SPIDER-VERSE VS. VENOMVERSE#3 (MARVEL COMICS)

The stakes are high! Cosmic entities known as the Web-Heart & Hive-Mind have pitted champions against each other. Spiders and Symbiotes battle for survival. With all these personalities involved, it was only a matter of time before something went wrong.

Last readers watched, Spider-Ham took Weapon VIII off the board. Who's next to fall in the dangerous game?

SPIDER-VERSE vs. VENOMVERSE #3 by Mat Groom and Kyle Higgins, Jim Towe Rachelle Rosenberg and Travis Lanham looks to keep the excitement level rising with its latest chapter.

SPIDER-VERSE vs. VENOMVERSE #3 by Mat Groom and Kyle Higgins, Jim Towe Rachelle Rosenberg and Travis Lanham (Marvel Comics)

*** POSSIBLE SPOILER WARNING ***

Higgins and Groom come out the gate swinging with Team Spidey's rescue attempt of Miles. The one-liners come fast as Spidey is navigating through the combat. His banter offsets the uneasy tension building. Readers watch as the good times quickly disappear to the nature of the game.

Recluse and Miles (Spider-Prowler) both carry big scars on their sleeves. The writing showcases a more aggressive edge in their bouts. It does contrast the morals of Spider-Man himself. Luckily, he gets a more calm team member added. Having Takuya Yamashiro join the squad is a perfect addition. Readers see there's at least someone he can trust. Most of the other members have other plans in motion. This all gives way to a strong ending. The close builds up a hell of a main event for readers to pull up for next go around.

Towe and Rosenberg drop in a nice two page splash of the Miles rescue to set pace. Panels move fast as the action heats up. The symbiotes give a few different looks to team Spidey's attack. One of which tries playing off emotions. Readers can sense the trouble brooding behind the scenes. it's only a matter of time before it implodes.

The Team Spider swinging panel is eye catching. Seeing all the different spiders on page is a nice treat for readers. This quickly takes a back seat to Takuya Yamashiro's debut. The mid page shot is subtle but slips in enough story. It is a huge difference in comparison to Spidey interrogating another member. All events push towards the closing pages form here. The art delivers on setting the stage for something larger at hand. Considering what we find on the final page, readers will have to prepare for the wild action forthcoming.

OVERALL GRADE: 9.2

The latest installment shows desperate times call forth extreme measures. Groom and Higgins present the mounting tension with an excellent script. Towe and Rosenberg construct a high pace conflict with many moving parts. This series has been a blast to read and shows no signs of slowing down now.

Let me know your thoughts on Spider-Verse vs. Venomverse #3 in the comments below. Thanks for reading!

JUSTICE LEAGUE UNLIMITED #9 (DC COMICS)

“We Are Yesterday” may have concluded, but the aftershocks live on! The JLU have defeated Gorilla Grodd’s Legion of Doom. This came with a dangerous cost. Grodd’s plans involved time travel. This also affected the DCU’s finest. Many time-displaced heroes are now stuck in the present. Their mere existence is causing monumental disruptions that threaten all. How does the League respond with no answers in sight?

JUSTICE LEAGUE UNLIMITED #9 by Mark Waid, Dan Mora, Tamra Bonvillain, and Dave Sharpe pick up the pieces in thier latest chapter.

Let’s take a closer look at where things stand now.

JUSTICE LEAGUE UNLIMITED #9 by Mark Waid, Dan Mora, Tamra Bonvillain, and Dave Sharpe (DC COMICS)

*** POSSIBLE SPOILER WARNING ***

Waid breaks this issue down into two separate stories. The first being the issue with the time-displaced heroes. Seeing the conversations provide a light break from the looming danger ahead. The dialogue quicky turns when Time Trapper and Alpheus arrive. Their assessment of the “time quakes” elevates the pressure. It leads into a drastic proposition. Waid spins this into an exciting action sequence. It ultimately resolves in a very unlikely manner. Desperate times call for extreme measures.

The other arc dives into Mr. Terrific’s attempts to save Air Wave. Waid’s writing shows an unusual side of Terrific which is rarely seen. Ironically, Blue Beetle calls it out during their time. Readers watch as the newly defined focus pushes towards a positive attempt. The outcome gives readers a semblance of hope. It is much different than the closing pages. With all the moving parts, the groundwork is being laid for another monstrous event. It still provides an enjoyable experience with DC’s finest heroes.

Mora and Bonvillain open up with the original Harley Quinn swinging her mallet via full page. This launches in to a mix of past, present and future versions of the heroes. The nostalgia gives way to the pair of time controllers crashing the party. Their near full page entrance adds extra gravity into the tense situation brewing. Seeing their breakdown of events puts the dangerous call into question. The art shifts into high gear as the fighting escalates. Readers will be impressed with the action going down. It ends on a more calm note but not without impact.

The same can be said for the Terrific saga. Seeing the calm genius shaken up makes quite the statement. Mora hones in on the frustration extremely well. Panels key in on this factor until Beetle’s deciphering. Once here, the art shows the desperate attempt to salvage their fallen friend. Sharpe’s lettering drills home the risky moves. It serves as a strong complement to the frantic art. Panel set-ups also tell the story. It guides readers to its fantastic conclusion. The final page reveals more trouble on the horizon. Would readers have it any other way? With art like this, no one will complain.

OVERALL GRADE: 8.8

Any moment a timeline is tampered with, it’s not an easy reset. Waid steers the ship into its’ new path with strong writing. Mora and Bonvillain’s magnificent art balances the ever-challenging landscape. There’s no time to look back, just forward where this series is heading.

Let me know your thoughts on Justice League Unlimited #9 in the comments below. Thanks for reading!

ABSOLUTE MARTIAN MANHUNTER #5 (DC COMICS)

There’s no light at the end of the line. Middleton power stations are down. The city is under a blackout. Temperatures aren’t the only thing rising. The White Martian has unleashed the violence out of the citizens. As the city slips into the night, Middleton’s uncanny duo steps up to the plate.

It’s two against a broken city. Something has to give.

ABSOLUTE MARTIAN MANHUNTER #5 by Deniz Camp, Javier Rodríguez and Hassan Otsmane-Elhaou enters the darkness in its’ latest chapter.

Let’s take a closer look at how this all plays out.

ABSOLUTE MARTIAN MANHUNTER #5 by Deniz Camp, Javier Rodríguez and Hassan Otsmane-Elhaou (DC COMICS)

*** POSSIBLE SPOILER WARNING ***

Camp shows no hesitation in taking readers into a modern horror classic. The tone is set early with a dog’s tragic murder. It matches the foreshadowing of other heinous events. Jones’ reaction is cold but necessary. Both he and the Martian know the truth of the matter. The narration paints the dark landscape perfectly. It leaves readers with a dire view of Middleton with no end in sight.

The looming uneasiness never leaves this chapter. Camp takes readers further into the madness with multiple scenarios. None may strike a larger chord than seeing Jones’ son with some dangerous candy. The play on the hidden danger only elevates Jones’ fight. Just when things seem stable, a massive curve is thrown. The event twists the overall picture right before the close. In its’ final moments, the story adds in key conflicts. All of which boil to a head with the final page. It leads readers with a clear picture of the true form of the Absolute Universe.

Rodríguez’ use of light and shadows is the huge takeaway from this book. The opening murder is presented in a very unique manner. Having the shadows tell their own story only adds more intrigue to a highly rich tale. With each passing view of Middleton, this amplifies. There are few breaks in this tempo. One of which is the focus on his estranged family.

The simple panels paint the fractures of the Jones. Readers easily see the wear on Bridget Jones. It doesn’t slow pace down for long. The use of orange coloring brings the next conflict into view. Rodríguez balances the coloring for an intense view of Jones observing the chaos. It transitions to the close with an extreme action. The maneuvering of the panels easily juggle the multiple plots. It all gets overshadowed by a full page image that is simply jaw dropping. The fantastic closing page manages the fallout as events sink further away. Another masterpiece of storytelling.

OVERALL GRADE: 9.7

Darkness has fallen over Middleton and there is no hope in sight. Camp’s superb writing challenges the breaking point of Jones and the Martian. Rodríguez & Otsmane-Elhaou continues to raise the bar even higher with the phenomenal art. This continues to be a must read series with the next level creativity behind it.

Let me know in the comments below your thoughts on Absolute Martian Manhunter #5. Thanks for reading!

VOID RIVALS #21 (IMAGE COMICS/SKYBOUND)

Unity. The Agorrians and Zertonians have struggled to comprehend this for years. It hasn’t stopped Darak and Solila from trying. The unlikely pair have uncovered some shocking truths. With this information, they attempt to win over support. It appears not everyone is on board with their long-spanning goals.

VOID RIVALS #21 by Robert Kirkman, Conor Hughes, Patricio Delpeche and Rus Wooton delves into the Energon Universe’s latest space conflict.

Let’s take a closer look at what is going down now.

VOID RIVALS #21 by Robert Kirkman, Conor Hughes, Patricio Delpeche and Rus Wooton (Image Comics/Skybound)

*** POSSIBLE SPOILER WARNING ***

Kirkman does his best to juggle a vast amount of character time with this chapter. The Skuxxoid open gives enough time to progress his sub plot. It’s unclear yet where this is ultimately going. The meeting with Skuxxoid Alpha teases more but serves as a solid break from the larger players at work. None play a larger role here than Proximus.

Readers watch as he creates a dangerous presence in handling a challenge. The writing shows no give as the imposing figure acts. It serves as an indication of the dire times ahead. Once the spotlight moves back to the leading pair, the story finds its groove. The dialogue indicates their dream is much alive. It serves as a fleeting point as the action comes to their front door. An injection of excitement carries the chapter to its’ close. The moment may have taken a bit to get to, but an overdue showdown is finally on course.

Hughes and Delpeche make the most out of the Skuxxoid time. It comes with a more safe direction as its’ drama slowly unfolds. The panels give breaks where needed. Filling in time allows for the lead character to take center stage. Proximus maximizes each page he appears on. The half page panels showing his dominating stature accelerates his conflicts. It gives more gravity to an already heavy situation.

His methods of “diplomacy” is given the full page treatment. This defiant mood shifts over to the more calm stages with Darak and Solila. The pair jump into action via half page panel. It doesn’t take long for events to go into high gear. Another near full page welcomes the assault at their front door. This spirals into great action panels. None make a louder statement than the final page. The art team drops in another near full shot as business is about to pick up next chapter.

OVERALL GRADE: 8

Proximus makes his intentions known as the Energon Universe braces for impact. Kirkman’s writing balances a large ensemble with their moving parts. Hughes and the art team hone in on the conflict build with their imagery. Events are in motion that are poised to get fans talking at the LCS.

Let me know your thoughts on Void Rivals #21 in the comments below. Thanks for reading!

BLOODLETTER #2 (IMAGE COMICS)

Tasha Thornwall is on a mission. Her life has never been the same since encountering Al Simmons. He ruined her life by outing her CIA work. Fueled by revenge, Thornwall has been surviving as a mercenary. She has been honing her skills for the chance to take Simmons down once and for all.

10 years later, her day has finally arrived. Simmons has returned as SPAWN. He is a being of immense power. That isn’t deterring Thornwall. She has some new tricks up her sleeve to take down him down for good.

BLOODLETTER #2 by Joseph Illidge, Tim Seeley, Christian Rosado, DC Alonso & AndWorld Design continues the violent path of vengeance.

Let’s take a closer look at what is transpiring now.

BLOODLETTER #2 by Joseph Illidge, Tim Seeley, Christian Rosado, DC Alonso & AndWorld Design (Image Comics)

*** POSSIBLE SPOILER WARNING ***

Thornwall’s quest goes on a detour packed with deep rooted emotion. Her precision attack on The Scorched sends a loud message early. The writing takes the readers through the conflicts to a more conflicted area. Most of the Hellspawn team is just business to Thornwell. One member breaks that mold. It also gives the chapter some much needed depth to offset events.

The interactions with Jessica Priest (She-Spawn) offers some insight into the past. Readers watch as Priest is responsible for molding the broken Bloodletter. It is a long painful process for Thornwall to endure. The comparisons between past and present give a clearer picture of Priest’s influence. Their dialogue is tough and blunt. Both hold nothing back on the lines given. Thornwell drives this point home in her destructive methods. It leads into a very solid close. Readers see many different sides as Thornwall prepares for what’s next. Whether she survives of not remains to be seen.

Rosado & Alonso gives each matchup with the Scorched its’ own aura. Reedemer’s has a more majestic sense while Haunt is more grimy. Medieval Spawn has a classic sense to this visuals. The distinctions helps to add more importance to each fight. While brief, they set the stage for the book’s true main event.

The fight between Priest and Thornwall kicks off with an explosive full page panel. Each expression given tells of the deeper history. This segways to the flashback points. With each panel, readers watch as Tasha evolves to an unbreakable force. This is mirrored in the present timeline. It sets a fast moving pace. The timing translates into a duel of supernatural skills. Readers watch as Tasha holds her own in strong fashion. The panels start building the thought she can actually take out Spawn. This carries the momentum into the final pages. Once here, the panels show how one lesson is learned and another one is about to be taught. There’s no rest for the weary in this series.

OVERALL GRADE: 8.4

Tasha Thornwall’s violent path of rage takes on a massive hurdle for this go-around. Illidge & Seeley mix in a tough reset of spirit in-between the conflicts. Rosado & Alonso bring the pain with some intense throwdowns. Readers watch the emergence of a new contender for the Spawn Universe crown.

Let me know in the comments below your thoughts on Bloodletter #2. Thanks for reading!

BATMAN #161 (DC COMICS)

What a long, strange trip it has been thus far. Thomas Elliot is back. He targeted the Joker to get at his old friend, Batman. This resulted in the Dark Knight having to save his enemy. These actions didn’t set well with Jason Todd.

After getting knocked out by Red Hood, Batman wakes to time running out. His journey takes him to a direct path with Elliot and his augmented squad. Luckily, Damian Wayne called for backup in the form of BANE?!

What a long, strange trip indeed…

BATMAN #161 by Jeph Loeb, Jim Lee, Scott Williams, Alex Sinclair and Richard Starkings continues “H2SH”.

Let’s see if the latest issue changes course or sinks.

BATMAN #161 by Jeph Loeb, Jim Lee, Scott Williams, Alex Sinclair and Richard Starkings (DC COMICS)

*** POSSIBLE SPOILER WARNING ***

The majority of this issue switches focus from Batman to Barbara Gordon. It is an upgrade in some aspects. Loeb has put in a few confusing points of character that just haven’t clicked yet. The Bane injection is arguably the most puzzling right now. Considering what he’s done to the Bat Family, seeing Damian call in a favor for him just doesn’t gel. The resolution is very quick in removing him form the equation. After this clunky beginning, the attention is diverted to another member of the Bat family.

Batgirl’s conversation with her wounded father is a positive area. Her dialogue comes across more as a concerned daughter than vigilante. It tries creating extra guilt on Bat’s conscience. Readers can debate how effective this ploy was. The move does launch into an unexpected confrontation. Seeing Barbara’s perspective teases either a dream sequence or more overbearing weight added to the drama. The former would be an easier explanation for the past issues. This does lead to a more awkward closing. Seeing the group formed to confront Batman raises a few eyebrows. While a slight improvement, the plot still has more questions than answers.

Lee’s art continues to be the story’s saving grace. Damian’s two page escape from Hush brings the tension to a head. It leads into some great action panes. The Bane situation is resolved with a near full page image. It helps to take one person off the board. Readers watch as one falls, there are plenty in wait. One notable target is Jim Gordon.

The conversation between father and daughter carries a certain gravity to the panels. This is interrupted by Batman eavesdropping via near full page. Once actions are taken, a strong two page splash moves players into position. Readers watch as a fight erupts that brings plenty of strong panels. The images convey the frustration mounting. It all comes to a defining close with the last page. The parting full image shows more have become involved. Whether this is a good or bad plan is debatable. With some characters on page, there raises a question of how all fit. Lee’s art ushers them into the story in style. That’s all that can be asked at this stage.

OVERALL GRADE: 6.5

The spotlight shines bright when Batgirl takes the lead. Outside of the emotional impact added there, the story still struggles with certain character involvement. Lee’s art is as steady as ever. Unless there’s a great deal of dream sequences to explain, H2SH has many unanswered questions at hand that hamper the sequel’s foundation.

Let me know in the comments below your thoughts on Batman #161. Thanks for reading!

SUPERMAN #28 (DC COMICS)

It hasn’t been an easy few months for the Man Of Steel. His “partnership” with Lex Luthor came crashing down. Lois Lane was depowered. Jimmy Olsen was nearly killed in the latest conflict. Doomsday has become the Time Trapper. Metropolis is picking up the pieces in its wake.

As crazy as this sounds: Those are the least of his problems. Darkseid has escaped into his own universe. Anyone who thinks he’s left his old world behind is delusional. Moves have been being made in the background. Now is the time for those plans to start coming to fruition.

SUPERMAN #28 by Joshua Williamson, Dan Mora, Alejandro Sánchez and Ariana Maher kicks off “The Legion Of Darkseid” storyline.

Let’s take a closer look at what is happening now.

SUPERMAN #28 by Joshua Williamson, Dan Mora, Alejandro Sánchez and Ariana Maher (DC COMICS)

*** POSSIBLE SPOILER WARNING ***

Williamson throws the world of Superman into a chaotic state for this issue. There is an eerie calm with the opening pages. The narration teases the sinister beings watching Supes go through his normal routine. This leads to a much needed trip back home. Seeing Big Blue back in Smallville provides many heartfelt moments. The dialogue with Martha Kent is grounded with care. It is a well-received boost. Unfortunately, the good times end here.

The introduction to the Absolute Legion is staged very well. Readers watch as the old emotions are taken into deep waters. Saturn Girl’s banter crafts an unsettling scene. The drama is taken to a few daring levels. Readers watch as the nightmare scenes weave with precision. There is little hope when the Legion strikes. Williamson throws in a few curves to offset events. Seeing Doomsday make a heroic action hasn’t set in. His involvement pushes for a very shocking ending. No one will expect to see who arrives on the final page. Buckle in for what will be one hell of a ride!

Mora returns for art duties and does what he does best. The two page splash welcomes readers to Smallville is an iconic way. Seeing Supes have subtle joy reminiscing over the past is a key bright spot. This mood carries into his conversation with Martha. Their reactions as they talk is as wholesome as one would expect. Locking in on the happier times only makes what happens next that much worse.

Saturn Girl’s debut is greeted with a deceptive half panel. The cover is blown when a simple world invokes an angry Superman. Mora captures this rage while the dialogue builds what’s next. Readers watch as a deadly attack is launched. An intense two page splash caps off events for this time period. The following dire full page image gives it a through exclamation point. Even as another attack gets its’ two page splash, nothing prepares for the final page. A full page image brings in someone who fans are not ready to see. Mora and Sanchez bring out the best elements of this story without question.

OVERALL GRADE: 9.3

The Absolute Universe hits Superman where it hurts the most in his latest chapter Williamson’s writing takes Clark into a troublesome world. Mora’s electric images craft an impressive look into what is in a possible future. There’s little time to process that as the present has its’ own weight to carry.

Let me know in the comments below your thoughts on Superman #28. Thanks for reading!

STILLMAN #1 (COMIXOLOGY ORIGINALS)

Good and Evil. Angels and Devils. Right and Wrong. Where does the ends justify its’ means? In the case of Peter Stillman, that answer isn’t so clear. He is considered to live a normal life. Stillman works hard for his wife and two children. The definition of the American Dream.

Underneath the surface, there is much going on. Stillman is far from mundane. His night life consists of some irremediable dealings. The line of work he has chosen isn’t without issues. Stillman is a hitman.

STILLMAN #1 by Curt Pires, Sunando C, Mark Dale and Hassan Otsmane-Elhaou walks readers into the balancing of two worlds.

Let’s take a closer look and see which one gives way.

STILLMAN #1 by Curt Pires, Sunando C, Mark Dale and Hassan Otsmane-Elhaou (Comixology Orignals)

*** POSSIBLE SPOILER WARNING ***

The opening chapter has some VERY strong similar themes with the deaths of Sullivan Morrison & Jeffery Epstein. Pires even tips his hand concerning this on an IG post. Nothing is held back with Morrison’s graphic death. It’s what follows suit that throws a cold but complicated wrench into Stillman’s double life. What lies beneath the surface? The question isn’t very clear to answer in its’ inital phase.

Pires showcases a family man that seems very devoted. The narrative turns quickly as he arrives at his office. One phone call sets a deadly journey full speed ahead. Readers watch as Stillman maneuvers and crosses lines to get what he wants. Keeping him a morally grey character works in the writing’s favor. As his plan runs like clockwork, readers are presented a straight forward resolution.

The fallout presents Morrison’s crimes to the forefront. It gives readers more depth behind what transpired. There’s even the sense of what he did was a “good thing”. The morality check is quickly dashed in the fallout. Pires wastes little time reminding readers this was a job. Dialogue with Stillman and his “boss” makes this very clear. This mood carries into the closing pages where the jury is still out on “Who Is Peter Smallman”?

This series will have a rotating artist for each chapter. Sunando C brings readers front row to Morrison’s murder. The full page image leaves nothing to chance. It is a bold statement which never detours from the complexity of Smallman. His “normal” routine with family is presented in a wholesome manner. The time is brief but establishes its’ points. Once a phone call is answered, the art takes a much darker turn.

Smallman’s poker face is front and direct. Each panel, he never breaks from the coldness projected. The only emotions show are towards his manipulated accomplices. This sets the stage for his grand scheme. Dale’s coloring crafts the brooding tone of death coming. This cultivates into a disturbing but blunt mission accomplished.

The full page image puts a large exclamation point on the job. This results in a more calm, but uneasy conclusion. Smallman’s reactions never give readers a clear direction. It is a bonus form the art team to never break this pattern. What seems as a simplistic set-up appears to have many more layers to peel before its’ true form.

OVERALL GRADE: 8

Family Man or Ferocious Killer? That is the puzzle compiling Peter Stillman. Pires’ writing takes readers into a grim aspect of a killer’s mind. The art shows no remorse in the deep rooted character that is about to be unleashed. There’s no telling where things go from here.

Let me know in the comments below your thoughts on Stillman #1. Thanks for reading!

SUPERMAN UNLIMITED #3 (DC COMICS)

Kryptonians beware! After Superman is taken out by a falling asteroid, he is rendered unconscious. When he wakes up, the world has changed. One city has become a wealthy powerhouse. Their biggest export? Kryptonite!

With the deadly material easy to access, many of Superman’s enemies can acquire it. The Man of Steel has his work cut out him to say the least!

SUPERMAN UNLIMITED #3 by Dan Slott, Rafael Albuquerque, Marcelo Maiolo and Dave Sharpe continues the new world of Superman with its latest chapter.

Let’s take a deeper dive into the latest events!

SUPERMAN UNLIMITED #3 by Dan Slott, Rafael Albuquerque, Marcelo Maiolo and Dave Sharpe (DC COMICS)

*** POSSIBLE SPOILER WARNING ***

Timing couldn’t be better to have a certain guest star crash this series. Krypto’s appearance in the story spins into a more light-hearted affair. The series has been very grounded by the change in Kryptonite access. Readers have some fun moments as Krypto’s past is brought into the light. Slott stages the flashbacks into an effective tool for later. Even when the danger arrives, the mood only briefly changes.

Speaking of the danger, Toyman’s “appearence” (literally) is an engaging point. The set-up works to throw the audience off guard. Their patience is rewarded with some solid action pages. There are quite a few crowd pleasing panels before the tables turn. Watching how Krypto handles the new Kryptonite access becomes the catalyst for the ending. The writing throws in a few twists before leaving. Even as challenging as Superman and El Caldero have become, Slott inserts a reminder of Clark’s humanity. There’s nothing like a bond between a man and his superdog.

Albuquerque & Maiolo hit readers with an opening two page splash. The Smallville trip starts forming the picture of young Clark and his dog. Even as the story time jumps a bit, the art brings out the best in Krypto. His super heroics don’t go unnoticed. They help elevate the mood going into the conflict portion.

The redesign of Toyman is very clean and opens a few doors. Panels play up to its’ doll frame mannerisms. Fun times disappear fast as Superman and Krypto set up to fight his latest creation. Readers watch as the action revs up. A full page image moves the combat into a tragic turn. This allows for Superman to show his upset emotions. Toyman’s motives in this stage are vastly different than expected. The art locks in on this new persona to the resolution & epilogue. Readers leave the issue with a memorable closing panel. Somehow, it doesn’t appear as these good times will last.

OVERALL GRADE: 8.6

Can Krypto and Superman stop a new and improved Toyman? That is the question posed for this latest chapter. Slott’s writing keeps events upbeat, even when times look tough. Albuquerque & Maiolo take readers on a trip through the Superdog’s past to cement his place in the new Superman era. Fans of the movie will have much to enjoy with this issue.

Let me know in the comments below your thoughts on Superman Unlimited #3. Thanks for reading!

TITANS #25 (DC COMICS)

DEATHSTROKE IS BACK! The deadly assassin has cheated Death and that spells trouble for the Titans. Like anything Slade does, he has a plan. For months, he has been building a crime syndicate. Mammoth, Clock King, Killer Frost, Vanadia and Terra have been brought in to his game. Now it’s time to handle business. That means take care of the Titans once and for all!

TITANS #25 by John Layman, Pete Woods & Wes Abbott presents a main event fitting for this long running feud with Slade Wilson.

Let’s take a closer look at how this all goes down.

TITANS #25 by John Layman, Pete Woods & Wes Abbott (DC COMICS)

*** POSSIBLE SPOILER WARNING ***

Layman dabbles into the Titan lore with this latest story. Anytime you mix Terra and Slade together, it is always tricky. The writing plays into “the Judas Contract” history for driving conflict with Beast Boy. The story does a good job with monologues to walk new readers through this history. Even with a “previous” time jump, the chapter lays everything out on the table. This both hit and misses in certain areas.

The writing shows the skills of Nightwing and Beast Boy breaking down a plan. This is classic Titans storytelling in dealing with Slade. Even as the team mount their comeback, some moves remain steady and repetitive. There is a fair amount of plot rehashes from their history. New readers may appreciate it more but seasoned Titan readers will have mixed results. This is evident in the closing stages. Once things start falling apart, the story feels predictable. Readers see how this element plays into the close. Note: it’s not an awful ending but one that feels like we’ve been here before. Hopefully the next time Slade’s back, there’s something added to his scheming.

Woods begins with a full action shot of Beast Boy. The fight panels feel large and represent team combat. Readers will have much to be excited about with these images. Beast Boy’s struggles help push the strategy sequences. Once back on the battlefield, Raven has a breakout moment. The near full page image of her fighting Clock King tips scales into the Titans favor. This continues on as the fighting rages on.

There are a few key face-offs that deal with more emotional pay-offs. Vanadia and Cyborg has a solid back and forth with events. The art locks in on Cyborg’s attempt to talk some sense into his opponent. While brief, the Slade fight scenes pop off the pages. Once in the close, the near full page spotlight what Deathstroke does best: survive. It leaves the Titans in a sound, yet familiar spot. The last panels tease what was expected as soon as Slade made his moves. It is what it is, but leaving the door open for more pending the future.

OVERALL GRADE: 8

Slade’s syndicate vs. The Titans is a main event anytime at the LCS. However, this chapter mimics a few past events in its’ present. Layman juggles a large cast to bring the action to the script. Woods’ art has plenty of excitement behind it with the combat. New readers will have a better experience with this than longtime Titans fans.

Let me know your thoughts on Titans #25 in the comments below. Thanks for reading!

MARVEL KNIGHTS: THE WORLD TO COME #2 (MARVEL COMICS)

The King of Wakanda is dead. This has sparked the Dora Milaje to search for someone with answers. Their search has led them to Everett K. Ross. What Ross speaks takes their conversation into the past. It references a certain point in T’Challa and his son Ketema’s lives. All parties brace to what secrets are uncovered.

Marvel Knights: The World To Come #2 by Christopher Priest, Joe Quesada, Richard Isanove, Richard Starkings and Tyler Smith continues its’ journey back to the past.

Let’s take a closer look at what is unfolding now.

Marvel Knights: The World To Come #2 by Christopher Priest, Joe Quesada, Richard Isanove, Richard Starkings and Tyler Smith (Marvel Comics)

*** POSSIBLE SPOILER WARNING ***

The world through the eyes of Ross is a disturbing place. Considering the places he has been, Ross is a very jaded and broken soul. The writing shows how he’s not afraid to dance with the Devil. It also shows the trail of mistakes made. Readers watch as the tangled web weaved with Noelle Adams provides dark humor and heavy drama. Priest doesn’t let Ross stray too far from his history. It’s not long before Wakanda comes calling.

Resolving the trial of combat isn’t Ross’s specialty . The writing shows how his actions affect an already unstable fight. Ketema and T’Challa’s brawl is unforgiving. The brash young man speaks with much anger in his voice. Knowing the wild history involved, readers can sense his pain. The writing never shies away from this aspect. It plays a good counter to Ross’ internal demons. Everything gets turned when the final chapter starts. A move is made that causes a direct ripple effect. How the final page is going to play long term. In the meantime, this mystery is only getting more intense by the moment.

Quesada and Isanove start off the art with two very different full page panels. The first picks right up where issue one ends. Seeing the brutality commence makes a statement. The following page makes a completely different one. Ross has his issues and this doesn’t back away from it. It plays into the dark humor mentioned previously. Ross’s life is anything but cheery from here on out. The panels with Noelle show his slow breakdown. Readers see how the verbal weight becomes too much and sets forth his new past. Unfortunately for him, his past won’t leave him alone.

The full page view of the Wakandan ship makes a bold statement. It leaves Ross questioning the actions. Readers get caught up on T’Challa’s time during this phase. The heartbreaking pain of losing a child is presented in an emotional flashback. This pushed the time jumping for a few pages. It was nothing that readers were lost in. With Quesada steering the ship, the panels moved very easily. The roads finally lead back into the trial of combat. There’s plenty of intensity to go around during these panels. Readers watch as this leads into the shocking end. A simple panel of two words changes everything. It leaves readers with a full final page that will have the shops buzzing. Nothing is pulled when dropping another exclamation point on this chapter’s end.

OVERALL GRADE: 9.2

The world according to Everett K. Ross provides many avenues of drama leading to a show-stealing end. Priest blends the humorous times in a heavily focused drama. Quesada and the art team shine in bringing out the pent up feelings of all involved. “The World To Come” is definitely one not to sleep on.

G.I. JOE #9 (IMAGE COMICS/SKYBOUND)

Some wounds never heal. The Baroness takes a leave from G.I. Joe after their COBRA encounter. Her reasons are very personal. She’s watching her parents have a sentimental meeting in Paris. Cover Girl has tagged along for the ride. Even in the shadows, Baroness can’t escape the spotlight.

An unexpected visitor has crashed the party. RAPTOR explodes onto the scene. The COBRA agent bears a message. It is from someone who has a grudge to pick with the dangerous Joe. MAJOR BLUDD is looking to make “an Eye for an Eye” a reality.

G.I. JOE #9 by Joshua Williamson, Andrea Milana, Lee Loughridge and Rus Wooton (Skybound Entertainment/Image Comics brings the action in a reunion of epic standing.

Let’s take a closer look at what transpires now.

G.I. JOE #9 by Joshua Williamson, Andrea Milana, Lee Loughridge and Rus Wooton (Skybound Entertainment/Image Comics

*** POSSIBLE SPOILER WARNING ***

“More than meets the eye” is synonymous with Transformers. For this chapter, the Baroness takes readers into a few different directions. Her simple plan to see her parents is quickly thwarted. Readers get a tense moment before a touch of clarity. The writing gives a quick breakdown of Raptor and why he factors into play. It is a solid set-up before the true threat finally arrives in Paris.

Bludd’s debut gives off a cold aura as his pursuits take hold. The banter between rivals keeps the unstable villain in the drivers seat. It transitions into a more darker reality. Williamson leans into the viciousness for the closing portion. Even with a few subplots getting time, this is Bludd’s chapter with reason. His endgame starts to evolve as he addresses his opposition. The result is a drastic move which throws motives into flux. It has never been said the Baroness was a saint. The closing page indicates those past sins may never be healed.

Milana and Loughridge set the bar high early in this chapter. The two page spalsh with Raptor’s attack drives home the ruthlessness forthcoming. It is followed up by a solid full page flashback. The page gives just enough to the readers on the current threat. This is especially helpful to new readers. It also serves as a pivot into a greater challenge at hand.

Readers watch as Bludd takes center stage via half page panel. His mannerisms conveys the sadistic nature of his fight. The following action panels leave little for chance. They are brutal and amplified by Wooton’s lettering. Few points rival Bludd’s attack. One does give a run for the money. An agents’ retelling of Starscream crafts an uneasy mood with its visuals. There is few “bright” spots for the good team in this chapter. This is clearly evident in the closing. Bludd’s moves stir up a breaking reaction in Baroness. His smirk sets up a very shocking final page. Readers will have many questions as they break down what just transpired. More than meets the eye indeed.

OVERALL GRADE: 8

Deception follows the Baroness everywhere she turns in this explosive chapter. Williamson cuts deeper into the past’s emotional wounds. The art team delivers on maniacal plans of Major Bludd with fantastic panels. Just when you think the picture comes into focus, the creative team changes the game!

Let me know in the comments below your thoughts on G.I. Joe #9. Thanks for reading!

THE NEW GODS #8 (DC COMICS)

Life after Darkseid should have made the DCU safer. That isn’t the case if you ask High-Father. The Nyctari have attacked with vicious results. Lightray was killed in combat. The gods of New Genesis have been forced to evacuate. Their new destination is Earth. It might sound like a safe haven. Due to High-Father’s actions, it is very far from that notion.

The New Gods #8 by Ram V., Evan Cagle, Stipan Morian, Francesco Segala & Tom Napolitano continues their galaxy spanning saga.

Let’s take a deeper dive into the philosophical drama.

The New Gods #8 by Ram V., Evan Cagle, Stipan Morian, Francesco Segala & Tom Napolitano (DC COMICS)

*** POSSIBLE SPOILER WARNING ***

In the course of this series, Ram V has challenged the Gods on a few new levels. None might be more questioned than Izaya (aka HighFather). His actions since issue one have come with terrible costs. Orion vs. The Miracles. Lightray’s death. The evacuation of New Genesis. All have paid a heavy toll. Seeing how he has been humbled by the fall, Izaya comes off in a refreshing perspective. It also harkens the notion that he may be the traitor in the midsts.

The Justice League injection to the story hasn’t found its’ groove until now. Seeing Superman and company decide on the Gods’ residency rolls into a reset of sorts. The writing shows the wear on Highfather and his ultimate choice. It offsets the tease of a returning Maxwell Lord into the DCU fold. The small superhero break provides a pause before adding onto the mounting drama. Once in its’ final stages, V’s writing solidifies Izaya’s transformation. The touching moment gives pause before the oncoming storm that will shatter all.

Morian is this issue’s guest artist. The opening pages give a superb recap of Izaya’s loss. It helps to add some thoughts into his current choices. Cagle jumps in from here and gets to a lingering dilemma. Watching the JL call concerning the Gods helps to establish the new stat quo. There is a large sense of hope building until the timeline shifts to a superhero portion.

Readers watch as Mr. Terrific and Ms. Martian head into Lord Industries. The art delivers on solid action while cyphering through this set-up. It is brief but effective. From here’ the focus is back on the Gods “housewarming”. The two page splash conveys the lighter tone with some humor thrown in. It offsets Izaya’s big decision. Readers see the effects of this move in the closing pages. The moment cements the change of mind one goes through while presenting a calm before the storm.

OVERALL GRADE: 8.5

All eyes of New Genesis are focused solely on Izaya as a drastic call is made. Ram V sets a more grounded aprroach with the god’s mindstate with the writing. The art mirrors the cost of life and its’ weight on a God’s shoulders. This series continues to challenge while sprinkling in a sizable amount of superhero plots.

Let me know in the comments below your thoughts on The New Gods #8. Thanks for reading!

BATMAN AND ROBIN: YEAR ONE #9 (DC COMICS)

General Grimaldi’s actions haven’t won him over many friends. His obsession with the Dark Knight has led to a division in the crime families of Gotham. This isn’t good for business. One person who knows this all too well is Two-Face. After cutting a deal with Grimaldi’s top enforcer, Clayface, the scales have tipped.

It’s up to the Dynamic Duo to save the city. Are they up to the task so early in their partnership?

BATMAN AND ROBIN: YEAR ONE #9 by Mark Waid, Chris Samnee, Mat Lopes and Clayton Cowles delivers its pen-ultimate issue.

Let’s take a deeper dive into the duo’s rocky start.

BATMAN AND ROBIN: YEAR ONE #9 by Mark Waid, Chris Samnee, Mat Lopes and Clayton Cowles (DC COMICS)

*** POSSIBLE SPOILER WARNING ***

With his actions wearing thin, Gotham is ready to remove Grimaldi from the board. The crime families discussing their plans sets the tone early. It is one that moves swiftly. The writing shows the General is one step ahead. When the raid fails, the duo is there to pick up the pieces. It leads into a dramatic end to the conflict. The writing also tees up another factor looming in the series.

Dick Grayson’s persona is reflective of his age and inexperience. When he is distracted in the field, Batman doesn’t know how to exactly handle it. Readers watch as the true foundation of the Bat Family has to step in. Alfred’s dialogue serves as the bridge to connecting with Grayson. It is a heart warming moment that defines how important Mr. Pennyworth is to this group. This gives way to a shocking closing act. Seeing how far Grimaldi has come, Waid throws in a monster serve. Timing is perfect as it hides a reveal that would have ruined Batman. It also sets the stage for a showdown of epic levels. Incredible writing has never been an issue with this series.

Samnee and Lopes craft the mood early with the panel set-up. The longbox build gives a scrolling sense as the families make their moves. A near full page shows Grimaldi’s back-up plan at work. The action is flying fast and loose. Lopes’ coloring is superb in dealing with the smoke and mirrors ploy of Batman. Once the smoke clears, another mid page panel showcases the aggressive duo. It takes a sidestep to an explosion, which wounds leave a deeper scar.

One of this series strongest elements is the father-son foundation forming. After Batman scolds Robin for being careless, his face changes. He’s not the brooding knight. Batman shows how human he is with a touch of sadness. The art locks in on Grayson’s brave face until he finally unloads on Alfred. Their bonding moment is pure emotion that can’t be denied. It’s a great segway to the closing act. Grimaldi is poised to celebrate his big win. A half page panel steers everything into another direction. The timing couldn’t be more perfect. It sets up the finale with a strong lead-in page. Fans will have much to rave about here.

OVERALL GRADE: 9.4

With Gotham’s most powerful gangsters ready to take on Grimaldi, the Dynamic Duo have to stay sharp to survive. Waid’s writing serves up heavy emotions through the superb build. Samnee and Lopes impress with the stunning artwork. The endgame is here & fans can’t afford to miss what’s happening.

Let me know in the comments below your thoughts on Batman and Robin: Year One #9. Thanks for reading!

DETECTIVE COMICS #1099 (DC COMICS)

A trio than no saw forming. In Asema’s downfall, Batman’s attention has turned towards Elixir. The age-defying organization wants to make sure they stay out of the spotlight. Their actions have also crossed the paths of two unlikely parties. Harvey Bullock and the Penguin have vested interest in the group. Curiosity might not kill the Bat, but a bullet might find someone else.

DETECTIVE COMICS #1099 by Tom Taylor, Lee Garbett, Lee Loughridge, and Wes Abbott sees the Bat try finding a way to stop an immortal threat.

Let’s take a closer look at where events play out now.

DETECTIVE COMICS #1099 by Tom Taylor, Lee Garbett, Lee Loughridge, and Wes Abbott (DC COMICS)

*** POSSIBLE SPOILER WARNING ***

Who would have thought these three characters could function as a group? Taylor defies logic and brings forth a sound but unstable challenge. Bullock’s wounds cause another wrench to be added into play. The result showcases Batman’s calm reactions to offset Penguin’s selfish goals. The contrast adds a nice touch into a very straight-forward story.

There are some elevated action scenes. One in particular is Batman evading missile strikes in the Bat Plane. It feels a bit off-center from the more grounded case at hand. Once that fades away, the book finds its’ strength. Seeing Bullock and Penguin interrogate is a fun sequence. It moves events along to a few key reveals in the case. Once the closing hits, it feels a touch telegraphed. For being a major player, the true threat is dealt very conveniently. The ending delivers a soft close. It wasn’t the strongest of landings but hit its’ key points before bowing out. The epilogue provides a steady compliment as the door closes on this chapter. Onward to the milestone issue.

Garbett and Loughridge conclude their run bringing the action. The opening page is a frantic scene. With bullets flying everywhere, the art shows Batman’s rising anger as Penguin cowers back. The contrast spills into a dramatic save for a wounded Bullock. This moves into a tense warning via Batman to elixir. The half page panel throws a jab before the hooks come in.

The air fight is great for what it is. Readers see the missile evasion in full view. The near full page showcases Batman’s aerial maneuvers while deceptively rolling into his partners’ actions. Penguin’s back and forth with Batman and Bullock is every bit as good as advertised. The coloring of the yellow shows off the sense of a fearful revelation. This transitions into the closing portion. A deadly execution is brought to life via a full page image. Readers find out quickly who is behind it. Another full page image answers a long looming question. Much like Bullock and Penguin’s reaction, it feels underwhelming. The art team gives one last full page image to conclude events on before a solid epilogue wraps it up. It works to clear the plate before issue #1100 is ready to drop on readers.

OVERALL GRADE: 8.3

The “Elixir” saga concludes on a steady but underwhelming note. Taylor’s writing brings out the best of his unlikely trio. Garbett and Loughridge take readers through the action into a dramatic finish. Once here, time finally runs out on Elixir’s powerful hold on the audience. Considering where it was, the ending felt too compact for where it was going.

Let me know in the comments below your thoughts on Detective Comics #1100. Thanks for reading!

ABSOLUTE BATMAN #10 (DC COMICS)

Someone is ready to break the Bat again. Waylon Jones went missing. This has prompted Gotham’s violent protector on a seek and rescue mission. His journey has led him into the dark underground of ARK M. It has also brought him into the path of a dangerous foe. BANE defeated BATMAN easily. What is the current fate of the Dark Knight now?

ABSOLUTE BATMAN #10 by Scott Snyder, Nick Dragotta, Frank Martin, & Clayton Cowles drags Bruce Wayne further into darkness!

Let’s take a deeper dive of the latest chapter.

ABSOLUTE BATMAN #10 by Scott Snyder, Nick Dragotta, Frank Martin, & Clayton Cowles (DC COMICS)

*** POSSIBLE SPOILER WARNING ***

Snyder takes a disturbing look at the Arkham mythos with this chapter. Establishing Wayne has been gone for months creates a sense of panic. It starts a cold road to freedom as Batman becomes a test subject. The writing teases enough to give false hope. There are plenty of easter eggs to the rogues gallery throughout. In the end, it all circles back to the purest form of rage.

Bane’s demeanor is chilling. This is much in the vein of his “Knightfall” run. His motives are more calculated in slowly breaking Wayne’s mind. Even as Batman takes extreme measures, there is little hope shown. Readers watch as the Dark Knight digs deep into his memories for strength. The flashback sequences add to the drive for escaping. This spins into a striking closing sequence. As a “final” test is pushed, Snyder offers a sliver of chance. It results in a rollercoaster of reactions. None may be more chilling than the final panel. Rest assured, the Absolute vision continues to push boundaries into new territory.

Dragotta and Martin take readers into the morbid world of Ark M in the art. The initial escape wastes little time in presenting its’ horror. Bane’s presence is overshadowed by events until the last moment. Presenting him in this manner only adds to his fearful persona. Other than the flashback panels, the mood of despair is a permanent fixture for this issue. There is no better example than the “second” escape attempt.

The art hones in on the drastic measures Wayne takes to escape. This includes a close-up on his “knuckles” to using stomach acid as a corrosive weapon. The images hold nothing back. Readers watch as the terrifying landscape continues to spiral. This fuels the art in the closing act. The full page return to form kickstarts a painful journey. Readers watch as the art brings out the dire feel while pouring Bane’s aggression into the mix. All sides give way to an incredible two page splash. The image serves as a surprising rally cry to the book. As impactful as that goes, the final page steals back some thunder. It leaves readers with more doubt as potential hope may not be in the cards for Gotham’s favorite son.

OVERALL GRADE: 9.3

How far can a Bat be broken? That is the question posed in this latest chapter. Snyder pens a disturbing look at the true horror of Gotham. Dragotta, Martin and Cowles construct the brutal and dire world which Batman now finds himself in. The Absolute Universe has never been a hopeful world. This chapter shows there are many levels to descend before hitting absolute despair.

Let me know in the comments below your thoughts on Absolute Batman #10. Thanks for reading!

ACTION COMICS #1088 (DC COMICS)

There’s only one chance to make a first impression. This goes for the Man of Steel as well. Making his “debut” in Metropolis has now drawn a lot of unwanted attention. Now, Clark Kent faces another terrifying adventure in his young career.

Clark is now entering the halls of….Smallville High!

ACTION COMICS #1088 by Mark Waid, Skylar Patridge, Ivan Plascencia & Steve Wands takes readers back to the Superboy era with a timeless tale.

Let’s take aa closer look at what is happening now.

ACTION COMICS #1088 by Mark Waid, Skylar Patridge, Ivan Plascencia & Steve Wands (DC COMICS)

*** POSSIBLE SPOILER WARNING ***

A forgotten era gets an enjoyable revisit with this issue. Seeing how Perry White crowns “Superboy” is a fun twist. Little did the Kents know their outing in Metropolis would have caused this commotion. The writing captures the Kents’ adjustment to Clark’s outing. It carries a light-hearted innocence to the dialogue. Even as he is growing in his hero role, there’s one fate that is unavoidable.

The start of his high school era is well played. Martha’s way of “hiding” Clark’s identity is a perfect throwback. Readers watch as Clark needs to go through a dual role just to cover tracks. It leads into familiar territory with “outcast” teens. Once the story moves into its drama, the issue pick up steam. The challenge is minimal to Krypton’s last son. However, his inexperience makes some mistakes. None leave more of a trail than its’ fallout. Waid’s writing proves no good deed goes unpunished. The parting page teases that Smallville’s hero might have a larger problem on his hands than realized.

Patridge & Plascencia’s depiction of the “Superboy” announcement is solid. The newspaper near-full page conveys the impact of Clark’s actions. His innocent smile is very different than the Kent’s worry. There are many wholesome moments between the family to move events along. The two page split of Superboy’s training into a nice transition point before heading back to Kansas.

The high school days are filled with classic teenage reactions. Clark’s “geeky” awkwardness shines in these moments. Once the conflict arises, it’s greeted with a dramatic full page. The split between panels gives a new perspective before Clark reacts. Readers watch as the situation is handled quickly. It results in a direct confrontation that is under-estimated. The full page image shows the youthful rage of Clark. There’s a prime example of his emotions taking over. This pivots into the closing moments. The parting panel sums up the fallout with a new dilemma on hand. It’s a fitting departing image with events.

OVERALL GRADE: 8.3

The re-introduction of Superboy continues its winning ways in this chapter. Waid’s timeless themes shine in the writing. Patridge & Plascencia construct a throwback view of a young boy forging into the Man of Steel. Anyone looking for a classic superhero story needs to pick this up.

Let me know in the comments below your thoughts on Action Comics #1088. Thanks for reading!

FREE PLANET #3 (IMAGE COMICS)

At what cost is Freedom too much? That is the question plaguing Lutheria’s newfound protectors. The Freedom Guard was assembled as the planet won their true independence. Balancing the multiple factors adjusting to the new world is one thing. Jackson Crater is a whole other combustible element.

What lies ahead isn’t getting any easier for anyone.

FREE PLANET #3 by Aubrey Sitterson, Jed Dougherty, Vittorio Astone and Taylor Esposito continues to blaze its’ trail of intense storytelling.

Let’s take a closer look at what transpires now.

FREE PLANET #3 by Aubrey Sitterson, Jed Dougherty, Vittorio Astone and Taylor Esposito (IMAGE COMICS)

*** POSSIBLE SPOILER WARNING ***

Sitterson throws the Guard into more uncharted water that come with heavy prices. With Lutheria’s Orchaleum being a sought after resource, many parties want it. The writing presents the Orouran Empire as the new contenders. Readers watch as they show no regard into going for what they want. Diplomacy isn’t their strong suit. It might not be the Guard’s as we find out.

Katja and Basil get some backstory before being thrusted into a diplomatic moment. Yrl-Ken, The Quadros representative provides friction in dealing with the upcoming threat. Sitterson plays this point right into the heart of the issue. A starflight scrap takes center stage as the creative team unloads their arsenal. The action will have fans locked in as the presentation is ambitious. It rolls into a more stable ending. Events end with a shadowy feel/ Knowing the moves in silence will speak volumes as Freedom’s cost is very steep.

Doughtery and Astone open up with a huge full page image. The Orounan Empire makes a loud debut. It is followed by a two page showcase that displays their unbending methods. The art switches gears to a more calm time between Katja and Basil. It serves as a reminder of a lost past and hardened future. The debut of Yrl-Ken is presented in full detail. Its’ one of this series strengths. There is very little left out of an ever changing world.

The majority of the issue is taken over a star fight for the ages. Readers see a two page splash assess the threat incoming. It is the tip of the iceberg as the fight is staged in a very unique way. There’s a series of two page splashes that come across (in this version) as if the readers are flying in the fight. It is a bold move but this series has never been afraid to go places. The panels never let up on the excitement until the fight is over. In its’ wake is a return to form for the guard. This leads into a very tense aura for the closing. Tensions are high as the struggles to maintain Freedom is weighing heavier by the day.

OVERALL GRADE: 9.2

The Freedom Guard not only has to navigate outside threats but ones within. Sitterson stages the drama with excellent writing. Doughtery and Astone gamble and score with an distinct look at a space fight in motion. The storytelling involved with this world-building is second to none.

Let me know in the comments below your thoughts on Free Planet #3. Thanks for reading!

LIFE #5 (DSTLRY)

The best laid plans never go according to schedule. An inhabited planet has riches unclaimed. It’s enough reason for Bobby Prost to come back to the crime life one last time. Prost and his crew rolled the dice. They seemed to have cashed out emptyhanded.

Waiting in the wings are prisoners serving deathly life sentences. The “Casanova Killer” Cory James is leading the rogues. They see Prost’s ship as a means to escape their never-ending sentences. Unfortunately for both, someone else has other plans.

LIFE #5 by Brian Azzarello, Stephanie Phillips, Danijel Zezelj, Lee Loughridge and Jared K. Fletcher brings forth the pen-ultimate chapter of Pros and Cons.

It’s been a long wait since issue #4. Let’s not stall any longer & dive into the chapter.

LIFE #5 by Brian Azzarello, Stephanie Phillips, Danijel Zezelj, Lee Loughridge and Jared K. Fletcher (DSTLRY)

*** POSSIBLE SPOILER WARNING ***

“Pros” presents a traitor in the midst. Fiona has schemed her own plans. This leaves the crew in a very dangerous spot. Even with the score at their fingertips, escaping Hell on this Earth isn’t easy. The writing sees Damone and Jax comprehend the set-up. Readers watch as their hope dwindles away. Seeing Fiona describe her twisted motivation gives a newfound perspective on actions. It also leaves the door open for an unexpected surprise. The dialogue is chilling as each page turns. Jax’s meeting with the Cons closes out this portion. Their chat goes in many directions. It ends with a shocking action. The ramifications feel huge as no one is escaping fallout from a thief’s choice.

“Cons” heads into James’ sinister escape plans. Readers see quickly how that has been thwarted. The realization that Queen Jesus no longer factors in plans shakes things up. This portion does a solid job going into flashbacks. Their focus is on James’ rise to power on the planet. The banter between convicts proves there is no real honor. Readers see a very clear, but dark picture of the reality. It rolls into seeing James’ last chance leave his sight. The writing vents his frustration onto his other associates. Events come full circle with the “Pros” part to close. The highly combustible meeting leads to a startling ending. No choice goes without grave consequences in this close.

Zezelj and Loughridge go for a vivid panel set-up early in the “Pros” portions. A full page image laced with smaller panels down the middle walks readers through Fiona’s turn. This heightens the brooding moods of the thieves. The coloring assists huge when it comes to the action. A noteworthy red tips off readers of a fatality. This moves into Fiona’s grand scheme. The changing palette shows her ascension of plans. Her twisted confessions tell a broken tale via her expressions. This leads into the explosive close. There’s never a moment to breathe when the meeting is hanging by a thread. The last page is a full image that drops a massive exclamation point on events!

“Cons” showcases the savage aggression of James and company. These are not nice people and the art fully drives this home. James’ rage pours over each panel. It’s a stark contrast to the flashback moments. Loughridge’s coloring switches to reflect the moods in play. Nothing becomes more vivid than James seeing his plans fly out of grasp. The pages lock in his frustration of losing. Save for the other flashback, the art never breaks this mood. It pushes into the other side of the “Pros” close. There’s plenty of anger in these pages. It all boils to a head with the full last page. An action is taken that won’t soon be forgotten steering into the finale.

OVERALL GRADE: 9.4

One person’s drastic actions throws everything into chaos in another powerful issue of “Life”. Azzarello & Phillips pen an aggressive view of broken dreams with their writing. Zezelj and Loughridge paint a highly emotional view of lost hope with the visuals. Don’t sleep on this extremely creative take on traditional comic storytelling.

Let me know in the comments below your thoughts on Life #5. Thanks for reading!

TRANSFORMERS #22 (IMAGE COMICS/SKYBOUND)

The end is fast approaching. Megatron has returned to his army. After unifying warring factions, the Decepticons have taken events up a few notches. Earth’ fate lies in the hands of Optimus Prime and the Autobots. With every attack, they have been hit twice as hard. It doesn’t help matters when Optimus’ arm is Megatron’s and slowly killing him.

After making drastic measures, the weakened Autobots are retreating. Their time is quickly running out to survive.

TRANSFORMERS #22 by Daniel Warren Johnson, Jorge Corona, Mike Spicer & Rus Wooton marches toward the final showdown between the Cybertronians.

Let’s not wait another moment and dive into the story!

TRANSFORMERS #22 by Daniel Warren Johnson, Jorge Corona, Mike Spicer & Rus Wooton (Image Comics/Skybound)

*** POSSIBLE SPOILER WARNING ***

In dire times, tough choices need to be made. Johnson brings this concept directly to the forefront. The Autobots have been severely decimated. Readers see how Prime is broken both physically and mentally. Losing his arm to save his life isn’t the only major issue. The writing never lets the feeling of hopelessness escape the pages. It is only until unlikely back-up arrives to try pulling a miracle off. Considering what has happened, the odds are not in favor.

The same can be said of the Cybertron side plot. Elita’s views of Earth’s problem do not match up with Cliffjumper. Johnson eases readers into the bubbling tension. Even when a plan is set in motion, someone calls an audible. This results in an uncertain future for both groups of Autobots. The writing also dabbles in moving the key players one step closer to the main event. There is plenty of emotionally driven moments that set forth the collision course. It is all tied together with the closing page. There’s no turning back form the last panel. Brace for impact.

Corona and Spicer never back away from the destructive toll taken in this war. The opening visual of Optimus Prime broken leaves no doubt of the present state. It moves aside for the Cybertron resolution. Elita’s coy smile tips off readers of he scheme. Cliffjumper’s response is awarded a half page panel. It’s a fitting moment to break up the Earth drama. Luckily, the audience doesn’t have to wait long for that.

Seeing the Optimus Prime drama play out is a bold move. The actions taken are presented with an unknown sense. This reflects the big gamble taken. What becomes the result is a near full page visual that is sure to leave an impression. The art doesn’t elude the other key players involved. Readers watch in horror as the Decepticons unleash their latest onslaught. It is very intense action that showcases their violence. This mood sets up the closing pages very smoothly. There is never a moment eluding the drama at hand. This wraps up with the closing page. Watching the Autobots react leaves a definitive point of no return. As previously stated, the upcoming battle will be one for the ages.

OVERALL GRADE: 9.2

Desperate times call for desperate actions. Johnson’s writing moves both feuding sides closer to conflict. Corona, Spicer & Wooten swing big with the action while layering the drama with their art. This series is aiming high and never misses.

Let me know your thoughts in the comments below about Transformers #22. Thanks for reading!