G.I.JOE #4 (SKYBOUND ENTERTAINMENT/IMAGE COMICS)

Freedom has double vision! The Crimson Twins have taken the fight to G.I. Joe. Their kidnapped attempt of Dr. Monev is another step forward in Cobra’s onslaught. Duke and company have their backs up against a wall. Too bad for Cobra, that’s where the elite fighting unit shines!

G.I. JOE #4 by Joshua Williamson, Tom Reilly, Jordie Bellaire and Rus Wooton (Skybound Entertainment/Image Comics) delivers on another loaded issue of action and danger!

Let’s take a closer look at where things stand now!

G.I. JOE #4 by Joshua Williamson, Tom Reilly, Jordie Bellaire and Rus Wooton (Skybound Entertainment/Image Comics)

*** POSSIBLE SPOILER WARNING ***

If you want action, you’ve come to the right place! Williamson loads this issue up with some high-octane moments. The Crimson Twins make an immediate impact. Their chase of Duke and co. leads to a dangerous call. Readers watch as even the best laid plans sometimes fail. It is a polarizing call to make. Knowing what else could transpire, the decision exemplifies what the Joes are all about.

On the flip side, the evil of Cobra slowly slithers to the page. The deadly press on Stalker shows how far they’re willing to go. It leads to a calculated strategy before secrets are revealed. Readers witness the endgame in this beginning encounter. The closing act throws another curve ball into play. Just when you think you know the answers, the writing changes the questions completely.

Reilly and Bellaire waste no time escalating the pace. A two page spread shows the Twins in full pursuit. Duke’s expressions say more than words. There is a sense of worry creeping in. This spills over into the fight’s next phase. No punches are pulled as the confines of the road get displaced. In its wake is a more domestic scene where the violence can’t stand. It causes a tough choice before moving events along.

The bloody onslaught didn’t stop there. Chameleon and Ripper shine through the chaotic panels. It leads to a shocking call made by Cobra. A two page spread shows the Commander in all his glory. Victory is in reach. The Commander’s body language reads like he has won. All roads lead to the full panel final image. Just as it looks a certain way, one sentence changes everything. There’s no slowing down what is being built in this series.

OVERALL GRADE: 8.5

It’s a heavy dose of big action within the Energon Universe’s premier team. Willaimson pens an intense chapter with the writing. Reilly, Bellaire and Wooton hit a bullseye with explosive panels. Judging by the last page, the story hasn’t even begun to cap off.

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TRANSFORMERS #17 (SKYBOUND ENTERTAINMENT/IMAGE COMICS)

It’s Decepticon civil war! Starscream has returned with forces. In his path is Soundwave and his army. The Autobots are trying to save the humans. There’s also a question of what’s wrong with Optimus Prime. There may not be a future Energon Universe after this battle!

TRANSFORMERS #17 by DANIEL WARREN JOHNSON, JORGE CORONA, MIKE SPICER AND RUS WOOTEN (Credit: Image Comics via Skybound Entertainment) takes readers to the edge with this latest chapter.

Let’s take a closer look at what is unfolding now!

TRANSFORMERS #17 by DANIEL WARREN JOHNSON, JORGE CORONA, MIKE SPICER AND RUS WOOTEN (Credit: Image Comics via Skybound Entertainment)

*** POSSIBLE SPOILER WARNING ***

Johnson keeps finding ways to break the Autobots. With Optimus loosing his grasp of reality, they are scrambling. Readers watch as Prime doesn’t have time to worry. He has to act fast in comparison to others. Beachcomber’s stance of conflict continues to stand apart. The writing shows a true neutral voice to the anarchy around him. It is fitting for the constant battles raging out of control.

This carries through to the Cybertron portion. The Autobots there make a play to gather help. It is full speed ahead as the action rages on. Elita steals the spotlight while handling her business. Considering how damaged Ultra Magnus has been, any signs of life here push the story along. Once the resistance breaks away, they give fans a monstrous moment. Hope may have arrived. The final page looks to be a true catalyst for change. A solid ending to the wild fighting at hand.

Corona and Spicer add more depth to Beachcomber’s mind frame. The images back up his claims of seeing a larger picture. It’s a big contrast to the state of Ultra Magnus. The near full page image shows the broken Autobot in a new state. Their images for Optimus Prime are small but effective. Knowing he may have lost control only sink their ship further.

The Cybertron portion is filled with emotion and action. It carries a Hollywood aura as the final resistance stand takes hold. Elita’s fighting is given a strong half page to convey her message. This goes toe-to-toe with Prime’s daring rescue attempts for the humans. With Bruticus and Devastator laying waste to Seattle, Prime switches gears to the defense. A half panel shows the fruits of his labor. It is quickly overshadowed by the final page. The full image welcomes a big surprise into the never ending conflict. This is just another day in the office for the high skilled creative team here.

OVERALL GRADE: 9.1

The never ending battle continues to stake its destruction of Earth in this new issue. Johnson’s writing takes the heroes into their breaking points. Corona, Spicer and Wooton head full steam ahead into the chaotic landscape with the art. The last paage could be a game changer or the final nail in the coffin. Where do you think it will land?

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THE LUCKY DEVILS #2 (IMAGE COMICS)

Professor Stane and Nurse Starr. Coller and Rake. Two humans. Two Devils. Their paths have crossed. A hellish plan to corrupt good souls is in full swing. The unlucky pair have no idea what’s in store for them. Next stop is the second level of Hell. Will they all be able to resist the tempting pull of Lust?

The Lucky Devils #2 by Charles Soule, Ryan Browne, Kevin Knipstein, and Christopher Crank takes readers along for another wild chapter!

Let’s take a deeper dive and see what unfolds now.

The Lucky Devils #2 by Charles Soule, Ryan Browne, Kevin Knipstein, and Christopher Crank (IMAGE COMICS)

*** POSSIBLE SPOILER WARNING ***

Let the corruption begin! Soule pens a devious tale centered around the dangerous sin. The introduction of Onion Screw throws a dark humor injection to the latest issue. Screw’s sleezy charm works on the readers as he breaks down the pull of sin. Even his own plans look to rival Coller’s. Their inevitable encounter should be one for the ages.

Stane and Starr demonstrate the slow burn effect both devils are taking. Starr is being string against temptation. The writing shows the drastic measure taken to ensure Starr falls. There should be no surprises as to what lows are taken to hit goals. Fallouts keep moving the humans into new areas. Soule keeps a fair dose of laughs blended in to assist in pacing. The closing pages wrap up events on a strong point before descending next chapter.

The artistic visions of Browne are second to none. In the opening pages, Hell’s cruise liner is everything and more. Screw’s rise to power is detailed and crafted. The flashbacks hit their key points showing what evil he possesses. It’s overshadowed by his own proposal. Seeing his presentation come to life only spells more troubles to come for humans.

Starr and Stane’s reaction to their devils is deceptive in effect. The split page panels indicate the slow breakdown. There’s nothing over the top on their methods. This is saved for Rake. Browne’s art shows what levels she’s will to go to get what she wants. The results are an awkward panel when Starr achieves a goal. It is that kind of state of mind that gives this series its edge. The parting pages reveal a more celebratory feel. Considering what just happened, it is a solid place to leave before opening up another sin.

OVERALL GRADE: 9.2

It’s sinful to have a series this good. Soule and Browne bring out the bad in their favorite devils with this chapter. Strong writing keeps the dark themes concealed with sharp humor. Browne and the art team construct phenomenal imagery as the Devils continue their evil ways. There’s no shortage of win on this series.

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THE HIVE #1 (IMAGE COMICS)

Crime can carry a vicious sting to it. Mason Shaw is learning this the hard way. The Queen Bee wants to retain control of her hive by any means. Nothing is off limits on what she will do for this. Defiance will not be tolerated. When Shaw links up with some defectors, his life will never be the same again!

THE HIVE #1 by A. J. Lieberman, Mike Henderson, and Inaki Azpiazu welcomes readers into the world of sex, buzz and rock ‘n roll!

Let’s take a deeper dive into what all the buzz is about.

THE HIVE #1 by A. J. Lieberman, Mike Henderson, and Inaki Azpiazu (IMAGE COMICS)

*** POSSIBLE SPOILER WARNING ***

Lieberman presents a very gritty aura to the fascinating concept of control. The opening foreshadows the Queens wrath. It gives the readers just enough to work off of as the story rewinds. Readers watch as the mature themes shine before heading into the criminal aspects. Once here, the tale begins to cement its’ foundation.

The Queen’s concept of biological control is very ingenious. Her demeanor is cold and calculating as she sets the stage. Readers get to witness this concept in action. A highway robbery display the power of control. It is intense and unapologetic. Much can be said for Shaw’s involvement. His introduction to this world has many layers behind it. Where events ultimately end up prove to be the start of an unforgettable journey.

Henderson’s art encompasses the dirty underworld Shaw resides in. The opening sequence is tense and harsh. The two page splash perfectly sets the tone for the remainder of the books. Once events rewind, the Queens vision starts taking shape. There are many mature images that are on full display. It adds to the seedy world which the Queen rules upon.

The heist provides a high paced display of power. Henderson and Azpiazu mix in blurred panels to display the bio hold. It leads to big action with a few shocks in the mix. None more surprising than how the robbery ends. Nothing is held back. This pushes towards the closing act. Shaw’s stat quo is flooded with a sense of anxiousness. His reactions never seem to break as secrets come to life. This leads to the full page ending. At this stage, readers are fully ready to delve deeper into a crime story unlike anything else.

OVERALL GRADE: 9.1

Biology and Crime may sound like a unique pairing. The life and times of Mason Shaw being to show readers how engaging this concept can be. Lieberman’s writing constructs the grimy and unforgiving world of the Queen. Henderson and Azpiazu present intense imagery which catapults this imaginative tale to new heights. The buzz is definitely real behind this one.

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BLACK CLOAK #11 (IMAGE COMICS)

Phaedra Essex has always been a polarizing figure in Kiros. The former Black Cloak was the catalyst of city breaking event. Five years later, Kiros is still picking up the pieces of the great fire.

With a serial killer on the loose, Essex is brought back into the fray by Pax and Alden. Dancing the public line is difficult enough. Searching for answers might finally end the last city of the known world!

BLACK CLOAK #11 by Kelly Thompson, Meredith McClaren and Becca Carey brings forth a show-stopping conclusion to its second arc!

Let’s not wait any longer & jump into the arc finale!

BLACK CLOAK #11 by Kelly Thompson, Meredith McClaren and Becca Carey (IMAGE COMICS)

*** POSSIBLE SPOILER WARNING ***

Thompson gives a big pay-off for long time readers with this issue. The slow burn method works to exemplify Essex’s importance to Kiros. Dagmar’s “interrogation” is prime example of this. Seeing how Essex and her team push unlocks secrets to readers’ delight. The writing hones in on the personal blow dealt with Dagmar’s revelations. It sets a course to an intense final act.

Once the group descends into the darkness of truth, the pacing picks up. Readers are hit with great payoffs. This pushes Essex and her partners into uncomfortable waters. Desperate times call for action. The story takes flight as a move is made with dire intentions. Thompson throws more twists into this segment. Its’ fallout perfectly caps off the dangers. The epilogue ties up loose ends while leaving much to reflect on. There is no better way to say goodbye for now, but hopefully not for too long.

McClaren opens the chapter up with simple panels. The color usages takes them up a few levels. Jumping deep into the chapter, Dagmar’s questioning hits with a unique panel drawing out memories. It is a sequence that connects with readers, allowing big payoffs.

The world of Kiros is a visual win in its own right. McClaren makes each vision of the city stand out. This rings true when dealing with The Heights. The near full page image pops as it launches a final standoff. This mood carries into the drastic move made by the guilty party. All the expressions by Essex and her team cover many emotions. It elevates the scene to new levels as readers watch. The fallout out teases a gory situation but structure leaves it in the minds’ eye. Readers can sense the emotional height slowly lifting. A full circle moment caps off the chapter with a defiant message narrating it. Nothing but a huge win for fans of this series.

OVERALL GRADE: 9.6

The latest saga of Phaedra Essex comes to a thunderous close with its’ strong arc ending chapter. Thompson’s slow burn writing brings readers an impactful ending. McClaren and Carey pull out all the stops, sending readers into the next phase of Kiros history. One of the best series at the shelves when it drops for a reason!

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G.I. JOE #3 (SKYBOUND ENTERTAINMENT/IMAGE COMICS)

Cobra has drawn first blood. Rock N’ Roll was killed in the line of duty. The terrorist organization unveiled new powerful weapons. Even an elite fighting force might be out of luck here. The world is glad Duke isn’t hearing it. He plans to lead the team back into action. Unfortunately, the team’s newest member might derail that from happening.

G.I. JOE #3 by Joshua Williamson, Tom Reilly, Jordie Bellaire and Rus Wooton (Skybound Entertainment/Image Comics) goes al in on their explosive return!

Let’s take a closer look at what is happening now!

G.I. JOE #3 by Joshua Williamson, Tom Reilly, Jordie Bellaire and Rus Wooton (Skybound Entertainment/Image Comics)

*** POSSIBLE SPOILER WARNING ***

Williamson delivers a very direct shot of action with this chapter. The team is still reeling from the loss of Rock N’ Roll. Cobra is asserting their dominance with every action. Readers watch as Clutch is behind enemy lines. This leads into a birds eye view of how dangerous they have become. Cobra Commander’s treatment of a spy will clear any doubts of the terror he is bringing.

This is very different from the wounded Joes. Williamson creates a good amount of friction with their latest member. Risk and Duke come to an uneasy interaction. The fallout spins into a new start for the broken team. It leads into a high paced closing act. Fans will be amped up for who crashes the party in the final page. This is as vintage G.I. Joe as it gets!

Reilly and Bellaire start things off with a strong two page spread of Cobra. Seeing how the partnership of Destro and Cobra Commander play out pops off the panel. The art doesn’t shy away from the ruthless nature of the commander. Readers watch the bloody resolution of a spy in their midst. It is a direct shot of fear sent to the readers.

In contrast, The fighting between Duke and Risk is frantic and emotion driven. This is capped off with a perfectly placed arm-bar attempt. With recent events, tensions have been building. Each panel leans into the toll that has been taken. It also moves events along to the next desperate attempt to rebound. The final act is filled with an adrenaline shot of excitement. Each panel feels fast paced. This comes to a crashing halt with the reveal on the parting page. Fans will have a tough time waiting until next round to see what happens next.

FINAL POINT: 9

With each mounting set-back, G.I. Joe struggles to get one back against Cobra. Williamson hits readers with a strong balance of action and emotion. Reilly, Bellaire and Wooton never let up on bringing the excitement. This is everything you could want when you think G.I. Joe!

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THE LUCKY DEVILS #1 (IMAGE COMICS)

“You say you want a revolution”? That becomes the mantra for Coller and Rake. Two devils that want to unleash Hell on Hell…literally. Their plan is ingenious and impossible. How will they pull it off?

Considering this is done by the creative team behind “Eight Billion Genies”, anything is literally possible!

THE LUCKY DEVILS #1 by Charles Soule, Ryan Browne, Kevin Knipstein, and Christopher Crank gives readers a devilish good time in this opening chapter.

Let’s not wait any longer and dive in!

THE LUCKY DEVILS #1 by Charles Soule, Ryan Browne, Kevin Knipstein, and Christopher Crank (Image Comics)

*** POSSIBLE SPOILER WARNING ***

Soule pens a deceptive start to this struggle of good and evil. Taking two of the purest souls and attempting to corrupt can be tricky. The writing connects easily with the audience. Both Cam and Starr come from ordinary lives. The pair strives for more but seem to fall flat. Enter in the “devils on the shoulders” and the story begins to speed forward.

Coller and Rake push their vision onto readers. Soule plays into the human emotions while crafting the set-up. The writing is relatable to secure the theme just enough. It sparks an emotional reaction. Can power corrupt good people? The result lays a swerving foundation. Leave it to Soule to make a compelling case for the Devils. The closing act puts the cards onto the table. Just when you think you know the set-up, Soule pulls one more surprise before catapulting forward. How lucky are we to read it!

Browne and Knipstein walk readers through Cam and Starr’s mundane lives. The art shows how the good ones can’t catch a break. From Cam’s botched date to Starr’s “shortcomings”, readers watch as they are put through Life’s grind. Browne’s attention to detail is second to none. There are many fun moments until the Devils crash the party.

Both are introduced with full page images. The split style of pages and panels work to tell each story. Each character and devil get equal time to build their case. There is no confusion on the offer being dangled to both. This all merges with a striking full split image. The formula is continued right to the close. Once here, readers watch the endgame come to life. A knockout two page splash wraps up events for now but readers will be clamoring for more soon.

FINAL POINT: 9.6

“The Road through Hell is paved with good intentions”. This becomes the ultimate test of good vs. evil in this new series. Soule’s writing plays both sides to make a captivating tale. Browne, Knipstein and Crank bring the intensity and insanity of a devilish vision to life. Get ready for a wild ride!

Hit me up on ODPHpod social media and let me know your thoughts on The Lucky Devils #1. Thanks for reading!

ROGUE SUN #24 (BLACK MARKET NARRATIVE/IMAGE COMICS)

The Ravyn Queen is in danger. An Assassin lurks. The Aviary on the verge of falling? Not if Dylan Siegel can stop it! The Massive-verse’s supernatural protector has one chance to stop the Philistine. Will Rogue Sun capture the moment or let it slip?

ROGUE SUN #24 by RYAN PARROTT, NICK COTTON, ABEL, NATALIA MARQUES and BECCA CAREY (Black market Narrative/Image Comics) concludes its’ latest arc as only the creative team can!

Let’s not delay any longer & dive right into the story.

ROGUE SUN #24 by RYAN PARROTT, NICK COTTON, ABEL, NATALIA MARQUES and BECCA CAREY (Black market Narrative/Image Comics) COVER - Stefano Simeone

*** POSSIBLE SPOILER WARNING ***

The one thing about Rogue Sun is that readers can always expect a great finish to their arcs. This issue is no exception. As Parrott and Cotton kick things off, the focus is on a young Divinity and Dottie. The tension is high as Dottie makes a deal that forever alters her young niece. It carries an uneasy weight that returns in present time. Knowing there is heavy consequences, Divinity’s actions look to carry over throughout the world Dottie is now reluctantly connected with.

As for the aviary, the writing sets events off with a bang. A traitor waited in the wings. Aviness unleashes the Philistine. Readers watch in shock as the attack commences. Dylan crashes the party for the save. In this moment, we find out that he might be ready for the next step. ‘

Pacing mounts the action with each strike. Dylan is out-classed in his initial round. Even with his estranged dad Marcus in his ear, Dylan is challenged to survive. With a passing action, the comeback starts. It will thrill fans as Dylan grows in his role right before our eyes. The conclusion is a very strong one. Events are tied up plus a new path is given to Dylan.

Normally this would be enough, but as previously stated: Rogue Sun arcs don’t just “end.” The closing act provides a superb twist that will shake up the foundation yet again for the world of Dylan Siegel. Another excellent performance with the writing.

Abel and Marques bring out the fear and complexity of the Aviary’s coup. The set-up with Aviness and the Philistine slides into the scene gracefully. It instantly hits readers directly. The moment compliments the debut of Rogue Sun into the final battle. Fans watch as the full page image sparks the explosive confrontation.

There’s no shortage of action taking place. The battle is brutal. The stakes rise when Dylan debuts a new item to help him win. Panels are never short of emotion either. From Divinity and Dotty’s portion to the fallout of the coup, each page hits their marks. Even when closing this portion, a full page concludes events for the parties involved. The art team leave the conclusion for the shocking surprise. A final image floods the page and spells certain doom for Dylan. It will be a long wait for #25.

FINAL POINT: 9.1

The latest challenges in Dylan Siegel’s life nail the landing in this arc finale. Parrott and Cotton continue to lock readers in with their superb script. Abel, Marques and Carey craft the dramatic final rounds with great art. Rogue Sun is about as consistent as it gets for quality storytelling.

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G.I. JOE #2 (SKYBOUND ENTERTAINMENT/IMAGE COMICS)

Rock N’ Roll is dead. Literally. The valiant member of the elite fighting team known as G.I. JOE fell in combat. He was no match for COBRA’s Energon powered weapons. The terrorist group has struck a deadly first blow. Can Duke and his team find a way to survive or will more victims be claimed?

G.I. JOE #2 by Joshua Williamson, Tom Reilly, Jordie Bellaire and Rus Wooton (Skybound Entertainment/Image Comics) continues the explosive first arc!

Let’s take a deeper look at the initial first round!

G.I. JOE #2 by Joshua Williamson, Tom Reilly, Jordie Bellaire and Rus Wooton (Skybound Entertainment/Image Comics)

*** POSSIBLE SPOILER WARNING ***

Williamson never lets the foot off the gas with this issue. It’s non stop intensity (even in quieter moments). Seeing one of their own killed covers a range of emotions. This leads into a furious entrance by a Joe fueled on rage: Duke. It leads into a frantic resolution. Readers watch along with Cobra as their mission is audibled at the last second.

Once the dust settles, the writing throws a wild card into the mix. Risk’s first impressions do not go over well with the team. Losing a beloved member for a brash upstart is instant fireworks. The writing brings out the best of characters at the worst possible time. Once the final pages start, it presents a tense feel. This carries to the incredible cliffhanger ending. Readers can’t help but to be locked and loaded for where things head to next.

Reilly and Bellaire amp up the visual impact throughout the story. A full page image fires Duke into the closing stand. Readers watch as the franchise Joe throws himself right into the fight. The no-quit attitude shines on each panel. This grows until the show-stopping fight ending. From a full page escape to Duke’s deep stare, there’s much to ponder.

The art team continues its dive on the emotional reflection. Duke’s instant anger towards Risk pops off pages. it’s matched by the egotistical charisma of the latest team member. Just as tempers flare, the art detours to the current victors. As the foreshadowing of what next starts, the closing page delivers big. It’s a superb way to leave things for now, but definitely not for long.

FINAL POINT: 9.4

COBRA strikes first blood, but Duke refuses to back down quietly. Williamson’s writing runs the gamut of excitement. Reilly, Bellaire and Wooton brings the action and drama perfectly fitting this new era. What a time to be a fan of this fandom! Don’t miss this!

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TRANSFORMERS #15 (SKYBOUND ENTERTAINMENT/IMAGE COMICS)

The Decepticons are poised to finally win their longstanding war. Optimus Prime and his allies are reeling. Hope is slipping further out of the Autobots grasp. Earth has been caught in the struggle for power. Will it be ready for another factor to enter this deadly game of survival?

TRANSFORMERS #15 by DANIEL WARREN JOHNSON, JORGE CORONA, SARAH STERN AND RUS WOOTEN (Credit: Image Comics via Skybound Entertainment) forges a new path for the robots in disguise.

Let’s take a look at what’s unfolding now.

TRANSFORMERS #15 by DANIEL WARREN JOHNSON, JORGE CORONA, SARAH STERN AND RUS WOOTEN (Credit: Image Comics via Skybound Entertainment)

*** POSSIBLE SPOILER WARNING ***

Johnson spares no details in showcasing the devastation of the Decepticons’ attacks. Soundwave comes across as the cold, remorseless leader he needs to be. Even when other Decepticons don’t buy in, he remains unfazed. It’s a complete contrast from Prime. As he struggles to hang on, Prime winds up grasping for anything. His conversation with Beachcomber is prime example. It is a new look to the noble leader. This comes into full focus when he sees the devastation caused in fighting.

The Autobots new neighbors are none too happy to see them. There is a sense of fear and anger filling the pages in this sequence. Readers watch Optimus have a small breakdown. This is nothing but a delight to Soundwave. It is short-lived as another major character makes his return (with his new look). Even with the Cybertron side-plot, nothing outshines the return of a former Decepticon. The closing page proves that He didn’t come alone. Readers watch as a heavy hitter is introduced which spells certain doom for Optimus and Earth’s inhabitants.

Corona is back in art duties after a two issue break. The destruction in Tacoma is brutal and intense. It builds the tempo for the remainder of the issue. Soundwave appears menacing while standing in the chaos. This carries through the brief Cybertron stop. Cliffjumper watching his fellow Autobots cross a line strikes a nerve with the audience.

It is overshadowed by the dramatic return of the disgraced Decepticon. Corona and Stern present the new player’s entrance in a near full page. It speaks volumes as the conflict picks up. This leads into a fantastic two page spread. The Decepticon civil war is in full swing! Just when readers think they’ve seen it all, the last page drops. A BIG x-factor emerges, spelling certain doom. Its a great way to close out events for now, but certainly not for long.

FINAL POINT: 8.8

With Soundwave inching closer to complete control, a new player enters the game. Johnson fills the writing with emotion and action. Corona returns with Stern and Wooten to provide the impactful images that are always more than meets the eye. This series continues to set a high bar that few other books can continuously reach.

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C.O.W.L. 1964 #3 (Black Market Narrative/Image Comics)

A member of C.O.W.L has fallen. Wildflame is dead. Skylander is the culprit. Using weapons designed by the Superhero union brings Gregory Warner into the public eye. The face of the Chicago Organized Workers League has a past allegation causing problems.

What will this latest challenge bring for The Grey Raven’s plans?

C.O.W.L. 1964 #3 by Kyle Higgins, Alec Siegel, Rod Reis and Buddy Beaudoin (Black market narrative/Image Comics) dives further into intrigue in the Massiveverse saga.

Let’s take a closer look at where events stand now!

C.O.W.L. 1964 #3 by Kyle Higgins, Alec Siegel, Rod Reis and Buddy Beaudoin (Black market narrative/Image Comics)

*** POSSIBLE SPOILER WARNING ***

The writing splits this chapter into dealing with fallen heroes. Taking the story back to 1946 and 1955, Warner’s early scheming is given much room to grow. It gives a strong payoff with dealing with The Dart. As the blueprint is being laid out, there is some pause about buying into Warner’s plans. The result is a tragic turn. Its’ ramifications seem not to phase Warner as he still plots big no matter the cost.

In 1964, Warner is dodging the multi attacks on his overall goal. The writing shows him in his element. One moment, he’s swaying the public. Behind the scenes is another story. As the story shifts to Skylander, the mood is tense as actions start coming into focus. It never escapes the audience as how Warner’s plans have no regard for anyone else. The final act echoes that point with a parting flashback. Events conclude with a definitive statement on where things are going (even if they were in the past).

Reis opens the chapter with a unique vision for the panels. The flashbacks come with a mix of coloring. It opens as a black and white scheme. Once it starts rolling, certain splashes of color pop the art. This compliments the retro feel of the 1946 images. Readers sense the classic sense of superheroes. While temporary, it makes its mark before heading into darker territory.

Once the story shifts back to 1964, Reis goes again to the small color contrast images. It works to connect readers to the main characters involved in the drama. The only time that the book jumps into action is the 1955 Dart portion. At this stage, pacing helps to inject some fierce panels bringing the conflict to a head. From here, the story moves into its’ closing act. The story goes simpler with Warner getting the sole coloring. It balances out the high emotional toll taken before leaving events in a startling spot for the finale.

FINAL POINT: 8.9

The pen-ultimate chapter of C.O.W.L.’s return delivers on a highly emotional chapter of life and loss. Higgins and Siegel show the steep cost of Warner’s schemes with the writing. Reis constructs simple but dynamic images for the various time periods. With one last episode left, the stakes continue to rise around the Grey Raven’s ultimate goals.

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BLACK CLOAK #10 (IMAGE COMICS)

Danger is lurking in Kiros. The last known city has a serial killer on the loose. Phaedra Essex is trying to start her life over. Unfortunately, that isn’t so simple. Pax and his new partner bring her in on the case. Their investigation has led them to confronting some haunting issues of the past.

BLACK CLOAK #10 by Kelly Thompson, Meredith McClaren and Becca Carey (IMAGE COMICS) takes the search for justice into dangerous grounds.

Let’s take a closer look at what’s unfolding now.

BLACK CLOAK #10 by Kelly Thompson, Meredith McClaren and Becca Carey (IMAGE COMICS)

*** POSSIBLE SPOILER WARNING ***

Thompson wastes no time with the drama in the opening pages. The aftermath of the Kiros Supermax Prison attack leads Pax into action. Seeing Queen Taline in prison hits readers as they process the chaos surrounding the visit. Knowing the history between the two, Essex appears behind the eightball. Taline knows what’s coming and Essex isn’t ready.

This causes a shift in direction for the trio of Cloaks. The writing brings out the best and worst opinions of Essex as she tries being proactive. Her conversation with Iona is tense and hostile in certain aspects. It’s the guilt of Essex’s actions that start breaking her from the inside. This bridges to a surprise closing. The revelation in the parting panel leaves more mystery as the case slips further away from the Cloaks.

McClaren kicks off the visuals with a strong opening at the supermax prison. The wide panel image of Pax asking for Taline’s cell slows down the hectic surroundings. What follows next is a meeting that carries tensions in each panel. The view perspective through the window is a great touch to mix things up.

Essex’s journey leads her into two different paths. The enjoyment of helping Joya is a much needed break. Essex’s joyful reaction is short lived. Her conversation with Iona is less than friendly. It carries the pain caused from her previous actions. The tale of two Essexs’ lets readers know all is not forgiven as she tries helping to solve the case. It ultimately leads into the final act. With the closing panel, another clue is dropped that adds more complexity onto an ever growing case.

FINAL POINT: 8.8

The latest visit to Kiros keeps readers guessing with many moving parts at hand. Thompson crafts a tense reunion with her writing. McClaren and Carey display the many sides of Phaedra Essex with excellent art. The mystery continues to grow which is always a win for the readers. Don’t miss it.

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TRANSFORMERS #14 (SKYBOUND ENTETTAINMENT/IMAGE COMICS)

The quest for power fuels and faults most Decepticons. Starscream is the perfect example of power corrupted. In his blind journey to rule, he has been ousted by Soundwave. His robotic body broken. Left for dead, the mind races. How did the feared Transformer get to this point? Is there any hope in his future?

TRANSFORMERS #14 by Daniel Warren Johnson, Jason Howard, Mike Spicer, and Rus Wooton (Skybound Entertainment/Image Comics) concludes the dive into the mind of a broken warrior.

Let’s take a closer look at how things shape up now.

TRANSFORMERS #14 by Daniel Warren Johnson, Jason Howard, Mike Spicer, and Rus Wooton (Skybound Entertainment/Image Comics)

*** POSSIBLE SPOILER WARNING ***

A scorpion can’t help itself with its actions. It’s just its’ nature. Starscream is blinded by his obsession for power. Even in his broken state, the writing never lets this theme escape the readers. The uneasy alliance between Horton’s crew and Starscream is based on lies. Both are trying to use the other for their goals. One is well-versed in this aspect and flourishes as the story progresses.

The flashbacks to Megatron and Cybertron showcase the last sense of morals die inside the robotic body. Events lead into a new location but a few predictable directions. It comes across very solid as Starscream’s genuine arrogance flosses over the set-up. The closing act leaves nothing to chance as the true nature of evil emerges. It is a fitting conclusion for where the next phase of Starscream is heading.

Howard caps off art duties with some strong visuals. Seeing the new form of Starscream is debuted with a two page splash. The art sneaks in a few humorous panels (involving a cat) before stepping back into the drama.

The flashback moments bring Starscream full circle as readers watch his complete turn. The full page image of him and Megatron unleashing their terror won’t escape readers. It tips off the audience about what’s coming. Watching the long work play out answers many thoughts as the road to redemption beings. The parting image closes the door of the past while opening up a more dangerous one for the future.

FINAL POINT: 8.6

The journey into a deadly Decepticon’s path of redemption closes on a solid note. Johnson slow builds the drama with the writing. Howard, Spicer and Wooton brings the misleading nature of a broken soul to life with the images. The Energon Universe had better brace for the unforgiving evil forthcoming.

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G.I. JOE #1 (SKYBOUND ENTERTAINMENT.IMAGE COMICS)

A Legacy reborn. An elite fighting force has returned. With a history crossing overing into pop culture via live action and animation, G.I. JOE has entertained fans for decades. In its’ latest comic incarnation, it is one-third of a new trinity. Along with Void Rivals and Transformers, G.I. Joe centers the Energon Universe of Skybound Entertainment and Image Comics.

Spiraling from the pages of November 2023’s Transformers #2, the build-up began. What followed were four limited series spotlighting fan-favorites. Each carried its’ own distinct theme and had the fanbase demanding more. Almost a year later, the wait is finally over!

G.I. JOE #1 by Joshua Williamson, Tom Reilly, Jordie Bellaire and Rus Wooton (Skybound Entertainment/Image Comics) kicks off a brand new chapter in the legendary fandom!

Let’s not wait any longer and finally yell “YO JOE!”

G.I. JOE #1 by Joshua Williamson, Tom Reilly, Jordie Bellaire and Rus Wooton (Skybound Entertainment/Image Comics)

*** POSSIBLE SPOILER WARNING ***

Talk about making a statement! Williamson gives both new and seasoned readers much to rave about with this chapter. The opening segment works to establish the initial team as they enter this new era. Using Duke as a narrator gives a unique perspective as to how he sees each member. The result instantly connects with the audience. In comparison, the COBRA introduction is more subtle and gives just enough to understand their motivations.

One character that looks to play a much bigger role is Risk. The brief welcome leaves quite the impression. Once that is completed, the pace picks up with no looking back. Williamson hits the gas as the action bolsters into high gear. The closing act brings out the best and worst of an inexperienced team. Stakes have been raised and just wait for what unfolds on the final page! It is a hell of a mic drop.

Reilly and Bellaire steps back into the Joe world after an incredible run on DUKE. The team welcomes readers with a two page splash. From here, members get introduced with present and past panels. The flashback sequences pop with Bellaire’s coloring throughout the issue. It delivers on some insight and reminisce on the past series.

Once panels shift to COBRA, the mood changes. The brooding evil slowly emerges. It caps off with a near full page image of the Commander testing a new weapon. Closing that moment is a smaller but impactful panel of the Commander celebrating. The art team also welcomes Risk into the fold with a great action packed portion of the book.

The calm before the storm is greeted with a fantastic two page spread of Duke and Destro. This launches into the final act. No punches (or shots) are pulled as the intensity ramps back up. There are many incredible action images to have readers excited. Events conclude with a show stopping final page that throws everything in flux. The full page image is sure to keep fans on edge until the next chapter drops guaranteed!

FINAL POINT: 10

Mission accomplished. With its’ debut EU chapter, G.I. Joe delivers on every aspect fans could want. Williamson’s phenomenal writing weaves in the action and drama with ease. Reilly, Bellaire and Wooton construct some of the most high-octane action images in recent memory. Wherever your fandom starts, this issue will exceed your expectations (and its’ only the first issue)!

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IT HAPPENED ON HYDE STREET: DEVOUR #1 (GHOST MACHINE/IMAGE COMICS)

Image is everything to some people. It can lead to extreme measures taken for public approval. This concept unfortunately lingers around the thoughts of proper body shape. "Whatever it takes to stay thin" can lead to horrific scenarios.

Spiraling out of the page of Ghost Machine's Hyde Street is a story that tackles this notion head on. IT HAPPENED ON HYDE STREET: DEVOUR #1 by Maytal Zchut, Leila Leiz, Alex Sinclair and Rob Leigh takes readers on a terrifying journey.

Let’s take a trip through the horror unfolding.

IT HAPPENED ON HYDE STREET: DEVOUR #1 by Maytal Zchut, Leila Leiz, Alex Sinclair and Rob Leigh (GHOST MACHINE/IMAGE COMICS)

*** POSSIBLE SPOILER WARNING ***

Zchut layers the story to cover three generations of family. Each woman involved is at a different point where their feelings of image are at an all time high. Miss Goodbody plays the devil on the shoulder exploiting the fears each carries. It leads the family down a winding road of false belief and ultimate harm. Bringing the realistic nature of extreme weight loss plays perfect to cement a solid base for the story.

Once the tale shifts towards the youngest of the family's 3 leads, events change. The story gives off a sense of false hope. Can the broken cycle of mental pressure and physical harm be broken? Readers watch as Lily sees chilling examples of the results of their struggles. This leads to a fitting closing act. It constructs a lingering question before departing. The question of "did the end justify the means" will stick with readers post story. Bringing the realistic piece of horror to the forefront nails the landing. The Hyde Street brand adds another hit to their roster.

Leiz and Sinclair bring out the real terror of the subject matter. The feeling of doubt and despair pours off the leads throughout the story. Miss Goodbody looks maniacal as she pressures all to take her "offer" of Devour. Her full page splash gives the moment an exclamation point. In its aftermath, the users show off the shocking change. It hits readers with a shocking realization of what each has sacrificed on their goal to "look better".

The issue also has some excellent splash pages. Hyde Street in its' innocence camouflages the growing secret behind its' location. This leads to the climax of the unfolding horror. With another strong two page splash, a turning point is indented before the closing act. With a near full page, the image sends chills down readers spines as the horror strikes again. It's complimented by the final page. A full page image leaves readers with much to ponder as the chapter ends for now with a parting scare.

FINAL POINT: 9.2

The latest addition to Hyde Street tackles a real life horror with a unique spin. Zchut constructs a very grounded look at a scarring dilemma with building drama. Leiz and Sinclair craft a striking look at the high price of beauty with the panels. Often in horror, the scariest things are not hat others do, but what we do to ourselves. "Devour" brings that statement front and center with a direct shot.

Hit me up on ODPHpod social media and let me know your thoughts on “Devour” #1. Thanks for reading!

RADIANT BLACK #30 AND 30.5 (BLACK MARKET NARRATIVE/IMAGE COMICS)

Nathan Burnett. Marshall Ward. There can only be one that carries the mantle of RADIANT BLACK.

In a creative and bold move, the fate of the Massive-verse’s flagship character was put up to a fan vote. It was perfect timing as the Image Comic was preparing for its’ biggest event: the Catalyst War.

The saga has been a non-stop thrill ride with an ambitious take for the characters. Both Marshall and Nathan have had their own stories play out in companion issues. With each chapter, the stakes get raised more and more. Nothing could prepare readers for the last round. With two more chapters left, expect the unexpected!

RADIANT BLACK #30 & 30.5 by Kyle Higgins, Joe Clark (Writers), Eduardo Ferigato, Marcelo Costa , Raul Angulo, Rod Fernandez and Becca Carey answers the question that has been on fans’ lips for months: WHO WILL BECOME RADIANT BLACK?

Let’s not delay any longer and dive into the closing chapters of the Massive-verse’s biggest event!

RADIANT BLACK #30 & 30.5 by Kyle Higgins, Joe Clark (Writers), Eduardo Ferigato, Marcelo Costa , Raul Angulo, Rod Fernandez and Becca Carey (Image Comics via Black Market Narrative)

RADIANT BLACK #30 & 30.5 by Kyle Higgins, Joe Clark (Writers), Eduardo Ferigato, Marcelo Costa , Raul Angulo, Rod Fernandez and Becca Carey (Image Comics via Black Market Narrative)

*** POSSIBLE SPOILER WARNING ***

One element of this entire saga has been proving who was worthy of the mantle. Higgins and Clark give compelling cases for both leads. However, one stands out for these final two chapters. Where the initial chapter starts showing doubt, the writing allows for the closing chapter to echo what lies within a true hero: the will to find a way to win for others.

Both books move at a steady pace. There are plenty of surprises packed in both. Readers will enjoy both but let’s talk the closing issue.

In the course of Radiant Black, Higgins has thrown in a few notable heartbreaking moments. #30.5 pulls out all the stops in Massive-verse lore. The last conflict carries the big fight feel needed for an event. It never stops raising the tense consequences until its’ explosive end. In its’ wake is the heartbreaking resolution. Walking with Marshall and Nathan through the past 2 years, it delivers on closing one legacy and forging a new one ahead. The event departs with an uncertain future filled with possibilities. Absolutely incredible work.

The art teams bring the intensity and emotion for this finale. A full page splash sparks the final stand between Radiant Black and Premier. It is matched with a fantastic two page spread involving Wendell and Marshall. Readers watch as the action ramps up. The Massive-Verse family crashes the scene in dramatic fashion. It’s a dynamic shift going into the closing chapter.

With all the chaos around them, the art constructs the sense of true world shattering dangers. Premier’s attack leaves nothing behind as it builds towards the final stand. A full page image crashes everything. This leads to a eye-catching image leading to the fallout.

At this stage, the art brings out the final reveal of the prized mantle holder. It is filled with deep rooted friendship and one elevating into a new path. The parting image is perfect for what it needs to be: a closing of one door and the endless possibilities of another.

FINAL POINTS: 10

“Radiant Black” has become the benchmark for the modern superhero story. In all honesty, this could have been the series finale and a fitting one at that. It is a testament to Kyle Higgins and the team on what they have constructed here. Superb writing and fantastic art bring a close to an epic event that lived up to the hype.

Hit me up on ODPHpod social media and let me know your thoughts on Radiant Black #30 & 30.5! Thanks for reading!

TRANSFORMERS #13 (SKYBOUND ENTERTAINMENT/IMAGE COMICS)

One year ago, the comic world witnessed a debut that shattered expectations. OPTIMUS PRIME and company crashed the Energon Universe. In their wake has been compelling stories that have re-ignited a fanbase.

Entering year two, the latest arc dives into the past of an infamous Decepticon. Starscream was left for dead at the hands of Soundwave. Where his future goes now ties into the secret past from Cybertron.

TRANSFORMERS #13 by Daniel Warren Johnson, Jason Howard, Mike Spicer, and Rus Wooton welcomes readers into a new beginning arc.

Let’s take a closer look and see how year two begins!

TRANSFORMERS #13 by Daniel Warren Johnson, Jason Howard, Mike Spicer, and Rus Wooton (Credit: Image Comics via Skybound Entertainment)

*** POSSIBLE SPOILER WARNING ***

Johnson pens a tragic tale of innocence lost. Seeing the hated Decepticon in a new light gives an engaging perspective. Knowing how power hungry he is now, the writing portrays him as a loyal friend broken by loss. The result leads to a turn that gives big depth into the striving for acceptance.

It plays off where readers last saw him in the Energon Universe. Coming off the brutality of Soundwave’s onslaught, the current state of Starscream is unstable. This is only made worse by who he’s discovered by. As the ties with the Energon Universe become closer, the footnotes being left are consistently raising the stakes. However, the main driver in this chapter is the past. The closing pages perfectly tie events together, It changes the course of not only the tale at hand, but a character’s path to revenge and purpose.

Howard steps in for art duties and gives Starscream’s past an exciting feel. The opening pages recaps recent events with a new twist. It leads into the revealing side of Cybertron’s past. Readers watch as Starscream comes across happy and adventurous. The reactions he has with his friends create a feel of optimism before life changes direction.

There is a huge two page splash showcasing a well known Transformer. It builds up the hopefulness that Starscream carries. The peaceful times fade away in the blink of an eye. In its place, Howard and Spicer presents panels filled with the unstable fighting between the Autobots and Decepitcons. Once the tragedy occurs, the pages spiral towards a monster two page splash. Parting with a bold final image, the art team leaves no doubt that a new player has entered the deadly game of war on Cybertron.

FINAL POINT: 9.2

The rebirth of a fallen Decepticon begins with a devastating look at his early beginnings. Johnson takes readers into the past with phenomenal writing. Howard, Spicer and Wooten weave in the pain of loss with the mounting drama as the pages make loud statements. It’s a strong launching point into year two of one of comics’ best series.

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ROGUE SUN #22 (BLACK MARKET NARRATIVE/IMAGE COMICS)

A murder has taken place in the realm of the Ravyn Queen. Dylan Siegel has been tasked with finding the killer before it’s too late. Fresh off the heels of confronting vein, there is no rest for the young supernatural protector of the Massive-Verse. Can he stop the killer before another dead body pops up at the Aviary of Secrets.

ROGUE SUN #22 by RYAN PARROTT, NICK COTTON, BRUNO FRENDA, NATALIA MARQUES and BECCA CAREY (Black market Narrative/Image Comics) features Dylan and his dysfunctional partnership looking to stop the body count.

Let’s take a deeper dive into the latest mystery.

ROGUE SUN #22 by RYAN PARROTT, NICK COTTON, BRUNO FRENDA, NATALIA MARQUES and BECCA CAREY (Black market Narrative/Image Comics)

*** POSSIBLE SPOILER WARNING ***

The writing crafts a great build with the mystery of the Sparrow Sister. Since returning from the Kinght Sun saga, Dylan has been forced to grow up fast. The writing puts him in a position where he has no choice but to adapt or perish under the weight of the mantle. The dynamic between Dylan and his estranged father/mentor shines in this issue. There are many unresolved issues which linger in every move.

Seeing Dylan question Marcus about infidelity raised up their drama a few notches. This plays into the encounter with the assassin. Dylan’s novice nature of interrogation leads into some more unique moments before the danger arrives. Once at this stage, the writing puts Dylan in a situation he is clearly unprepared for. This leads to a shocking result of his overconfidence. The other character building pages push forward but the last page steals the thunder back. Suffice to say, this mystery is only begun to reveal itself.

Frenda steps in for art duties and wastes no time settinga high pace. The flashback sequence with Dotty and Divinity balances quick action amongst Dotty’s reactions to events. A solid sequence of images brings Dylan into the investigation. It plays into the mystique of the Aviary, leading to a confrontation of suspects.

Dylan and Marcus’ “chat” reflects an emotional toll their status has gone through. Marcus’s eyes tell a story within the panels. This gets interrupted with the shakedown of the suspect. From here, the issue carries a steady pace until the closing page. Readers get an exclamation point on the chapters conclusion via a strong full page splash. It leaves no question that Dylan might be in way over his skills as the Queen’s troubles have just begun.

FINAL POINT: 8.4

When a murder rocks the supernatural realm, Dylan is put into action. The writing balances the family drama with a steadily climbing confrontation. Frenda and the art team present great action amongst the deep emotional strains. Where things lead from here is truly anyone’s guess but they won’t want to miss out.

BLACK CLOAK #8 (IMAGE COMICS)

“The Last Known City in the World” is still recovering from “The Essex Fire” five years ago. Phaedra Essex is trying to move on with her life post-Black Cloak. However, she’s finding out that is easier said than done.

A serial killer has struck Kiros. Essex might be the only one to stop the deaths, but at what cost?

BLACK CLOAK #8 by Kelly Thompson, Meredith McClaren and Becca Carey (IMAGE COMICS) dives back into the dangerous landscape.

Let’s take a closer look and see what’s happening now.

BLACK CLOAK #8 by Kelly Thompson, Meredith McClaren and Becca Carey (IMAGE COMICS)

*** POSSIBLE SPOILER WARNING ***

Thompson instantly sets an intense stage in the opening pages. The encounter moves swiftly as Pax and Essex evade to survive. It leads to a quick escape but not without leaving clues. The writing shifts gears back towards Essex’s previous life as a Cloak. Her reputation with the city still provides conflict and disdain. None more evident than her previous relationships.

In dealing with Nida, the writing reflects the broken bonds left in Essex’s wake. Readers watch as the conversation sticks to business before ultimately heading back into the heartache. The closing act puts the case back front and center. With a new direction, Essex and company strive to stay one step ahead before they become the next victims.

McClaren goes big in the opening sequence. The reactions of Pax and Essex set the stage for the dangerous conflict. A full page spread locks in the moment as chaos is breaking out. The big imagery (along with Carey’s lettering) make an immediate impression on the readers.

The “reunion” of Nida and Essex carries the strain of former lovers. Each display a wide range of reactions seeing the other after all this time. It ushers in the closing act where the trio gets focused back to the deadly case. A fire victim’s fallout hits Essex with an overwhelming feeling of guilt. This hits the readers very hard as the protagonist takes another big blow to a weakened state. Events conclude on solid ground before entering new territory with a sinister panel to escort them. The art shines bright in this issue.

FINAL POINT: 8.8

The return to Kiros doesn’t misstep in another excellent read. Thompson’s writing orchestrates the drama while the danger looms all around. The stunning visuals by McClaren continue to impress as the direction takes another turn. It’s high storytelling at it’s peak level.

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C.O.W.L. 1964 #2 (BLACK MARKET NARRATIVE/IMAGE COMICS)

The “Chicago Organized Workers League” or C.O.W.L. have survived due to the maneuvering of Geoffrey Warner (The Grey Raven). It has not be without strings attached. Dirty Dealings and murdering mobster Camden Stone tops a very seedy list. Two years after Stone’s death, Warner has big plans but sins of the past appear to be coming back to haunt.

C.O.W.L. 1964 #2 by Kyle Higgins, Alec Siegel, Rod Reis and Hassan Otsmane-Elhaou (Black market narrative/Image Comics) continues its distinct look at the world of superheroes.

Let’s take a closer look at how the story’s shaping up.

C.O.W.L. 1964 #1 by Kyle Higgins, Alec Siegel, Rod Reis and Hassan Otsmane-Elhaou (Image Comics/Black market narrative)

*** POSSIBLE SPOILER WARNING ***

Keeping his head above water has always been a trait of Geoffrey Warner. His dealings with Stone have now become public due to a possible witness to his crimes. The writing shows his calmness tested to hold onto control. This becomes apparent at the Unity Fund Gala. When other attendees start to gossip, Warner hits them with a defiant line before leaving the party. It is a perfect reflection of how he refuses to surrender an ounce of ground to get what he wants.

The other standout character in this chapter is Reginald Davis (Blaze). His conversation assessing Warner’s claims brings forth a sense of worry as their work might be crumbling down. Davis investigating the lone witness comes with confrontation on a few fronts. Aside form the action, the return of a certain character caps off more intrigue to the fate of one Geoffrey Warner.

Reis brings out the many sides of Warner throughout the issue. From the opening press conference, Warner is depicted as the typical politician. This quickly changes in the private meeting with Davis. The panels pour with the tension and urgency to handle the allegations.

It boils over to the Gala. The panels showcases the gossip and Warner’s response set the tone for the rest of the chapter. Skylancer’s encounter is filled with fast paced action. The pages are an easy connection to readers and their reward is a shocking conclusion. The closing act is capped off with a full page image that leaves no doubt that things will be forever changed for C.O.W.L.

FINAL POINT: 9.1

The plans built by Geoffrey Warner start to crack at the seams with another excellent chapter for the sequel series. Strong writing from Higgins and Siegel tear away at Warner’s vision. Capped off by the fantastic art and lettering by Reis and Otsmane-Elhaou, the return of C.O.W.L. continues to impress with its’ more mature themes.

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