hell of a ride.

Let’s take a deeper dive into the dangerous game at hand.

POP KILL #1 BY Jimmy Palmiotti & Dave Johnson, Juan Santacruz, Brian Reber and Sean Konot (Mad Cave Studios)

*** POSSIBLE SPOILER WARNING ***

Palmiotti & Johnson are flipping the espionage stat quo on its’ ear. Goro and Kaito run their companies with no mercy. The opening sequence feels right out of a spy movie. Jon Pyle loudly crashes the opening pages. Readers watch as he ruthlessly attacks. It becomes a pacesetter for the remainder of the chapter. When Popso takes the first hit, the fallout is brutal. The message becomes crystal clear. Losing is not an option.

This drives Pyle back into service. Goro hires him on a very discreet mission. Events play out in a very violent fashion. One person of interest changes the game on everything. Readers watch as the long play begins to acquire game-changing information. It moves very fast while mixing in various spy themes. This works to keep the audience guessing. Once at the close, events end more intrigue. There’s never a dull moment with this issue.

Santacruz and Reber opens with a full page image of Pyle at work. The break-in to Popso turns into a wild scene. There’s no shortage of the violence at hand. Both brands office scenes carry this same energy. Readers get an up close look at how failure is tolerated. It’s equally matched by the maniacal behaviors of the twins. Each close-up shows heir twisted drive to reign supreme.

Pyle’s mission takes him on a bloody adventure. Konot’s lettering stands out in these panels. The pursuit of Dina Deluxe comes across as charmingly evil as the spy game gets. Deluxe’s reactions indicate she’s buying into Pyle’s lies. This leads readers into the closing pages. A simple dinner turns out to be anything but simple. The art team mixes in a few wrinkles to ff set the mood. It’s a fitting end to a very rambunctious opening.

OVERALL GRADE: 8.6

A dangerous web of lies and deception forms under the guide of cola companies in this unique tale. Palmiotti & Johnson take readers on a very different spy story. Santacruz, Reber and Konot head into the chaos and charm with the art. What side will take victory is really anyone’s guess.

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BLACK CLOAK #11 (IMAGE COMICS)

Phaedra Essex has always been a polarizing figure in Kiros. The former Black Cloak was the catalyst of city breaking event. Five years later, Kiros is still picking up the pieces of the great fire.

With a serial killer on the loose, Essex is brought back into the fray by Pax and Alden. Dancing the public line is difficult enough. Searching for answers might finally end the last city of the known world!

BLACK CLOAK #11 by Kelly Thompson, Meredith McClaren and Becca Carey brings forth a show-stopping conclusion to its second arc!

Let’s not wait any longer & jump into the arc finale!

BLACK CLOAK #11 by Kelly Thompson, Meredith McClaren and Becca Carey (IMAGE COMICS)

*** POSSIBLE SPOILER WARNING ***

Thompson gives a big pay-off for long time readers with this issue. The slow burn method works to exemplify Essex’s importance to Kiros. Dagmar’s “interrogation” is prime example of this. Seeing how Essex and her team push unlocks secrets to readers’ delight. The writing hones in on the personal blow dealt with Dagmar’s revelations. It sets a course to an intense final act.

Once the group descends into the darkness of truth, the pacing picks up. Readers are hit with great payoffs. This pushes Essex and her partners into uncomfortable waters. Desperate times call for action. The story takes flight as a move is made with dire intentions. Thompson throws more twists into this segment. Its’ fallout perfectly caps off the dangers. The epilogue ties up loose ends while leaving much to reflect on. There is no better way to say goodbye for now, but hopefully not for too long.

McClaren opens the chapter up with simple panels. The color usages takes them up a few levels. Jumping deep into the chapter, Dagmar’s questioning hits with a unique panel drawing out memories. It is a sequence that connects with readers, allowing big payoffs.

The world of Kiros is a visual win in its own right. McClaren makes each vision of the city stand out. This rings true when dealing with The Heights. The near full page image pops as it launches a final standoff. This mood carries into the drastic move made by the guilty party. All the expressions by Essex and her team cover many emotions. It elevates the scene to new levels as readers watch. The fallout out teases a gory situation but structure leaves it in the minds’ eye. Readers can sense the emotional height slowly lifting. A full circle moment caps off the chapter with a defiant message narrating it. Nothing but a huge win for fans of this series.

OVERALL GRADE: 9.6

The latest saga of Phaedra Essex comes to a thunderous close with its’ strong arc ending chapter. Thompson’s slow burn writing brings readers an impactful ending. McClaren and Carey pull out all the stops, sending readers into the next phase of Kiros history. One of the best series at the shelves when it drops for a reason!

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ABSOLUTE BATMAN #4 (DC COMICS)

To survive in Gotham City, you either break or become something more. Bruce Wayne has chosen to adapt. What has emerged is a feared destructive force for justice. The path of vengeance is vastly different than what fans are accustomed to. In this Absolute era, expect the unexpected.

ABSOLUTE BATMAN #4 by Scott Snyder, Gabriel Hernández Walta (Phantom Road), Frank Martin and Clayton Cowles takes readers further into the origin of a very different Dark Knight.

Let’s have a closer look at what is happening now.

ABSOLUTE BATMAN #4 by Scott Snyder, Gabriel Hernández Walta, Frank Martin and Clayton Cowles (DC COMICS) Cover: Nick Dragotta

*** POSSIBLE SPOILER WARNING ***

Snyder takes this chapter into two areas. The flashback sequences take readers into a simpler time with the Waynes. Dialogue is one of optimism as young Brice tries to impress his dad. Readers watch as their backstory comes to light. Focusing on the choices only makes the tragic future more impactful. This is perfectly capped off with a courtroom outburst. There is no denying the rage and pain being unleashed. What it ultimately creates is a man looking to deal with his own trauma.

This portion dives heavily into a “Year One” phase. Snyder paces events out evenly. Readers watch a try and fail timeline as Batman evolves. There are some nods to his previous origin but nothing feels replicated. The writing walks the audience through this growth. There are moments focusing on Wayne’s drive to be better. It all leads into a debut of the finished product. This leads into a surprising ending. Judging by the last page, there is more pain about to surface as the Bat continues to spread his wings.

Walta steps in for art duties on this chapter. The opening flashback pours with emotion with a young Wayne in court. The close-ups reveal the anger built by his father’s loss. Gears shift into a closer present with a Batman in action. There’s no shortage of brutality as Batman attacks. Walta’s attention to detail is big in this moment. Seeing claws and fangs appear shows the humble beginnings. The coloring keeps a grim atmosphere. This leads seeing how Bruce grows into the Bat. Readers watch as the young man takes out his pain on criminals in style.

Batman’s attack on a gun-running shipment is classic Dark Knight. Walta’s art leads the quick pace into a violent end. Martin’s use of red amplifies the conflict. It leads into more personal moments as Bruce deals with what he is becoming. Once at this stage, the Batman’s first “real” mission is gifted a strong full page image. Events come back full circle with the closing page. In a few panels, the drama sets in as a confrontation for the ages begins. Fans better be ready for what is coming next. There’s no slowing down from here.

FINAL POINT: 9.7

The tragic beginnings of the Dark Knight come into the light with this chapter. Snyder pens an emotionally driven issue with strong writing. Walta, Martin and Cowles keep a brooding sense to panels as the evolution from Man to Bat begins. High level storytelling at its’ finest.

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BATMAN #156 (DC COMICS)

James Gordon is framed for murder. The Riddler is about to acquire Wayne Industries. Lurking in the shadows is the Court Of Owls. Gotham City is living on the edge of chaos. Can Batman weather the storm to save the day?

BATMAN #156 by Chip Zdarsky, Tony S. Daniel, Tomeu Morey, and Clayton Cowles (DC COMICS) brings a whirlwind of excitement with its latest installment!

Let’s not wait another second and dive into the drama!

BATMAN #156 by Chip Zdarsky, Tony S. Daniel, Tomeu Morey, and Clayton Cowles (DC COMICS) - Cover: Jorge Jimenez

*** POSSIBLE SPOILER WARNING ***

With two issues left, Zdarksy is leaving it all on the table with this story. Juggling multiple heavyweight rogues is a task. The writing pulls it off with ease and excitement. Riddler comes across as the psychotic genius that he is best as. The battle of wits between him and Batman is as classic as it gets. Its’ resolution provides a very unique twist to an already heavily layered issue.

Zdarsky also gives Jim Gordon’s tale a fitting end as well. Making him a very grey character in his arc worked immensely. Readers have seen a very different side of the last good cop in Gotham. His arc ends with a heroic stand, even if he hasn’t been 100% noble. This all circles back to Batman in the end. As more clues come into focus, Zdarsky drops one more bombshell before ending his long run with a sure-fire bang!

Daniel steps in for Jimenez on art duties. Events escalate quickly as Commander Star stands tall via a mid page panel. Batman and Gordon fight their way through the police to stop Riddler. The electric panels pop with action. Daniel flips the tempo with Riddler and Kull. Readers watch as Riddler’s ego fuels his insanity. There are vintage deathtraps pitting Batman’s knowledge against the odds. None greater than the realization of who is pulls the strings.

Gordon’s resolution comes with a heavy burden. The art reflects the pain his actions cause. This becomes the fuel for his assault on Riddler. After being in a morally neutral spot, Gordon demonstrates the hero aspects many associate him with. One moment will jump at fans before the close kicks off. With events ramped up, the final image delivers a shocking reveal before leading into the finale.

FINAL POINT: 9.6

Zdarsky heads into the finale of his run with an incredible set-up. The writing keeps readers locked in with action and surprises. Daniel, Morey and Cowles ramp up the intensity with each panel. Expect nothing but fireworks with this story’s conclusion!

Hit me up on ODPHpod social media and let me know your thoughts on Batman #156. Thanks for reading!

BATMAN: THE LONG HALLOWEEN - THE LAST HALLOWEEN #4 (DC COMICS)

Batman is dying! The Caped Crusader was shot by Mario Falcone during a confrontation. Now with time of the essence, someone needs to save the Dark Knight. That responsibility is now in a young Dick Grayson’s hands. Can Robin save Batman’s life?

BATMAN: THE LONG HALLOWEEN - THE LAST HALLOWEEN #4 by Jeph Loeb, Cliff Chiang, Dave Stewart and Richard Starkings continues the legacy of Loeb and the late Tim Sale’s suspenseful story.

Let’s not wait any longer and dive right in!

BATMAN: THE LONG HALLOWEEN - THE LAST HALLOWEEN #4 by Jeph Loeb, Cliff Chiang, Dave Stewart and Richard Starkings (DC Comics) COVER: TIM SALE

*** POSSIBLE SPOILER WARNING ***

Loeb puts the Boy Wonder front and center for this issue. Batman is wounded and barely escapes the Falcone mansion. Crashing (literally) into the Batcave, Alfred must attempt surgery. The scenario is all too familiar to Grayson. Seeing his parents die in front of him bares an eerie resemblance here. Loeb plays into the connection with the narration. This sparks Robin to pick up the case, whether he’s ready or not.

The journey takes him to a very recognizable place. Inside the Arkham walls, Grayson attempts to fill the shoes of Batman, Readers watch as he struggles but remains vigilant. This overshadows the brutality of Solomon Grundy’s story portion. The larger investment is with Grayson grasping for straws to help. His desperation leads him to one person for help. It is only fitting of who it is. The resolution is perfect Batman storytelling. Once concluded, the final pages set the stage for an inevitable showdown. There is much to enjoy with the writing here.

Chiang (Paper Girls, Human Target) steps in for art duties. The two page splash of Batman crashing into the Cave sends a loud message. It starts this chapter off with a sense of danger. Mixing in the Graysons’ accident via panels adds fuel to that fire. Moving to a nine-panel page illustrates how Grayson is reacting. It works to carry him to his next portion of the story.

Once at Arkham, the half page with the Calendar Man shows his determination for answers. It leads to a confrontation that is very fitting. The result is a “family portrait” for the ages. Chiang and Stewart also craft a heartfelt Alfred moment to conclude this section. It is in difference to Grundy’s rage as he pursues a suspect in the Gotham PD. Those panels add more intrigue before the close. Once there, a full page image of a popular Rogue seals this chapter up for its next round.

FINAL POINT: 9.3

The latest “Halloween” chapter casts the spotlight on a near death in the family. Loeb’s writing shows Dick Grayson treading through the chaotic Gotham landscape. Chiang (along with Stewart and Starkings) builds up the emotional ware of a dying Batman on his most loyal supporters. This series continues to set a high bar for storytelling.

Hit me up on ODPHpod social media and let me know your thoughts on BATMAN: THE LONG HALLOWEEN - THE LAST HALLOWEEN #4. Thanks for reading!

DETECTIVE COMICS #1092 (DC COMICS)

The price of Immortality? An experimental procedure is offered to Bruce Wayne. With talk of how to fend off Father Time a little longer, who wouldn’t say yes? This can help the Dark Knight as he searches for a killer. The victims: wayward teens. Can Batman solve the case before another dead body appears?

DETECTIVE COMICS #1092 by Tom Taylor, Mikel Janin, and Wes Abbott sends Batman on a dark path in search for answers.

Let’s diver further into Gotham’s latest crime case!

DETECTIVE COMICS #1092 by Tom Taylor, Mikel Janin, and Wes Abbott (DC Comics)

*** POSSIBLE SPOILER WARNING ***

Taylor puts Batman through the moral complexity surrounding this case. Another another victim is found. This strikes a chord with Damian Wayne. Robin put the victim in hiding. Once on the scene, the case becomes more complex. With a possible clue found, readers think there’s a break. It gets pushed onto the back burner with another matter at hand.

Scarlett’s connection with Bruce takes center stage. Taylor writes her character with much mystery. It keeps the audience guessing to what she is really about. As Batman furthers his investigation, it leads him into a blurred path. Taylor find a way to bring some emotion out of the stoic knight. The results lead into a desperate search for truth. Knowing their connection, readers watch as the final pages throw a new wrinkle into play. It leaves Batman in a state rarely seen. How this goes now is anyone’s guess.

Janin unleashes the dynamic duo onto the case with style. The full page image flies them into the uneasy scene. Their moods swing to anger when their search is interrupted. Readers watch as the facial reactions grow darker before the fists fly. The fight concludes with an equally impressive half panel.

From here, Bruce Wayne takes center stage. Following his fascination with Scarlett’s offer, he’s taken the plunge. The questioning that follows throws Scarlett off. It can be easily seen that she is covering something up. The post restaurant sequences prove more that meets the eye. Janin throws in a surprise fight scene. This leads to Bruce losing himself to the moment. Rarely do readers see Batman act “human”. This steamrolls into the close. With a strong final panel, the case is turned upside down. Where everything falls is sure to keep fans guessing till next issue.

FINAL POINT: 9.2

The high price of extending youth takes another toll on Bruce Wayne. Taylor’s writing pushes the Dark Knight into a question of fact vs. heart. Janin’s impressive art continues to steal scenes as the case heats up. It’s one that pushes Wayne into new areas that prove there might be a Man behind the Bat after all.

Hit me up on ODPHpod social media and let me know your thoughts on DETECTIVE COMICS #1092. Thanks for reading!

BATMAN: DARK PATTERNS #1 (DC COMICS)

When fans think of Batman, many images pop into mind. Caped Crusader. Dark Knight. One description might stand out from the rest. “World’s Greatest Detective”. Seeing the evolution of his skills has always been exciting to watch.

A new series looks to showcase the early days with a unique format. “Dark Patterns” is a 12 issue series spotlighting four very unique and grounded cases. This is a whole new look at Batman as he starts to etch his legacy.

BATMAN: DARK PATTERNS #1 by Dan Watters, Hayden Sherman, Tríona Farrell and Frank Cvetkovic launches the series with “Case 01: We Are Wounded”.

Let’s take a closer look at how things begin.

BATMAN: DARK PATTERNS #1 by Dan Watters, Hayden Sherman, Tríona Farrell and Frank Cvetkovic (DC COMICS)

*** POSSIBLE SPOILER WARNING ***

Watters sets events in motion with a slow burn build. Walking readers through the initial start features a cold Gotham City. The writing builds off the unforgiving nature of Batman’s home. This ultimately leads into the latest victim of a a serial killer. Watters lays out the gruesome killing while giving Batman just enough clues to start investigating.

As the pace picks up, Watters adds more twists into the plot. Readers will appreciate the Alfred injections into the chapter. It is a factor sorely missed in current stories. Their conversation is classic, leading Batman into the final act. Once the killer is revealed, it spirals the case into a whole new direction. The closing page offers up a crack in the case, but leaves with much to ponder in the meantime.

Sherman and Farrell craft a haunting feel for the streets of Gotham. The opening pages are a mix of near full images tagged with small panels. Readers feel a sense of uncertainty as Batman suits up. This leads to a fantastic credits page. The full image of the Bat signal in the sky kicks off the mystery in style.

Panel structure also keys in on the distorted view of events. The split full page reveals the victim and Batman with a dramatic flair. There is no shortage of tension as pages unfold. Nothing compares to the killer’s reveal. The near full page image pops off the page. It is not one for the squeamish. Events finally start slowing down at the final page. With a simple panel, much is revealed and questioned heading into the next issue.

FINAL POINT: 9.2

A horrific case welcomes readers into an exciting chapter of Batman’s past. Watters keeps readers walking the tightrope with the writing. Sherman, Farrell and Cvetkovic construct a terrifying glimpse though an inexperienced Dark Knight’s eyes. This case will have readers talking at the LCS and beyond.

Hit me up on ODPHpod social media and let me know your thoughts on Batman: Dark Patterns #1. Thanks for reading.

DC HORROR PRESENTS CREATURE COMMANDOS #3 (DC COMICS)

The Creature Unit has arrived. Whether or not the world is ready or not remains to be seen. There’s a certain level on mystery surrounding this group. Dr. West might have bitten off more than she can chew with this squad. Plus, what is Brainiac scheming in the shadows?

DC HORROR PRESENTS CREATURE COMMANDOS #3 by David Dastmalchian, Jesús Hervás, Alex Guimarães and Ferran Delgado gives a new outlook on the monster squad with this latest chapter!

Let’s take a look before the new animated series hits MAX on Dec. 5th!

DC HORROR PRESENTS CREATURE COMMANDOS #3 by David Dastmalchian, Jesús Hervás, Alex Guimarães and Ferran Delgado (DC Comics) Cover: Tirso Cons

*** POSSIBLE SPOILER WARNING ***

Dastmalchian brings Vincent Velcro front and center for this issue. The dive into the backstory spotlights the vampire’s ill fated rescue attempt. His conversation with Dr. West reflects his loss and gives some clarity on to why he’s willing to work with Dr. West. Once events shift gears, the chapter heads into the combustible personalities put together for the mission at hand.

There is a certain element of “honor amongst theives” that carries in this series. Dr. West’s rally cry strikes where it needs to. Her hand is forced as Wanda (Shrieve) stumbles across a dead monster morgue in the base. Ultimately, the talk is swayed with orders of action. The latter portion of the book give time to the larger DCU stars involved, but events feel a touch rushed heading into the close. Once at the conclusion, the final page lands on a solid cliffhanger. It does its’ job leaving readers wanting more but could have been more impactful on its’ execution.

Hervás and Guimarães present Velcro’s rescue attempt with some striking imagery. The full page shot of him taking fire kicks things off in a big way. It’s followed by a more reactionary look with seeing his plans fall short. The expressions he gives speaks loudly to readers.

Another moment is Wanda’s discovery of the monster morgue. The near full page shot hits with its reveal. This shifts events towards a flashback involving Morgaine Le Fey. The full page image gives a clearer picture of Medusa’s past while sorting her place with the unit. Brainiac gets his fair share of panel time as he works in shadows. This boils over to Zatanna’s part. The closing image leads into a starling unveiling. How things play from here is literally anyone’s guess.

FINAL POINT: 7.5

With a solid portion of the story devoted to one character, the latest chapter deals with a pacing issue. Dastmalchian’s writing works with reaching the audience on Velcro’s story. The art brings into focus the troubled past with hopes for a better future. The only downside is Brainiac and Zatanna’s parts felt rushed. That said, the story looks to pick up speed with the mission finally starting its engines.

Hit me up on ODPHpod socials and let me know your thoughts on DC HORROR PRESENTS CREATURE COMMANDOS #3. Thanks for reading.

DETECTIVE COMICS #1091 (DC COMICS)

The sins of the past haunt the present. Thomas Wayne made a choice years ago that impacts creating a Dark Knight. A killer is on the loose. The gift of renewed youth is at Bruce Wayne’s fingertips. Where does this mystery take Batman now?

DETECTIVE COMICS #1091 by Tom Taylor, Mikel Janin, and Wes Abbott pulls readers further into a dark corner of Gotham City.

Let’s take a closer look at the latest chapter.

DETECTIVE COMICS #1091 by Tom Taylor, Mikel Janin, and Wes Abbott (DC COMICS)

*** POSSIBLE SPOILER WARNING ***

Taylor takes Batman into a fear he constantly struggles with. Anytime life is lost on his watch, he carries the burden. The murder of a teen he stopped is extremely impacting. Taylor’s writing spotlights the guilt Batman feels and how its’ fueling his search for justice.

This leads him into another attempt to save a possible victim. Action reminds Batman of how human he truly is. It also brings up another lingering theme of this current arc.

The question of rejuvenation gets a surprising conversation out of his best friend. Seeing Taylor tackle a Batman/Superman debate leads into a new direction with big ramifications. Readers might be a touch shocked at Superman’s response but it fits in place here. This kicks off a new stat quo (so to speak). Seeing how the fallout leads Batman into his investigation provides another classic confrontation. This gets upstaged by the close. The chapter ends with a definitive statement as to how human Batman has truly become.

Janin opens the issue with a few nightmare panels. It reflects the guilt Batman carries. This leads into a fast paced chase involving Robin. The coloring makes each panel pop as the Dynamic Duo go to work. Readers can sense how swiftly each strike is thrown. It ultimately leads to a more calm interaction that hits like an overhand right.

Superman discussing rejuvenation with Batman exposes a few things about the pair. Superman’s optimism is easily seen when thinking over the dilemma. Even with Batman’s traditional brooding, the thought of living long to fight the good fight shines with the rising skyline. Even with Batman falling more into the tough choice, the panels reflect his investigative wants. From here, the art displays the dark corners of Gotham. A conversation between enemies foreshadows the closing page. Once here, readers see a near full page panel send events into a new light. Only time will tell where this all goes from here.

FINAL POINT: 9.2

A question of extending the fight leads the Dark Knight into a different light. Taylor sets the stage for a question of ethics with the writing. Janin and Abbott construct the fallout of the choices with impressive art. This story keeps readers guessing as the true danger stays lurking.

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