SUPERMAN #27 (DC COMICS)

The Man of Steel is infected! With Red Kryptonite consuming him, Superman is loosing control. Marilyn Moonlight has arrived on the scene to stop him. Looming in the shadows is Lex Luthor. There is a bit of unfinished business with some enemies who have orchestrated attacks against him. Someone is not going to make it out unscathed from this one.

SUPERMAN #27 by Joshua Williamson, Sean Izaakse, Eddy Barrows, Eber Ferreira, Alejandro Sánchez and Ariana Maher brings down the house on the “Supercorp” team!

Let’s not wait any longer and dive into the action.

SUPERMAN #27 by Joshua Williamson, Sean Izaakse, Eddy Barrows, Eber Ferreira, Alejandro Sánchez and Ariana Maher (DC Comics)

*** POSSIBLE SPOILER WARNING ***

If you have been reading this series since issue #1, this is a monster payoff issue. Anyone jumping in recently will still feel its’ after effects. Williamson opens events with the recently depowered Lois Lane. Readers don’t wait long for her “reunion” with an old friend. The guilt from her heroic actions start pouring with each line. It’s quickly upstaged by the main event. Considering it’s a raging Superman, the move is very understandable.

Moonlight’s injection into the storyline is met head on. Seeing Superman struggle for control immediately pushes events into a conflict. The writing hides the true catalyst until its’ time for the reveal. Readers see a new side of an old enemy. Willaimson keeps things close to vest for true motives. Once a play is made, it thrusts everything into short combat. The fallout picks up for the lack of fighting. It is a reset of sorts. Williamson puts a few plots back in a normal setting before going full speed into the close. With a build over the last few issues, the epilogue brings forth a Collison in the making since last year. Brace for the oncoming impact.

Art duties are once again split throughout this issue. Barrows opens up with a grounded look at Lane’s post heroic life. The near full image of Jimmy Olsen’s return lightens up the mood slightly. It ultimately gives way to a strong two page splash. Readers easily see Superman’s fight against the red rage. His mannerisms speak loudly as the battle starts.

Another two page splash ushers in the big fight for the chapter. Pharm and Graff’s plans come off as maniacal as they are. Luthor’s shadowy close-up is chilling as his words dictate the moment. Readers watch as the bold panels wrap up events rather fast. It leaves time to drop a classic Clark & Lois image flying before reality crashes back. The epilogue pages cement a darker future on the horizon. It is a solid parting shot as a new dangerous showdown is forthcoming.

OVERALL GRADE: 8.8

The relationship between Superman and Lex Luthor takes another detour as rage sets in. Williamson sums up plot points from the beginning of his run. The art team construct a steady vision of a connection redefined. Brace for what is coming with the epilogue.

Let me know in the comments below your thoughts on Superman #27. Thanks for reading!

JUSTICE LEAGUE UNLMITED #8 (DC COMICS)

It all comes down to this. The Justice League has been on the defensive since Inferno arrived. Even with the unlimited line-up, the DCU heroes have been thwarted easily. It became no surprise why as the group was revealed to be the Legion Of Doom!

Led by Gorilla Grodd, the time-displaced group is on the cusp of total victory. The only thing stopping them has been their own devious egos. Their over-confidence has allowed a fallen JL member one last shot to stop them. Can the past, present and future of good conquer evil once and for all?

JUSTICE LEAGUE UNLIMITED #8 by Mark Waid, Dan Mora, Tamra Bonvillain, and Dave Sharpe concludes the “We Are Yesterday” Crossover event!

Let’s take a closer look at how things wrap up for the event!

JUSTICE LEAGUE UNLIMITED #8 by Mark Waid, Dan Mora, Tamra Bonvillain, and Dave Sharpe (DC COMICS)

*** POSSIBLE SPOILER WARNING ***

When you think of the amount of characters involved, anything less than Epic doesn’t work. Waid swings hard for the fences and makes contact. In dealing with the time-travel aspect, it is tricky. However, that is a secondary thought. This chapter is all “Hollywood summer blockbuster” action. It also gives readers proper closure of nearly a year of the new and flawed stat quo of the JLU.

• Editor Note: It will help readers if they have read or are familiar with events in Justice League: the Atom Project and Superman. It’s not necessary but does enhance a few key points.

Seeing the various interactions of characters past, present and future works flawlessly. There are plenty of moments between rivals that are given a fun twist. They all step aside to let one hero get a redemption story. Air Wave has been the unlikely catalyst for much of the League’s wins and losses. Readers watch as he finally has his proper spotlight to face off with Grodd. The fallout is more reflective of how imperfect this initiative is. Even with the deep line-up, things are not finished without consequence. Readers watch as this point is thrusted into a unique epilogue. One event has concluded. Another one has only just begun.

Mora returns to art duties and it’s a perfect fit for the ending. Opening up the issue with a full page Legion shot is one thing. Following it up with an incredible two page splash is net level. Readers will be caught up instantly in the huge throwdown. The art sneaks in many cameos of fan favorites. This is a great balance to Grodd’s growing rage. Seeing his plans implode, each panel locks in on his mounting rage.

Even as Grodd unleashes his final play, a full page shot brings in the last line of defense to stop him. Mora and Bonvillian ramp up the pace for a truly escalading sequence. there’s plenty of emotion showcased in Wave’s actions. It leads into a more calm conclusion. Readers see as one JL member refuses to accept what happened. It helps to create the parting mood for the final image of the crossover. The epilogue is simple but teases another story brewing for a few months now. There’s no rest for the weary in this universe.

OVERALL GRADE: 9

“We Are Yesterday” ends on an electrifying note. Waid pens a high-action match-up for the ages. Mora’s amazing imagery takes over, giving the larger than life crossover a fitting send-off. This event has lived up to its’ billing and then some.

Let me know in the comments below your thoughts on Justice League Unlimited #8. Thanks for reading!

ABSOLUTE MARTIAN MANHUNTER #4 (DC COMICS)

Can you handle the heat? That is the question being posted in the Absolute Universe breakout hit. John Jones and the Martian have been tested early. Their partnership has put them on the trail of the White Martian. It has also caused Jones a breakdown of his family life.

ABSOLUTE MARTIAN MANHUNTER #4 by Deniz Camp, Javier Rodríguez and Hassan Otsmane-Elhaou puts the unlikely duo in the hot seat as a heat wave takes over Middleton.

Let’s take a closer look at where events land now.

ABSOLUTE MARTIAN MANHUNTER #4 by Deniz Camp, Javier Rodríguez and Hassan Otsmane-Elhaou (DC Comics)

*** POSSIBLE SPOILER WARNING ***

Camp continues to redefine the mythos of the Manhunter. As he assesses the situation, he finds more than bargained for. Using the heatwave as a cover is a very unique notion. The writing doesn’t shy away from the gritty aspects of the White Martian’s influence. It paints a disturbing picture that only grows. Readers watch as it turns out that is not the only grave challenge standing in front of Jones.

Bridget Jones steps into the spotlight for this chapter. Her frustrations with John come to a full-on implosion. Camp has been slowly building this over the chapters. It provides a monster pay-off. the dialogue is a stark view of a shattered relationship. The dialogue doesn’t hide Bridget’s pain. It elevates it into an inescapable level. Even with John trying to make headway, it falls flat. With how intense these pages get, it goes without saying how flawed John is as a character. This leads into the closing page. Events come full circle as more gas is thrown on an already combustible landscape.

Rodríguez continues to spotlight his skills with this series. The opening page involving the sun is eye catching. Coloring takes the scene to new heights. It makes the moment pop before heading into Bridget’s start. The use of Otsmane-Elhaou lettering brings out a deeper understanding of Jones’ wife. Only when the heat wave terror takes hold does the art shift. Readers see how the city is exploding with rage. The yellow coloring drives that point home before giving the spotlight back to Bridget.

Arguably, the strongest points of this chapter belong to their fighting. The grey and white tones reflect how empty she is inside. Even with the Martian watching inside John’s eye, nothing defers from her anger. The “Mind-Blowing” (literally) near full page speaks volumes. It offers readers a glimpse of how far Johns has slipped. Once events snap back into reality, coloring swings gears into a new path. It echoes a return to normalcy. The time is fleeting as the final page hits. Readers are left with little doubts on what is the endgame here. Another stellar chapter that keeps raising the game.

OVERALL GRADE: 9.4

Love doesn’t live here anymore. That is the message driven into readers as the Middleton heatwave sinks in. Camp pens an emotionally driven chapter with the writing. Rodríguez & Otsmane-Elhaou craft a visionary look at the chaos brewing with the art. There’s nothing like this experience on the shelves at the LCS!

Let me know in the comments below your thoughts on Absolute Martian Manhunter #4. Thanks for reading!

VOID RIVALS #20 (IMAGE COMICS/SKYBOUND)

Say it ain’t so! The partnership between Darak and Solila is over?! Readers have watched the Agorrians and Zertonians struggle for Unity finally start breaking. With a window to finally make it happen, the pair has new problems in front of them. Family always complicates matters….

VOID RIVALS #20 by Robert Kirkman, Conor Hughes, Patricio Delpeche and Rus Wooton presents quite the dilemma for the fate of the Energon Universe.

Let’s take a closer look at where things stand now.

VOID RIVALS #20 by Robert Kirkman, Conor Hughes, Patricio Delpeche and Rus Wooton (Image Comics/Skybound)

*** POSSIBLE SPOILER WARNING ***

Kirkman delivers on a very straight-forward chapter. After last issue’s Skuxxoid detour, the lead pair are at odds. The question of Unity has never been closer to answer. Dulin’s defiance to his son’s request to stop and listen turns into a brawl. Solila lets loose in a very lop-sided affair. Her focus never waivers from her cause. This brings Dulin back into her path. Their opposite mentalities leads into a larger surprise at hand.

Darak’s loyalties are put to the test. The dialogue reflects his hesitancy in acting. Readers watch as he is clearly outmatched. This leads into a more calmer resolution. Mind you, this is after Solila handles business yet again for Zerta. The other side plots with Skuxxoid and Akronus provide small breaks into the drama. In the end, it all falls back on the original pair. The closing pages throw another dynamic into play. How that all will work is anyone’s guess but fans will be here for the ride.

Hughes Starts off with a great deal for fast action. Solila’s skills are on full display. The panels reflect her intense combat. Her face-off with Dulin is an instant win with readers. Neither refuse to back from their stance. Their reactions indicate nothing else. The mood is tense, esp. knowing how high the stakes are.

This leads into more conflict. Darak’s attempts to slow Solila down prove in vain. Readers watch as he is out-classed at every move. This moves into a larger brawl with Dulin’s forces. The art shows off her brutal skills as the stand-off is finally halted by words. Each character’s resolve to settle this argument is on display. It moves events into the closing stages. Hughes and Delpeche bring in a new player via near full page. This results into a very dire situation for the group. How the pitch for Unity goes from here is literally anyone’s guess.

OVERALL GRADE: 8.4

The unified pair of Darak and Solila deal with a fractured bond in their latest chapter. Kirkman sets the stage for a tough decision with the writing. Hughes and company let Solila loose for excellent action sequences. The Energon Universe keeps speeding ahead with another great issue.

Let me know in the comments below your thoughts on Void Rivals #20. Thanks for reading!

ROGUE SUN #28 (IMAGE COMICS/MASSIVE-VERSE)

Sibling rivalry has rarely been like this. Dylan Siegel has been Rogue Sun since his father died. His half-sister Aurie Bell has always felt she should have be the heir. With help from Caleb Hawthorne, Aurie has acquired a Sun Stone.

With Noxious on the rampage, the two heroes try working together to stop him. Easier said that done. His latest attack left Aurie and Dylan at odds. Did I also mentioned the falling elevator and person inside?

ROGUE SUN #28 by Ryan Parrott, Nick Cotton, Abel, Bruno Frenda, Natalia Marques and Becca Carey jumps back into the growing pains for the Bell/Siegel connection.

Let’s take a closer look at where events play out.

ROGUE SUN #28 by Ryan Parrott, Nick Cotton, Abel, Bruno Frenda, Natalia Marques and Becca Carey (Image Comics/Massive-verse)

*** POSSIBLE SPOILER WARNING ***

Events start with a very polarizing Marcus Bell. Seeing his children struggle with the mantle gives solid insight. It doesn’t take long to head back into the falling elevator. Readers see how fast the two have to work. The dialogue shows how they get through but not without some lingering feelings. This falls primarily on Aurie. Being the new hero on the block proves too much. It also leaves a different impression on Marcus.

Even after the Mourningstar break, Marcus’ actions show a side rarely seen. The writing doesn’t shy away from this point. Marcus has never been “Dad of The Year”. Readers see him try making amends. His methods are a bit unorthodox but lead to some thrilling action. The writing also throws in a solid curve into the straight-forward villain. This also gives time for Dylan and Aurie to sort out their business. They will need if judging by the close. The looming eerie sense can’t be shaken as someone is lurking. Luck has been on their ide thus far. How long till it runs out?

The art starts off with the full page shot of the Suns in action. A daring rescue attempt is fueled by a fast pace. The pain Dylan is experiencing screams through the rogue fire. It leads to a quieter moment of Aurie. The demeanor indicates her questioning if she’s cut out for the business. Marcus’ stern response is written on his face. He knows the dangers ahead and looks to intervene.

The pair’s dive into Noxious’s back story uncovers a troubled soul. Panels lock in on the tragic fate that led him down this path. It leads into a strong argument of morals between the young heroes. This moment is quickly overshadowed by Marcus handling a notable problem. A full page image brings his fight into the spotlight. The closing moments tease a dire future ahead. A great full image showcases the terror below. This point is driven home on the last page. Seeing who the next victim might be only enhances this conflict. Suffice to say, the Suns have their hands full.

OVERALL GRADE: 8.5

Dylan and Aurie’s unlikely partnership is challenged with Noxious on the lose. The writing brings out the buried emotions of a Rogue Sun into conflict. There’s a fair balance of drama and action with the art. The Massive-verse’s most dysfunctional family strikes again with another great chapter.

Let me know in the comments below your thoughts on Rogue Sun #28. Thanks for reading!

WE'RE TAKING EVERYONE DOWN WITH US #4 (IMAGE COMICS)

Everything can change in a blink of an eye. Annalise and her robot protector are on the hunt. Her father, Dr. Dante Alderman, is dead. Special Agent Rook is the guilty party. Revenge isn’t a clear cut path. There are many invested parties searching for answers in the fallout. Let’s not forget the big explosion on Annalise’s train!

This is just another day in the office for one of 2025’s best series!

We’re Taking Everyone Down With Us #4 by Matthew Rosenberg, Stefano Landini, Jason Wordie, and Hassan Otsmane-Elhaou continues its’ spy-fi odyssey!

Let’s take a deeper dive into the latest chapter!

We’re Taking Everyone Down WithUs #4 by Matthew Rosenberg, Stefano Landini, Jason Wordie, and Hassan Otsmane-Elhaou (Image Comics)

*** POSSIBLE SPOILER WARNING ***

Rosenberg juggles many points in this chapter. The meeting with Dante and Rook is a true battle of wits. Their back and forth is met with an explosive end. Once events catch up to present, readers see a devastating fallout from last chapter. Annalise’s world is forever changed. Through the chaotic mess, the writing demonstrates a sense of caring in-between the mounting drama. It’s perfect dialogue as the bond between robot “dad” and daughter continues to bloom.

The story doesn’t escape the quirky charm it thrives in. Annalise’s arm situation is prime example. Readers watch as the moment moves into a more dangerous place. Once Rook makes his way to confront Annalise, the tempo picks up. There is plenty of great action going down. Events wrap up suddenly as the story transitions to another aspect. More of Annalise’s past starts being peeled back. Heading into the close and Rosenberg throws in a few more surprises. It leaves events on a strong cliffhanger. Another impressive issue indeed.

Landini and Wordie bring out the one-upmanship early for this edition. The full page image of Rook getting the drop on Dante sets the pace. Events start moving fast through the flashback. In the present, the fallout from the explosion takes focus. Readers watch as Annalise comes to terms with what’s happened. It is much thrown on her shoulders as their plans hit a small detour.

The art gives a break of the drama to give the young girl a “normal” moment. Her interaction with the young kids in town provides a fun pause in the drama. It doesn’t take long for this to disappear. The fight between Rook and the Robot is unapologetically brutal. Its’ nine panel page set-up keeps readers locked in until the abrupt end. Once the story goes towards the close, more of Annalise’s truth comes to light. Panels reflect the shocking wonder of what’s being said. It leads into a few tough panels before the parting shot. The full page image brings the house down on another fantastic chapter.

OVERALL GRADE: 9.4

Annalise’s broken world gets some repairs as her mystery grows. Rosenberg’s writing doesn’t skip a beat with its’ excellence. Landini and Wordie bring out the deep drama amongst the big action. This series continues to be ones fans can’t possibly afford to miss.

Let me know in the comments below your thoughts on We’re Taking Everyone Down With Us #4. Thanks for reading!

BLOODLETTER #1 (IMAGE COMICS)

Since 1992, the world of SPAWN has been a vision unmatched in comics. Al Simmons’ adventures have grown into the pop culture landscape. With that kind of success, a universe expansion was a no brainer. Readers have been treated to such titles as Gunslinger Spawn, The Scorched & Rat City to name a few.

The latest one to join the ranks is sure to have readers talking on New Comic Book Day. Considering the all-star team behind it, there’s no question about the buzz surrounding Tasha Thornwall

BLOODLETTER #1 by Joseph Illidge, Tim Seeley, Christian Rosado, DC Alonso & AndWorld Design kicks off an all new chapter of the Spawn Universe.

Let’s take a closer look at how this debut plays out.

BLOODLETTER #1 by Joseph Illidge, Tim Seeley, Christian Rosado, DC Alonso & AndWorld Design (Image Comics)

*** POSSIBLE SPOILER WARNING ***

At first glance, Thornwall’s mission is very clear cut. After confronting Spawn, the narration exemplifies how determined she is about getting Simmons. The story shifts gears to an earlier time which gives Thornwall more layers. Readers watch as a mission in Cape Flats, South Africa is more than meets the eyes.

The writing escalates the action as Thornwall crashes the devilish meeting. It is an unforgiving scenario with a tense tone. The dialogue is very direct esp. when dealing with the aftermath. Her words are a solid blend of magic and military. It is very clear Thornwell isn’t hero nor villain. This theme is carried into the issue’s strongest segment.

Thornwell’s confrontation with Simmons ten years prior is the main event readers expect. Knowing their espionage/covert work, the dialogue hits the bullseye. The writing never holds back on the brutality of their work. It also gives definitive clarity on her current mission. Readers watch as the aftermath of this scenario pushes into the close. Once here, Thornwell’s actions define her conflicting persona. The mission is very clear but weaves many elements throughout. Going by the last page, there will plenty of blood shed before its all said and done.

Rosado & Alonso start events off with a bold image. Seeing Spawn at the feet of Bloodletter is an instant shock moment. The near full page panel gives her a big spotlight before the dive begins. Once events shift to Cape Flats, the art brings out the sinister elements at play. Thornwell’s expression is stone as she handles her business. There’s only a few moments where this changes. This is true with Casper, her partner in this quest.

Readers see the lengths she goes into her planning. One method is drilled home via a half page panel. This becomes a segway for the tragic flashback on Haiti. The violence flows easy on the pages as the two forces meet up. Simmons comes across as ever defiant to his opposition. This ushers everything into the present close. A two page splash paints a brutal picture. Its’ fallout leaves an unapologetic image that haunts. With the final page, readers know they’ve just started a journey that no one will win.

OVERALL GRADE: 8.8

Is it the end for Al Simmons? Illidge & Seeley walk the line of payback and paranormal with their writing. Rosado and the art team are dropping intense imagery at every page. The Spawn Universe has another monster hit on their hands with this series.

Let me know in the comments below your thoughts on Bloodletter #1. Thanks for reading!

AMAZING SPIDER-MAN #6 (MARVEL COMICS)

Is there ever a down moment for Peter Parker? With the Hobgoblin taken care of, things seem on the up. He has a new job at Rand Enterprises. It looks as an old flame is talking with him again. Can it be that Spidey has something in his favor? Not if HELLGATE has anything to say about it!

AMAZING SPIDER-MAN #6 by Joe Kelly, John Romita Jr., Scott Hanna, Marcio Menyz and Joe Caramagna kicks off a brand new story arc.

Let’s not delay and see what transpires now!

AMAZING SPIDER-MAN #6 by Joe Kelly, John Romita Jr., Scott Hanna, Marcio Menyz and Joe Caramagna (Marvel Comics)

*** POSSIBLE SPOILER WARNING ***

Coming off a huge return, this chapter is more grounded towards Peter’s life. The opening monologue is back to basics. It is a soft intro before Spidey’s night begins. After saving a Senator, business moves to his new job. The writing makes Rand Enterprises seem too good to be true. It allows for a few side plots to start forming. One of which carries a real threat behind it.

Readers see the return of Tombstone into Peter’s life. Knowing what has gone down in recent past issues, this felt like a sudden move. It buys time before another familiar face returns. Kelly’s writing allows Black Cat to steal some scenes along with detouring Peter’s time with Shay. The move carries through to the closing portion. Once here, Peter finds out there’s someone new in his way and any peace might have just faded away.

Romita Jr is back on art duties for this story. The action sequence with the Senator sets a good pace to roll with. It results in a classic full page of a Victorious Spider-Man swinging. The story moves events to Rand’s work. The art reflects the seriousness of the time along with some humor. Any “The Last Of Us” fans will appreciate the knod. Even with Tombstone’s cameo, the mood feels very upbeat. It’s a notable difference from last arc.

The fallout from Hobgoblin continues to be solid. Aunt May and Shay’s portions mirror those events and the distance it has caused. Readers will enjoy seeing Felica crash the scene. Her expressions shine in her devious grin. It works a classic Spidey feel into these pages. Once their time moves to investigating, the mood instantly tenses up. With everything seeming to be simple, the end throws that out the window. A two page introduction piece spells disaster for the Wall-Crawler. So much for down time indeed.

OVERALL GRADE: 8.5

The latest ASM arc starts with a reflection of a “Happier” time for Mr. Parker. Kelly switches gears with a more grounded look via the writing. Romita Jr & the art team mix in a traditional vibe with a new villain ready to make some noise. Peter is back to basics & that’s a win for everyone.

Let me know your thoughts on Amazing Spider-Man #6 in the comments below. Thanks for reading!

DETECTIVE COMICS #1098 (DC COMICS)

When one case closes, another becomes open. Following the events of Asema’s terror, Batman is now on the hunt. The serial killer was working with the organization known as Elixir. Their methods are cold but leave a promise of immortality. Knowing how dangerous this can be, the Dark Knight has them right in his sights. Taking them down won’t be easy. It may call for a miracle when his new partner here is the Penguin!

DETECTIVE COMICS #1098 by Tom Taylor, Lee Garbett, Lee Loughridge, and Wes Abbott heads right into Elixir’s web.

Let’s not delay and jump into the story.

DETECTIVE COMICS #1098 by Tom Taylor, Lee Garbett, Lee Loughridge, and Wes Abbott (DC COMICS)

*** POSSIBLE SPOILER WARNING ***

Taylor throws together a unique trio for this latest outing. Having Penguin added into the field is an easy way to tensions to rise. His dialogue is perfect for balancing out the chase at hand. Cobblepot has his own reasons of interest. Seeing the conflicts with Batman’s way provides the start of a thrilling chapter.

There is also a fair share of secrets revealed. Seeing the beginnings of Exilir come to life offers more into their latest plans. One character that steals the chapter is Harvey Bullock. Taylor’s writing unloads a few new sides of the character. It leads into some thrilling action sequences. The closing sets up an interesting direction. Knowing Batman has gotten himself deep in a hole, it should be an easy out. The last page proves that’s the farthest from the truth. It’s a shocking end to a very engaging chapter.

Garbett and Loughridge kick things off with a great leaping Batman image. The near full page panel unveils the new pairing’s unlikely team-up. Penguin’s mannerisms are a solid break from Batman’s brooding. The art sneaks in a fun segment in-between the drama. Batman’s thought of leaving Penguin has a smaller panel scale, but hits the mark.

Bullock’s time comes with great intensity behind it. His facial expressions in the face of danger show how committed he is to win. Once the Bat and the Penguin arrive, the pace picks up. A fantastic two page splash bring in the action. It leads into a strong closing page. Once an action is taken, it throws everything off course. The last panel is a true reflection of reader reaction as the story concludes.

OVERALL GRADE: 9

The mystery of Elixir causes an unlikely trio in the process. Taylor’s writing escalates the conflicts at hand. Garbett and Loughridge bring out the best between all parties with the art. If the last page is any indication, readers are in for a treat with this story.

Let me know in the comments below your thoughts on Detective Comics #1098. Thanks for reading!

THE LAST WITCH: BLOOD & BETRAYAL #1 (BOOM! STUDIOS)

The long wait is finally over! It has been since 2021 that fans have visited the world of Saoirse and friends. Readers have been patient as the cliffhanger ending left many in an uncertain state. Their patience has paid off as March 2025, BOOM! Studios announced the fantasy adventure was returning later in the year. Who’s ready for a little magic on NCBD?

The Last Witch: Blood & Betrayal #1 by Conor McCreery, V. V. Glass, Natalia Nesterenko & Taylor Esposito ( Ghost Glyph Studios) enters a new era with a brand new story arc.

We’ve all waited long enough. Let’s break it all down.

The Last Witch: Blood & Betrayal #1 by Conor McCreery, V. V. Glass, Natalia Nesterenko & Taylor Esposito (BOOM! Studios)

*** POSSIBLE SPOILER WARNING ***

McCreery doesn’t delay in setting up the next challenge in waiting. Readers see how Saoirse is going to be deeply challenged. It is a strong move that has larger implications later. In the immediate present, the story showcases a happier point for Saoirse, Brahm & Hugh. Considering what they just went through, the moment is a welcomed change of pace.

The dialogue isn’t scared to address some of the darker moments of last arc. A prime example of this is Brahm missing his eye. Hugh’s off commentary draws the ire of Saoirse It leads into showing the family bond that has been a strength of this series. Even when new characters swing through, that sense never leaves. It actually becomes a catalyst for the close. McCreery mixes in new reveals along with a deep conversation with Nan to appease the curiosity. This boils into a strong ending. Seeing where the group now heads leaves the audience excited for more. What else could readers want?

Glass and Nesterenko delve into the darker side of magic with the opening pages. The art makes a bold decree as events start taking shape. It transitions into a more light-hearted moment. Hugh’s never-ending grin sets the standard for these panels. Even with his bad joke, the scenes never stay too stagnant or weighing the mood down.

This sense moves into the newest character introduction. The half page panel pops as Brahm makes the discovery. It is accompanied by a few action scenes. Readers watch as Saoirse’s growth with powers is crystal clear. Seeing this new character transform is broken down in a great panel sequence. Nan’s conversation with Saoirse is a show stealer. Mixing in flashbacks with the emotional toll, readers won’t help but be wrapped up. This momentum pushes towards the closing page. An ominous panel signifies the dangerous path that Saoirse & co. now walk. Here we go!

OVERALL GRADE: 9

The return to Saoirse’s journey is sure to cast a spell on comic readers. McCreery’s writing covers the varying levels of her complex world. Glass, Nesterenko & Esposito construct the excellent imagery fitting for the mystical landscape. Don’t wait for the trade. Jump on board now & get caught under its’ spell.

Let me know your thoughts on The Last Witch: Blood & Betrayal #1 in the comments below! Thanks for reading!

G.I. JOE #8 (IMAGE COMICS/SKYBOUND)

The toll that COBRA is taking on G.I. Joe is massive. After their initial Energon Universe encounter, there were losses. None greater than Rock N’ Roll. This has caused Duke to ramp up training for a team that clearly wasn’t ready. That mindset isn’t bought in by the whole team. The one leading this charge: The Baroness!

G.I. JOE #8 by Joshua Williamson, Andrea Milana, Lee Loughridge and Rus Wooton (Skybound Entertainment/Image Comics) continues the fallout from the explosive first arc.

Let’s take a look at how the action plays out now.

G.I. JOE #8 by Joshua Williamson, Andrea Milana, Lee Loughridge and Rus Wooton (Skybound Entertainment/Image Comics)

*** POSSIBLE SPOILER WARNING ***

No rest for the weary. Williamson opens up with a simple training exercise. The mood is instantly tense. It will give readers a double take before revealing its’ true nature. Duke’s message is very blunt and direct. He’s not taking the encounter with Cobra lightly. The dialogue remains with this same energy as he meets with Clutch. With recent events, their conversation is covering up quite a few things. It doesn’t take long before the spotlight swings to the Baroness.

At first glance, she just wants time away. Knowing how high tensions are, a break makes perfect sense. Williamson conveys the problems tied into the break. Even when she arrives at her destination, it isn’t without strings. Readers watch as the real reason comes into focus. The moment is bittersweet as events transpire. It wouldn’t be G.I. Joe without some action. The closing moments bring forth a new challenge that is a lock for fireworks.

Milana and Loughridge kick things off with a feverish pace. The full page image of Baroness in the rafters kickstarts the intense drill. There is a small touch of fun thrown in the serious business at hand. The mood changes completely as Duke enters the scene. Readers watch as his driven persona jumps off panel. It complements the Cobra segway. Both sides have similar yet different stances. In the end, this is all about the Baroness defying orders.

Her conversation with Duke transitions into a new look for the character (& her companion). The art flourishes when the setting becomes Paris. Baroness’s attempts for a peaceful break speaks of a deeper meaning. Her revelation to her wanting a break connects with the readers. The panels give way to the terrifying close. Wooton’s lettering leads the charge into another debut. The full page image of a classic character sets events in motion to a showdown in waiting. It’s another day at the office for one of comic’s best series.

OVERALL GRADE: 8.6

You can take the Joe out of action, but never the action out of the Joe. Williamson shows a new side of the Baroness with the writing. Milana, Loughridge & Wooton take readers on a captivating journey via the art. There’s never a question on the high level quality you get with this series.

Let me know in the comments below your thoughts on G.I. Joe #8. Thanks for reading!

INVINCIBLE UNIVERSE: BATTLE BEAST #2 (IMAGE COMICS/SKYBOUND)

Let the bodies hit the floor! The most ruthless warrior in the Invincible Universe is back. Battle Beast is on a quest. His mission? To find a warrior worthy of giving him a noble death. His last challenge turned out an unlikely “frenemy” in Prince Salaka. The prince offers a possible way to end Beast’s mission. Will he finally get his wish granted?

INVINCIBLE UNIVERSE: BATTLE BEAST #2 by Robert Kirkman, Ryan Ottley, Annalisa Leoni, and Rus Wooton continues the animalistic path of rage.

Let’s take a deeper dive into the violence.

INVINCIBLE UNIVERSE: BATTLE BEAST #2 by Robert Kirkman, Ryan Ottley, Annalisa Leoni, and Rus Wooton (Image Comics/Skybound)

*** POSSIBLE SPOILER WARNING ***

Kirkman never lets the Beast’s savagery leave the pages. The opening sequence moves into familiar territory. The writing displays the mounting frustration at hand. With Salaka’s injection, the story takes a new direction. This is well-paired with the ship computer banter. At no point does Beast come across as endearing. He is literally the furthest from that notion.

The journey takes him into an unwelcoming situation. Blood Games provides everything the marquee would suggest. At this stage, the writing plays it very direct. The fighting is what Invincible fans know and love. The aftermath doesn’t give many good feelings. Readers watch as Beast’s true emotions start forming. It leads into a escalated closing. Kirkman throws in one more explosive point before concluding events. It sets the stage for a more worthy opponent that witnessed thus far. Long live the quest.

Ottley and Leoni go bold for the true fire in the Beast. Each close-up of Beast’s face reveals the plotting and scheming he’s brewing. Salaka’s bargaining only works so far. The images capture the deal in hand. A near full image shows Beast reveling in his wins. This causes a change in play before coming back full circle.

Heading into Blood Games feels very stat quo for Beast. The art puts Beast right where fans want. A near full page showcases Beast in all his bloody glory. This all leads into Ottley’s specialty. The fighting at hand is classic Invincible. Another excellent full page shows Beast asserting his presence in the combat. This ushers in a tension filled conclusion. Readers see how Beast’s attitude has pushed away others. This is no exception with the ending’s twists. The reaction to the parting words speaks louder via Beast’s eyes. Rest assured, the body count will only grow from here.

OVERALL GRADE: 8.7

For this chapter, Beast’s mission took a detour into Blood Games. Kirkman’s writing sets up many moving parts. Ottley and the art team manifest some brutality in between the explosive personalities in play. The best parts of Invincible show no signs of slowing down in this series.

Let me know in the comments below your thoughts on Invincible Universe: Battle Beast #2. Thanks for reading!

THE NEW GODS #7 (DC COMICS)

Lightray is dead. New Genesis has fallen to The Nyctari. The survivors are en route to Earth. Waiting there is another factor at hand. Kamal may be the next New God. High-Father put Orion on a mission to dispose of the possible threat. Standing in his way is Mister Miracle and Big Barda.

These actions have drawn the attention of the Justice League. With the DC Universe’s legendary team involved, there’s no telling where events go from here!

The New Gods #7 by Ram V., Evan Cagle, Travis Moore, Francesco Segala & Tom Napolitano continues its’ thought provoking odyssey.

Let’s take a closer look at how things shape up from here.

The New Gods #7 by Ram V., Evan Cagle, Travis Moore, Francesco Segala & Tom Napolitano (DC Comics)

*** POSSIBLE SPOILER WARNING ***

This is arguably the most “Superhero”-esque issue to date. Seeing the League’s involvement plays well to finally give a pay-off for their involvement. V’s writing teases more string-pulling form one notable character. There is some deep diving which helps to truly cement his role here. That said, there are two major elements of this issue that jump out.

The first is the government involvement in this challenge. Readers watch as they difference of opinion strikes a few character wrong. This leads into one taking the full front lead. Who would have thought a human would be the voice of reason above gods? It results in an unlikely set-up for New Genesis refugees.

The second is a grieving portion for Lightray. V weaves the fabric of loss into the eqation perfectly. Readers watch as a guard is let down for huge emotions. There is little time to absorb the moment. The last page teases more problems circulating. How this will all play out is anyone’s guess.

Moore takes over the cameo section here. His art welcomes in the League into the conflict. Cagle steps in and gives a dramatic flare to the Gods arrival on earth. The smoky shadows of the JLU pop off the near full page. There is plenty of reactions at this stage. Seeing the set-up versus the government carries anger and resentment. It is quickly subdued by a hero’s actions. Cagle locks in on the frustration while spinning the positives.

The grieving section previously mentioned hits the mark. Seeing the one character finally break down at the loss is overdue. Each panel here conveys the shock of what has happened. Even as the mood is lowered here, a shot of kindness spins the chapter. The closing page leaves no doubt of more problems on the way. It’s never a dull moment with the art on display.

OVERALL GRADE: 8.8

The New Gods have made their way to Earth, but at what cost? Ram V’s stellar writing fluctuates between a vast cast of characters. Moore and Cagle usher in the JLU’s appearance with strong art. Only time will tell where events lean into with a future uncertain.

Let me know in the comments below your thoughts on The New Gods #7. Thanks for reading!

BATMAN AND ROBIN: YEAR ONE #8 (DC COMICS)

The heat is on the Dynamic Duo! General Grimaldi refuses to quit his hunt for Batman’s true identity. After acquiring a Gotham City Police folder, he has names. His associates are working through the list. One name standing out: Bruce Wayne!

BATMAN AND ROBIN: YEAR ONE #8 by Mark Waid, Chris Samnee, Mat Lopes and Clayton Cowles continues its’ look at the first year of Bruce Wayne and Dick Grayson.

Let’s take a closer look at where events play out now.

BATMAN AND ROBIN: YEAR ONE #8 by Mark Waid, Chris Samnee, Mat Lopes and Clayton Cowles (DC Comics)

*** POSSIBLE SPOILER WARNING ***

Waid displays the early struggles of the pair before the heart of the chapter hits. Their raid on a suspect’s house becomes more challenging than expected. Robin’s youthful inexperience stands out in a key moment. The resolution dances between hero and parent for Batman. It provides a reminder of how Batman sees himself in Grayson. This solidifies where his latest moves take him.

Meeting with Jim Gordon is a tale of two sides. Their partnership gives way to a family perspective. Readers watch as the calm moment succeeds to a larger game at play. Waid elevates the pacing as Grimaldi strikes the Waynes. The conflict mirrors the struggle of being “Bruce Wayne”. For this chapter, another character takes the stage. Grayson is written as a true student to Wayne’s teachings. This results in a thrilling action sequence. It ultimately spirals into a unique landing spot. Knowing how high stakes have become, the closing pages set the stage for an epic confrontation in waiting.

Samnee and Lopes display the suspect raid as a chaotic scene. It gives way to a notable two page splash. Seeing how Batman processes the young Robin’s rational leaves an impression on the audience. This energy moves into the meeting with Gordon. The mannerisms on display become deeper than the surface. A slight smile from Batman as he touts Grayson resonates as the case mounts. This becomes a great transition point before the pace speeds up.

Readers watch as Wayne is attacked. Cowles’ lettering dominates the panels. It translates into the frantic landscape of the fight. Once the story moves to Grayson, the mood grows like a horror scene. This leads into an excellent full page image. It becomes the set-up for a stunning full page entrance for Batman into the conflict. The fallout steers readers into a definite close. Readers know that the end in near and it spells danger across the board.

OVERALL GRADE: 9

The tables are turned on the Dynamic Duo as trouble comes home. Waid’s writing spotlights the deeper bond between the two. Samnee and Lopes amplify the tension as the hunt is on! All roads start their path towards the sensational finale in waiting!

Let me know in the comments below your thoughts on Batman and Robin: Year One #8. Thanks for reading!

SUPERMAN UNLIMITED #2 (DC COMICS)

How fast things can change in a Kryptonian minute. The Man of Steel is called for a routine mission. An asteroid is heading to Earth. He goes to intercept. This should be a normal day at the office for Superman. Sadly, that isn’t the case here.

The rock is all Kryponite! Kal-El saves the day but with a heavy cost. Months have gone by when he wakes up. A true nightmare is in effect. The deadly element is in abundance in the wrong hands. Fighting for Truth, Justice & a Better Tomorrow just became more complicated. Plus, why is Superman turning Gold?

SUPERMAN UNLIMITED #2 by Dan Slott, Rafael Albuquerque, Marcelo Maiolo and Dave Sharpe follows Kal-El on his new stat quo.

Let’s not wait any longer & dive into the new world.

SUPERMAN UNLIMITED #2 by Dan Slott, Rafael Albuquerque, Marcelo Maiolo and Dave Sharpe (DC COMICS)

*** POSSIBLE SPOILER WARNING ***

Slott has shown early in this run that he’s not worried about shaking up the mythos. The Daily Planet has gone over a transformation of its own. This leads into an expose into El Caldero’s President Castilho. Readers watch as Lois Lane hits her journalistic stride as she delves into his new city. Even with a brief skirmish, the overtones of something more dangerous can’t be denied.

The story shifts gears with a surprise guest star. Seeing Jack Ryder (and his alter ego) interject an unpredictability into the standard build. Events shift into a more traditional setting. Slott’s set-up showcases an insight into Superman’s “Golden era”. Readers watch as the new dynamic looks as a blessing in the conflict. The narrative quickly changes with a random action. From here, the dominos start falling around Supes. it leaves many questions moving forward. Judging by the closing page, time is not looking like it’s on his side.

Albuquerque & Maiolo opens up with the El Caldero unveiling. There’s a sense of nobility hovering around Castilho. The art carries him with that stance while Lane digs into the truth. Even as a brief attack takes place, the mood doesn’t sway. This carries to his parting words before events head back to Metropolis.

Ryder is introduced to the story with a strong first page. The art focuses on his struggle to keep control. It doesn’t take long for that to give way to his alter side. Each panel shows the contrast in personality as Superman stops a crime. The action revs up vintage themes. Readers watch as the new factor of Kryptonite changes the norm. The images show the unconventional fallout on a large scale. This leads into a striking final page. The full image leaves no doubt events are only going to go from bad to worse now.

OVERALL GRADE: 9

Superman’s challenges to adapt take center stage as the Kryptonite King starts his reign. Slott throws many swerves into the mix with the writing. Albuquerque & Maiolo bring out the emotion as the uncertainty of the present is defeating the Man of Steel. This story is one all Superman fans don’t want to miss.

Let me know in the comments below your thoughts on Superman Unlimited #2. Thanks for reading!

ACTION COMICS #1087 (DC COMICS)

The Man of Steel is getting ready to re-introduce himself to pop culture. A new James Gunn directed movie is slated for July 2025. It is a moment where someone is going to see Superman in action for the first time! The real question is: how was that moment in the comics?

ACTION COMICS #1087 by Mark Waid, Skylar Patridge, Ivan Plascencia & Steve Wands looks to answer that question with a look at an early adventure of Superboy!

Let’s take a deeper dive into the historic first time!

ACTION COMICS #1087 by Mark Waid, Skylar Patridge, Ivan Plascencia & Steve Wands (DC COMICS)

*** POSSIBLE SPOILER WARNING ***

For how long Superman has bee a staple of the DCU, we often forget there was a “first time”. Waid brings readers back to the moment where Krypton’s last son debuted to the world. The writing brings out the ever optimistic boy from Smallville for a fun trip back. seeing Clark with the Kents heading to Metropolis opened up a larger path for his inevitable future.

The writing captures the innocence of Clark’s wonder. Leaving Smallville and actually being a teen puts a strain on his heroics. The dialogue between the Kents and him translates as normal family moments. Readers watch as his wonder is shaken up by a villain. It results in a tough, but needed call. The writing gives the conflict a vintage feel. This spins into a very notable fallout. Seeing a boy fly and stop a villain draws many eyes. Judging by who is featured, making the right choice may lead to wrong consequences.

Patridge & Plascencia open events with a fun image of Superman assisting with an Expo. The smile on his face never leaves as the story transitions to the past. Seeing the wonder in his face makes the moments that more endearing. This is broken up with the bus ride with the Kents. Readers watch as their back and forth plays out as typical as one may think. It’s a solid break before a full image moves events to Metropolis.

The peaceful moments are interrupted by the villain at hand. A half panel brings him into the picture. His actions are responded by a quiet go-ahead for Clark by his parents. This results in a half page save from debris crashing on innocent people. The action kicks into gear with a focus on how fast Clark is flying. Pacing helps add to these moments. As the smoke clears, it leaves a half panel of uncertainty. The closing pages open more possibilities as this look back teases a future of challenges.

OVERALL GRADE: 8.6

A peek into the early days of Superboy showcases the rough start of his public debut. Waid crafts an entertaining tale with the writing. Patridge and the art team present a point in a young hero’s life before innocence is lost. This is one with a wide open path with many directions to go.

Let me know in the comments below your thoughts on Action Comics #1087. Thanks for reading!

TRANSFORMERS #21 (IMAGE COMICS/SKYBOUND ENTERTAINMENT)

Hope is fading fast for Earth. Megatron has united the waring Decepticons. His forceful methods have sent a clear message. This doesn’t bode well for a wounded Autobots front. Running on fumes, they have to find a way to stop the new wave of terror. Optimus Prime has faced adversity in the past, but nothing like this.

TRANSFORMERS #21 by Daniel Warren Johnson, Jorge Corona, Mike Spicer & Rus Wooton welcomes fans to a showdown for the ages.

Let’s take a closer look at where events stand now.

TRANSFORMERS #21 by Daniel Warren Johnson, Jorge Corona, Mike Spicer & Rus Wooton (IMAGE COMICS/SKYBOUND)

*** POSSIBLE SPOILER WARNING ***

Johnson is weaving a few key side plots in before starting the main event. The Ultra Magnus portion teases a new element in the human/robot stance. Readers watch as the broken Autobot prepares for the unknown. It echoes the desperation on Cybertron. All parties know how high the stakes are. Deseperate times call for desperate measures.

That statement can be the motto for the rest of the book. In mere moments, the writing kicks into high gear with action. Johnson sets a fast pace as the showdown starts. Both sides take their best shots. The fight only breaks when a dark reveal comes to light. It is a huge payoff for something set in motion months ago. This leads into a dramatic close. Even when there’s an off chance to turn things around, Megatron stays two steps ahead. The chapter closes with a simple statement that couldn’t be more true. Readers will have much to say after this one.

Corona and Spicer give Magnus’ portion a sense of high tension to start. The pain in the eyes spoke of the despair haunting Earth. Elsewhere on Cybertron, the art mirrors the dwindling feeling of hope. Both arcs help towards bridging all parties to the closing battle. In the end, one series of events steals the show.

Readers see how much trouble Prime is in before the fight. A half page panel illustrates his fragile state. There is no rest for the weary as the fight begins again. The art reflects a manic phase as Megatron brings the battle to the home base. It feels like a monster movie with Bruticus and Devastator taking on Autobot aerial attack.

Once the true Autobots answer hits, it’s gifted an amazing full page image. Some of its’ thunder is stolen by another development. A half page shot shows how dire Prime’s current status has become. The brutal moment is followed by a somber parting image. Readers see that there’s one more crucial blow thrown in for measure. This onslaught has been all Megatron. It’s a fitting parting moment as the final page leaves no doubt of the terror unleashed.

OVERALL GRADE: 9.3

Megatron’s full-on assault takes center stage in a pivotal chapter. Johnson brings out the hopelessness in the strong writing. Corona and the art team level up the blockbuster action. This series never lets the audience forget the epic level of storytelling on display each issue.

Let me know in the comments below your thoughts on Transformers #21. Thanks for reading!

ROBIN & BATMAN: JASON TODD #1 (DC COMICS)

Batman has always had unique relationships with his Robins. All have had value. Each has left an impact on the Dark Knight in one fashion or another. One has staked its’ claim as the most challenging.

Following in Dick Grayson’s footsteps is near impossible. Factor in someone’s tremendous amount of rage and it became more explosive than dynamic. That is what a brand new story exposed involving Batman and the most polarizing Robin ever.

ROBIN & BATMAN: JASON TODD #1 by Jeff Lemire, Dustin Nguyen and Steve Wands unveils a look at the pairing’s early days.

Let’s take a deeper dive into their partnership.

ROBIN & BATMAN: JASON TODD #1 by Jeff Lemire, Dustin Nguyen and Steve Wands (DC COMICS)

*** POSSIBLE SPOILER WARNING ***

The relationship with Todd and Wayne has never been easy. Lemire’s writing doesn’t hide that aspect throughout this issue. The chase after The Cuckoo brings out Todd’s growing anger. This sense of violent justice proves to have its flaws. Batman’s ideology of vengeance is not being received. The brash response leads into a dangerous confrontation. Its’ fallout lights an even greater explosion to come.

Readers watch as Alfred weighs in on the situation. The mood is tense as Batman refuses to see the error in his Robin choice. It is an interesting take readers see unfold. Some might think it’s just because batman doesn’t want to be wrong. This spirals into a subtle moment before launching into the end. It almost feels full circle with the dialogue. The scenes play into Todd’s rage heavily here. It results in a shocking turn to throw everything in flux. Where things go from here is wide open so brace for the journey.

Nguyen adds a new dynamic to the duo with the coloring for the issue. The watercolor style shines in the two page chase splash. Throughout the sequence, Todd’s grimace never leaves his face. It’s matches by Batman’s anger and frustration. Even with the full page image of Robin descending, the brooding aura of the brash fighter remains constant. The only time there’s a break from this is back in the Batcave.

The art doesn’t hide Alfred’s questioning of Bruce’s choices. Readers witness the struggle to find a proper solution to Jason’s issues. This transitions to an impressive nightmare portion from the young boy. Seeing the glimpse of what he sees, it’s very easy to understand Todd’s rage. From here, it’s full speed ahead to the close. The action picks up on the mounting anger. Everything gets thrown for a loop with a shocking full page vision. The fallout moves into a parting final page that changes everything. Another factor has been added into the pair’s problems with no answers in sight.

OVERALL GRADE: 9

The early days of a dysfunctional duo start off with big promise. Lemire’s writing exposes the true impact of an angry sidekick. Nguyen orchestrates the chaotic backdrop where the pair struggles to function. With more to unlock, this series will have plenty to say about Robin and Batman.

Let me know in the comments below your thoughts on Robin and Batman: Jason Todd #1. Thanks for reading!

SOMETHING IS KILLING THE CHILDREN #42 (BOOM! STUDIOS)

The early days of Erica Slaughter were never easy. Her interactions with the Order of St Dumas cast have been very complex. For better or worse, these encounters have molded the monster hunter. One that immediately jumps out as an example is Jessica Slaughter.

SOMETHING IS KILLING THE CHILDREN #42 by James Tynion lV, Werther Dell’edera, Miquel Muerto and Andworld Design (BOOM! STUDIOS) continues its look at a previous time in Erica’s life with Jessica.

Let’s take a closer look at how the drama starts to play out.

SOMETHING IS KILLING THE CHILDREN #42 by James Tynion lV, Werther Dell’edera, Miquel Muerto and Andworld Design (BOOM! STUDIOS)

*** POSSIBLE SPOILER WARNING ***

Nobody in Comics does slow-burn drama like SIKTC. The beginning of this chapter is innocent enough. Tynion throws in more “normal” moments between two boys at a store. Their banter is playful enough until a sheriff walks in. The small town has a problem with a rising body count of children. Readers know it’s only a formality until Erica Slaughter arrives to investigate.

The dialogue with Jessica and Erica lends itself for a touch of comic relief. Seeing the young Erica having to cover tracks for Jessica proves a possible disconnect. It lends itself to ease back into the building drama. Tynion’s writing constructs a clear picture of what is unfolding. The closing pages re-enforce the dangers looming in the small town’s forest. It ends events on a striking finish while teasing an inevitable confrontation.

Dell’edera and Muerto welcomes readers into the quiet small town scenery. The panels reflect the snowy chill taking hold of the residents. Readers watch as the two clerks provide a pause for the rising drama. The facial reactions with the sheriff deliver on growing the threat lurking in the town. They also amplify when help arrives at their doorstep to help.

The interactions with Rainey, Jessica and Erica put more of a spotlight on Jessica than first thought. The two page spread confirms Jessica’s misdirection. It also leads into exposing Erica’s growing confidence in hunting. The remainder of the chapter steers back towards the threat reveal. Panels are more candid in delving into the problem. The closing pages tie into the full exposure of what’s causing the havoc. A striking full page image puts a definitive stamp on what is brewing. Fans should have no doubt what is on the horizon here.

OVERALL GRADE: 9

Erica’s latest flashback case starts setting the foundation of a can’t miss story here. Tynion plays the slow drama perfectly with the writing. Dell’edera and company lock in on the quiet backdrop to the rising threat in question. Whenever you head into an SIKTC tale, brace for the long haul. The payoffs never miss.

Let me know your thoughts on SIKTC #42 in the comments below. Thanks for reading!

BATMAN: DARK PATTERNS #7 (DC COMICS)

The road to becoming the world’s greatest detective was never easy for Batman. Honing his skills on the streets of Gotham pushed his limits. The early cases have been horrific and noteworthy. They have resulted in some of the best Batman stories in recent memory. It also makes the case for DARK PATTERNS being “the Best Batman series” currently on sale. Now at the halfway point, a new case is on the horizon.

BATMAN: DARK PATTERNS #7 by Dan Watters, Hayden Sherman, Tríona Farrell and Frank Cvetkovic kicks off “Case 03: PAREIDOLIA”.

Let’s not wait any longer & jump into the latest saga.

BATMAN: DARK PATTERNS #7 by Dan Watters, Hayden Sherman, Tríona Farrell and Frank Cvetkovic (DC COMICS)

*** POSSIBLE SPOILER WARNING ***

Watters takes readers into a deeper insight of Bruce Wayne. Seeing how Wayne deciphers Pareidolia gives a blunt reaction to his work. The repercussions of of fighting crime are sinking in. This leads into his next case. The writing unveils a new side of Gotham. Watters portrays the Rookery as the worst part of the city. Seeing the crime at hand, there’s little argument to that statement.

Events take a turn when Batman gets help from his most trusted ally. Seeing Alfred get a major spot in the story helps connecting points. The writing ties in a past familiar group into this present moment. It results into a question of procedure. Adding this element in play showcases the relatively new hero naivety. It results in a gauntlet being thrown down in the close. Batman speaks his case. Judging by the last page, it may have fallen on deaf ears.

Sherman and Farrell continue to display fantastic art in this series. The opening page is a perfect start for the reflective monologue. Panel structure allows a broad view of Wayne’s assessment. It leads into a strong full page image of Wayne looking over the city.

The Rookery comes across as stated in the book: Hell on Earth. With the panel structures, the laundromat discovery hits hard. The body discovery is horrific and sets the pace for the remainder of the book. Alfred’s breakdown of the past transitions events superbly. It will connect the points with the audience before the closing pages. Panel breakdown of stopping an attacker tells a story all its own. This moves to a glimpse of the daunting task at hand. Readers can’t help but be excited to see where things go from the last page.

OVERALL GRADE: 9.2

A dive into Gotham’s past appears to test Batman’s resolve in his latest throwback case. Watters pens a dynamic start with excellent writing. Sherman and Farrell keep raising the levels with every image on page. This series never ceases in setting a high bar of storytelling.

Let me know in the comments below your thoughts on Batman: Dark Patterns #7. Thanks for reading!